Sam Amidon retweeted
PHOTOS: Hiss Golden Messenger with Sam Amidon at Terminal West, Oct 18, 2026.
Photos by Alexa Kravitz (IG @alexakravitz).
Full gallery: atlantamusicguide.com/hiss-g…
#concertphotography #livemusicphotography #livemusic #concert
Sam Amidon retweeted
personally I think it's okay that Nathan didn't pad out every moment of incredulity with like, details from whistleblowers. it's fine that he treats the case as already litigated -- bc it WAS! she was sentenced! he's filming her on the way to prison!
YCSE is a great film, shades of Vertigo and Passion of Joan of Arc, and I loved the slow Morton Feldman vibe mixed w dark humor. But it is essential to pair it with more straight ahead reporting like Bad Blood @JohnCarreyrou because in the film, Holmes’ crimes are downplayed in order to heighten ambiguity and tension
i’m confused why anyone is saying there’s a “twist”in You Can See Everything… if you’ve seen any of nathan’s past work it’s literally the most logical sequence of events for the movie to take. people kept saying there was a TWIST and i was waiting for it the whole film
Sam Amidon retweeted
Amid the cinephiles' lofty debates about truth and art, it's worth listening to @TylerShultz_'s take on the film and on Elizabeth.
Elizabeth Holmes is “almost unrecognizable” in Nathan Fielder’s documentary, “You Can See Everything,” to Theranos whistleblower Tyler Shultz: “The woman that I saw on screen looked, frankly, like a broken woman.”
Shultz tells @gayleking and @norahodonnell about his reaction to the film, speaking out about Theranos in 2015 and why the documentary is garnering sympathy for Holmes, who is serving a more than 11-year prison sentence for defrauding investors: “She is not playing victim. She is an actual victim.”
RIP Noah Adams. Here he is interviewing Thomas Bartlett and I as teenagers on NPR: youtu.be/0Bl8QwQla9o?is=GIDm…
Noah Adams, one of the signature voices of NPR, dies at 84. npr.org/2026/10/18/nx-s1-555…
Sam Amidon retweeted
Sam Amidon w/ Bill Frisell - "Walkin' Boss" (Recorded Live for World Cafe) 🎧🎶🫀
Love you, brother @samamidon. Your music is awesome!..
Sam Amidon retweeted
for the @guardian, charles burnett & i spoke about “my brother’s wedding” and our years of creative partnership. the story is anchored by my discovery of never before seen images.
to be @1CharlesBurnett’s archivist & film distributor is a great honor. theguardian.com/culture/ng-i…
Sam Amidon retweeted
I just want to say Thank You to the great #McCoyTyner RIP. He mentored me with such care in our 5 yr run. I'm still discovering the depth of the world of musical knowledge that was opened up to me thru him!
#mccoytyner
#azarlawrence
#Atlantis #samalayuca.
#enlightenment
Sam Amidon retweeted
this book rules and is EXTREEEMELY prescient and relevant to our AI age. plus it's quite short. everyone should read
Sam Amidon retweeted
Whew, this song.
youtu.be/vDvMExHWwo8?si=o_9t…
Sam Amidon retweeted
i'm telling people to watch digger in theaters not in the hopes that it'll recoup its money. i'm telling people to watch digger in theaters because every aspect of the film (especially the sound design) is best experienced in the theater; it simply won't be the same at home.
‘DIGGER’ is reportedly projected to lose $250M - one of the biggest Hollywood bombs ever.
(Source: thewrap.com/creative-content…)
Digger doesnt hate the audience at all. It understands that we will always be telling stories and seeking catharsis, regardless of our material conditions or who is funding it, and it does a masterful job of presenting the contradictions inherent in that situation
Sam Amidon retweeted
Big up Anne Carson.
We congratulate Anne Carson, winner of the 2026 Nobel Prize in Literature. Carson is a contributing editor at Granta and a regular writer for the magazine. In celebration, we have lifted the paywall on all her contributions to our pages.
granta.com/contributor/anne-…
Sam Amidon retweeted
Crazy that the average Neil Young song contains more world building than most new series
Sam Amidon retweeted
Wow the #Digger film is as good as Brecht or Max Beckmann for me. I think Orson Welles would have loved it




























