The leading international journal of academic film and television studies, published by Oxford University Press.
Glasgow, Scotland
Joined January 2015
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Screen Studies Conference 26-28 June 2026. Keynotes: Kodwo Eshun, Lotte Hoek. Call for Papers: closes 14 January 2026. tinyurl.com/57xr37e2
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Am excited to see that my newest article, '‘If I can change’: multigenerational cinematic franchises, retconning, and the spectre of Rocky IV', has recently been published in @Screen_Journal: academic.oup.com/screen/arti…!
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The Winter issue of @Screen_Journal features the horror of (and in) directors' audio commentary tracks plus the monstrous adoption of a LAMB (2021). Latter is #openaccess, enjoy! @Media_Professor Bruno Cornellier @JennyHeijun
academic.oup.com/screen/issu…
ALT On the left, the cover of the Winter 2024 issue of Screen Journal, black background, pink script print, featuring a film still of Bette Davis from a 1930s or '40s movie.
ALT On the right, a still from the 2021 film LAMB. The man to the left holds a little white lamb in a jacket while his partner (Noomi Rapace) screams in anger at someone off-camera.
Screen Journal retweeted
New article in @Screen_Journal about visibility, invisible labour and the career of a trans production worker in 1940s British cinema - Open Access tinyurl.com/59wcrrty
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It's day two of #screencon2022!
Have you visited our virtual booth yet? It includes 40% off all books, free content, #OAbooks and much more!!
manchesteruniversitypress.co…
@Screen_Journal #FilmStudies #ScreenStudies
manchesteruniversitypress.co…
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Hello to everyone attending #screencon2022 👋
Check out our virtual booth, with 40% off all books using SCREEN2022 at the checkout,
manchesteruniversitypress.co…
There's also free content, #OAbooks and much more!!
@Screen_Journal #FilmStudies #ScreenStudies
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Thoroughly enjoyed presenting my "Epistolary Entanglements" chapter on the construction of masculinity in/through letters at #ScreenCon2022 this morning. Teri Higgins, Catherine Fowler & Christine Sprengler were brilliant 👏
Also helped me find a new favourite GIF:
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We're excited to announce that we're giving 30% of all our @AuteurPub titles until 10th July for #screencon2022 using code SCREEN30 at checkout!
Take a look at our virtual booth with selected books and journal articles: bit.ly/screencon2022📽️
Screen Journal retweeted
Head over to our #screencon2022 virtual booth for free to read articles from ‘Science Fiction Film & Television’ and ‘Music, Sound, and the Moving Image’, as well as 30% off all our @AuteurPub titles. Available until 10th July👉bit.ly/screencon2022
@sfftvLUP #ScreenStudies
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For the @Screen_Journal conference, I co-curated a selection of video essays relating to the theme of screen aesthetics. To accompany it we recorded this. Much incisive commentary from my co-curators. Much umming & ahing from me. #screencon2022 vimeo.com/713334198/7dd01ee2…
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Congratulations to @MatthewSmolnski, whose video essay 'Here, There and Everywhere: Movement in the Beatles’s Fiction Filmography', made on our Practice of Film Criticism module, is noted by @ArtHouseDirectr in @SightSoundmag's best video essays of 2021! bfi.org.uk/sight-and-sound/p…
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Thrilled to feature my article on televisual world-building in "Game of Thrones" in the latest issue of @Screen_Journal
One off the bucket list.
academic.oup.com/screen/arti…
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Looking forward to the Film Histories panel - with papers on social problem lantern slides, modernity in early US sponsored films, and mad minstrelry - just starting at #ScreenCon2021.
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"These are revelations that are not revelations": @aabwpg recognises weight of known/'unknown' history of Residential School mass graves in kicking off the documentary panel, and his paper on détournement and decolonization in Indigenous found footage filmmaking. #ScreenCon2021
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Very much enjoying Priya Jaikumar laying into Adani's Australian operations (and the complicity of Australian and Indian governments) as part of her #ScreenCon2021 keynote!
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The troubling thing about THE BATTLE OF ALGIERS' place within the film studies canon, is its presentation, without such context, as a somehow 'pure' example of revolutionary Algerian cinema, and not one that is implicitly entangled with colonial processes itself. #ScreenCon2021
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Looking forward to presenting at #screencon2021 shortly. I am presenting on three great films, two of which are available to watch online. First up is Caroline Monnet's Mobilize (2015): youtu.be/dGAbvGftjVc 1/3
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#Screencon2021 starts today📽️
Don't miss our dedicated conference website. It includes discounted books, free #ebooks, #openaccess content and much more!
manchesteruniversitypress.co…
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Palis contrasts THE INDIAN THE THE CUPBOARD's treatment of the 'momentary regret/lament' of colonial violence, with King's I AM NOT THE INDIAN YOU HAD IN MIND, which necessarily holds film quotation at a much greater critical distance. #ScreenCon2021
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Really interesting conclusion to @AnnaViolaSborgi's paper, highlighting Coel's own metaphor - in her MacTaggart Lecture - of working class access to the 'house' of culture. #ScreenCon2021