@Proactive1xi
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Joined November 2011
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You must have watched a different version of The Wire than I did. Literally everything The Wire tackled was prescient β political corruption, the annihilation of the working class, the shameful public education system, cyclical poverty, etc.
You like what you like but this is a confusing take.
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With everything we have all seen from Bubbles, we all agree that he deserved an award or at least an Emmy nod, right??
Then that makes you wonder what those guys at the award shows were thinking to completely pass over a generational talent like Andre Royo. It is genuinely wild that the whole of The Wire was completely locked out of winning a single Emmy.
The Academy only ever gave the show two total writing nominations across five seasons, and both were just single episode nods S3 E11 back in 2005 and the show's finale S5 E10 in 2008. That is easily the worst snub in television history.
But the absolute punchline to this whole thing is The New York Times 100 Best TV Shows of the 21st Century list that just dropped. They voted The Wire as the number two best show of the entire century, sitting right behind Breaking Bad (which we are still debating anyway). The irony is that the actual shows that won the Emmys back then and caused The Wire to get pushed aside are sitting way lower down on The New York Times TV Ranking.
Some things will seriously never make sense till this day π. Mainstream Hollywood completely fumbled the bag on Andre Royo and the entire cast, but the streets gave them a permanent legacy that a golden trophy could never matchπ₯π₯
It just proves that institutional awards don't mean a thing when it comes to true, timeless art π―
#TheWire #Bubbles #Mcnulty #Avon #Marlo #Rawls #NewYorkTimes100besttv
Everyone loves the kingpins, but Bubbles is easily the most legendary character on The Wire.
If you want to know who gave The Wire its ultimate heart, soul, and tragic reality, look no further than Bubbles.
His character wasnβt just cooked up in some writers' room, he was based entirely on a legendary real-life Baltimore street informant named Reginald Cousins, a man who actually earned the nickname "Bubbles" because he would compulsively blow spit bubbles whenever he was in a heavy, drug-induced stupor.
The real Bubbles was an absolute street genius and a master of low profile camouflage. He operated right under the noses of ruthless drug organizations by acting as a roving, harmless addict who sold loose cigarettes and white T-shirts out of a grocery cart.
The show perfectly adapted his most famous real-life operational trick, the legendary "hat trick." To point out high level targets to undercover police units without getting caught, Bubbles would casually walk the corners wearing a rotation of different colored hats. Whenever he stood next to a major drug lord or target, he would subtly swap his hat color, alerting surveillance teams exactly who to photograph and track.
Paying homage to the real Cousins' desperate day-to-day struggle with severe addiction makes his fictional character arc ten times more powerful. Actor Andre Royo captured that vulnerability so flawlessly that while filming on location in Baltimore, a local resident literally handed him a bag of real heroin on the street, telling him, "Man, you need this more than I do" (which Royo famously called his "street Oscar").
Paying respect to the real-life figures behind the characters reminds us that TV will never be this deeply authentic again, and this is why The Wire is in the top two 21st-century TV shows of all time and why it should have easily surpassed Breaking Bad for the number 1 spot π
To those just joining us, we have talked about the real-life backstories of Omar, Avon, Cutty, Jay Landsman, etc. More to come, as we have so much to share.
#TheWire #Bubbles #ReginaldCousins #AndreRoyo
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Everything The Wire documented in regards to systemic issues that lead to poverty, crime, drugs, poor policing, problematic politics, and shadow influences, all of that still plagues America to this day
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The Wire fans always hype up Marlo Stanfield as the ultimate rule-breaker of the streets, but the real man behind the character has never even watched the show.
The characterβs name, icy ruthlessness, and drug empire were directly inspired by two real-life half-brothers who dominated 1980s Baltimore: Timmirror Stanfield and Marlow Bates.
While Jamie Hector played Marlo as a silent, calculation-driven machine on TV, the real Marlow Bates actually spent nearly 37 years behind bars before breaking his silence.
In a wild twist, Bates revealed that his entire trajectory into the drug game wasnβt born out of pure malice, but out of deep childhood shame over being completely illiterate, he didn't even learn to read until he was 26 years old inside a maximum-security prison. He and Timmirror weaponized fear, running a 50-man syndicate out of the Murphy Homes housing projects to mask their vulnerabilities and build an absolute fortress.
Bates has never even watched the show because he feels Hollywood heavily sensationalized his life, falsely implying he was just "killing people for two lollipops" while completely ignoring the cycle of childhood bullying and systemic educational failures that created him.
Reality proves once again that The Wireβs universe runs way deeper than fiction.
#TheWire #MarloStanfield #MarlowBates #TimmirrorStanfield
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Avon and DβAngelo vs. Prop Joe and Cheese: A masterclass study in generational street curses.
Looking closely at how these two family bloodlines operate, the contrast between the old heads and the younger generation is incredibly deep.
Avon rules through fear and concrete territory, comfortably ordering hits to protect his high-rise towers because he views violence as a mandatory cost of doing business.
Prop Joe handles his empire like a smooth corporate wholesaler, trading diplomacy for bullets because he understands that a clean, body-free operation keeps the feds out of his pocket.
But both kingpins completely fail to pass their mindsets down to their nephews. D'Angelo is born into a legacy of violence but possesses too much of a conscience to survive it, ultimately breaking away from the Barksdale machine because he can't stomach the blood on their hands.
Cheese, on the other hand, is a complete parasite who completely rejects Prop Joe's peaceful, calculating logic. He brings unnecessary heat to the East Side with his loudmouth antics, crying over capping his own dog on a wiretap, and eventually orchestrating the ultimate betrayal by setting up his own uncle for Marlo's hitmen.
If only Cheese were Avon's nephew and D were Prop Joe's nephew, everybody would have gotten what they wanted π
#TheWire #PropJoe #Avon #Dangelo #Cheese
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we really use to match $5 for 1 blunt & be smacked all dayπwowww take me back
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Some girl butt was so big my granny said βdamn she got assβ And my granny do not cuss πππ
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Imagine feeding kids, opening clinics and organizing your community while the FBI infiltrates and dismantles your movement. Panther leaders were jailed, exiled and even killed. Yet the KKK survived. That history speaks volumes.
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People who complain that the show is too slow are looking at the pavement instead of the whole city.
The thing is, that slow pacing is entirely deliberate because it takes time to show how deep the institutional rot actually goes. Once you step back and look at how all five volumes connect from the low-rises to the shipping ports and the political chambers, you realize you just watched the most thorough breakdown of modern societal failure ever put on screen.
It tells the raw truth about how the system destroys individuals, and you need that slow, deliberate burn to make the tragedy hit as hard as it does by the finale.
#TheWire #Avon #Marlo #Mcnulty #Bubs #FrankSobotka #TheGreek
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My favorite part about this scene is that Avon probably waited to see how Slim Charles would respond to String's demand.
It's great the way Avon walks over to stand beside Slim, taking his side, and Stringer is left alone on the other side of the table, in his suit and tie, being scolded.
Stringer tried to fly too close to the sun and got burned.
Avon knew it was gonna happen but he loved string so much he let him play that game. Avon knew his place, stringer didn't.
In a room full of gangsters, Stringer always seemed like a businessman, but in a room full of businessmen, he always came off a gangster.π¬πΏ
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Iβll never forgive the American media for pushing the narrative that Michael Jackson had a plastic surgery because he wanted to be white, when in reality he was dealing with vitiligo, a condition that changed his skin colour.
Readers added context they thought people might want to know
this photo is AI generated
Michael Jackson was diagnosed with vitiligo, confirmed by Michael, his physicians and medical examiner in his autopsy.
Michael's statement, autopsy details and photographic evidence may be sourced through this article
medium.com/@CatsCave777/cβ¦
autopsyfiles.org/reports/Celebsβ¦
scribd.com/document/16846β¦
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Avon telling Stringer : Iβm a gangster, I don't buy corners , is one of the most defining lines between him and StringerBell.
It perfectly illustrates the clash of philosophies between the two day-ones. Stringer is trying to play chess with money, thinking he can just negotiate with Marlo to keep the peace. But Avon immediately recognizes the real threat. He knew that when you run into a soldier like Marlo, you canβt buy him off or settle things with a corporate meeting. You either crush him or he crushes you. Avon had that raw street wisdom that Prop Joe and Stringer completely lacked, and the final seasons proved him right.
Stringer completely outsmarted himself here. He lost his original connect back in Season 1, and instead of rebuilding his street muscle, he thought he could just move like a legitimate CEO. He couldn't see that the only reason they even had a seat at Prop Joeβs table was because of the fearsome reputation Avon built on the West Side. By trying to avoid dropping bodies, Stringer stripped the Barksdale name of its weight, making them look soft to the rest of the co-op.
Avon wanted his corners back because he knew that in the game, once you lose your territory, your business is dead anyway.
#TheWire #Stringerbell #Avon #Marlo
Avon saw the whole forest. When you are dealing with dudes like Marlo, whose principle is not to make money but pure power in the streets, you cannot use money or other "clever" negotiation tactics to tame him.
The only option is to take him out. Avon saw that Prop Joe and Stringer didn't. Look what happens in the end.
He listened to everything stringer said and still said " I want my corners "π
Just imagine while stringer is talking, hank Schrader come in and say to him "you're the smartest guy l've ever met, and you're too stupid to see he made up his mind ten minutes ago.
Avon wasnt trying to hear none of that downtown businesman talk. Stringer thought he could change him.
The street is the street always.
Stringer wasn't soft and he had some intelligence. He was just slimy and not as smart as he thought he was. Avon knew the game well, his instincts were sharp. Also, as implied, Avon's off screen network and relationships are vast in New York & Baltimore.
Stringer wanted to invest his money legitimately but still make dirty money wholesaling and not getting involved with retail. The direction he was trying to take would have sunk the organization. He wanted to move like he was the connect but he wasn't.
Prop Joe had the connect and the Greeks were the plug. Stringer couldn't see their foothold was their structure & network, territory, muscle and respect in the streets at that point after they lost their connect in season 1.
He thought he could talk Marlo into working with him and the co-op. What he wanted would have made him lose power and put more of it into Prop Joe's hands. Prop helped create the wedge between Avon & Stringer if you watch closely that was his endgame.π¬πΏ