🚨Last 2 days 🔥 What started as a Historical Exhibition of Digital Art in the @rijksmuseum, you can also enjoy tomorrow at 📍MINA Gallery Weteringschans, 69 1017 Amsterdam Exhibiting the 5 Finalists and the Honorablr Mentions of the #GoogleGeminiArtRemix Enjoy a coffee or a cookie while enjoying fantastic Art by @dragos_badita @newmediapioneer @uttermelon @lottevont @Paperpaint_nl @LaurenceFuller @DavidMascha @RebeccaRose @jaendotart @Sarah_Main @ARTAVOS @ditacrypto @BiiMO_Official Sara Conte, Dennis Piké, Carla Laffra, and Derk Riesthuis If you’re not in Amsterdam, we’ve got you covered. Enjoy this thread 🖼️ 🧵1/3

Tonight is the Night! 🔥 The winners of the #GoogleGeminiArtRemix Open Call are taking over the @rijksmuseum. Join us for a unique digital art experience! 📍 Rijksmuseum Entrance 🕖 7pm – 9:30pm 📩 DM for a last-minute ticket! #Artcrush #DigitalArt #Amsterdam @GoogleAI This is the night of the following winners, honorable mentions & partners: - The 5 winners: Dragos Badita, @uttermelon, Marnix de Vries, @lottevont , @newmediapioneer - The Honorable mentions: Derk Riesthuis, Carla Laffra, Denn, @ARTAVOS, Marnix de vries, @LaurenceFuller, @jaendotart, Sara Conte, @DavidMascha, @ditacrypto, @RebeccaRose, @BiiMO_Official & @Sarah_Main - Our legendary partners: @RikOostenbroek & @edouard, our jury members and our sponsor: @GoogleAI Can't wait to be there 🇳🇱

Gm and happy Sunday. 🤲🟠

audio reactive 🎨🖤

15th & final Honorable Mention: "Go Within" by @Sarah_Main An Artwork that really stood out, as @edouard explains: "This film presents an interesting and rare attempt (the only one among the submissions) to reinterpret abstract postwar art using AI. It does not simply animate The Square Man by Karel Appel, but narrativizes it. What could seem like a stretch at first, turning an abstract postwar figure into a family-friendly protagonist, becomes more coherent when viewed through the lens of the CoBrA movement. Appel cofounded the CoBrA movement three years before this painting. The flat, rigid, block-like figure in it becomes a character, initially confined to a Brutalist, Corbusian architectural environment, which could visually embody the rational, structured postwar order that CoBrA’s spontaneous, childlike expression implicitly resisted. As the short story unfolds, the character eventually finds the way toward a more playful, organic environment where it looks like it belongs." 🧵 21/22