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⠀ ⠀ ⠀ ⠀𝕽𝚄𝐋𝐄𝐒⠀ 𝓞𝐕𝙴𝐑⠀ 𝕯𝐄𝐀𝚃𝐇.
⠀ ⠀ ⠀⧼ ݁ 💋 ──┈┈ お̼姉̼さ̼ん̼ .ᐟ
⠀ ⠀ ⠀𝓬𝐲𝐛𝐞𝐫𝔭𝐮͟𝐧͟𝐤. ❪ #𝐒𝐌𝐓𝐑𝐏. ❫
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xn--maryjane-gofb2524hea217d… I might just axe this account for Miyabi
/ This verse has offered me probably one of the least enjoyable experiences I’ve ever had on this platform.
⸝̲⸝̲ ✦ * ne┄͡𝐦𝐢͟𝖘͟𝖘͟𝐚. retweeted
Spotted a minor mistake in the original post 🤡
fixed it.
Again, thank you — love y’all!
⸝̲⸝̲ ✦ * ne┄͡𝐦𝐢͟𝖘͟𝖘͟𝐚. retweeted
nemissa making chili ✧
#SoulHackers
⸝̲⸝̲ ✦ * ne┄͡𝐦𝐢͟𝖘͟𝖘͟𝐚. retweeted
Day 13
#JazineArt
/ It’s midnight over here so I’ll be honest I’d blow my head smoove off if I had to write a deeply analytical essay about Megaten. Essentially what I’m getting at is that I adore the eastern aspects of the franchise a lot and it’s probably my favorite part about the franchise.
/ I’m not trying to state that what it does is novel or anything. I agree wholeheartedly with you, I just think it’s a little more than just the humanitarian questions and I don’t think the grand scope of the games takes away from that.
/ For some games certainly but I don’t think all of them. Again that’s why I think the Raidou games are good examples. A majority of the character’s main struggles center around the state of Japan in the 1930s and the general paranoia surrounding the rapid growth of technology.
/ As well as the sudden influence of western customs and ideas blending into their own, like something as simple as wearing black to a funeral.
And while I’m no expert myself I’ll admit, the game truly does hinge on your understanding of Shintoism and the people at the time.


















