REFERENCE BINDING @Image1 = the adult Thai female character. Preserve her exact face, short black bob, natural wispy bangs, white short-sleeved university blouse, dark navy knee-length pleated skirt, white ankle socks, brown loafers, and dark navy bag on her RIGHT shoulder. The reference image is authoritative for all visible appearance details. Do not introduce a sailor uniform, neckerchief, or black knee-high socks. @Image2 = the adult Thai male character. Preserve his exact face, short black hair, white shirt with rolled sleeves, dark navy trousers, black belt, and black leather shoes. @Image3 = the Thai coastal environment. Use its Pattaya-inspired bay, curved coastline, city layout, atmospheric depth, and lighting as the environment reference. Camera angle and visible sky-to-ground proportions may change according to the shot descriptions. Do not lock the camera to the reference image viewpoint. @Video1 = camera reference ONLY. Use only its approach composition, camera travel direction, and gradual camera roll. Do not copy its characters, costumes, actions, lighting, or timing. If no motion-reference video is attached, follow the written camera directions alone. SPATIAL CONTINUITY During 0.0–10.0 seconds, the woman remains physically below the man. The man dives downward toward her, and their actual vertical separation visibly decreases. Do not simulate the approach only by zooming the camera. During 10.0–15.0 seconds, he pulls her upward relative to his own torso while BOTH continue descending through the environment. Once supported against his chest, she remains at chest level or slightly below him. This relative movement must not become an upward flight or bounce. HAND CONTACT — 8.0–10.0 SECONDS The man's RIGHT hand reaches and securely closes around the woman's LEFT hand at the base of her palm. He maintains the grip himself. Her hand remains passive because she is unconscious; she does not intentionally grip back. Show the initial contact and secure grasp clearly. Use stable framing and reduced camera blur for readability, without slowing or stopping their descent. Their linked arms extend under tension, with visible shoulder and elbow reactions. No violent joint bending, dislocation, or rubber-like arm stretching. SUPPORT AND EMBRACE — 10.0–20.0 SECONDS First show both characters descending with their hands connected. He then bends his right elbow to bring her closer. His LEFT forearm supports her upper back and shoulders. He holds her securely against his chest while maintaining the original right-hand grip. Do not release, switch hands, or re-grab. Her eyes remain closed throughout. Her head rests naturally against his shoulder once supported. Her limbs move passively with airflow and inertia, without uncontrolled flailing or active hugging. WARDROBE CONTINUITY The woman's bag remains attached to her RIGHT shoulder throughout. Its strap stays in place, while the bag trails naturally in the airflow. Keep clothing coverage consistent with the reference. Do not use revealing camera angles or exaggerated skirt movement. LIGHTING CONTINUITY Maintain a fixed world-space sunlight direction matching @Image3. As the camera moves to the side and below the characters, that same sun becomes a backlight. The sun must not jump to a different side between shots. Use one brief, restrained flare when the man's shoulder uncovers the sun. Keep faces, hands, and body positions readable. CONTINUOUS DESCENT Both characters are already falling rapidly in the first frame. The camera tracks their descent while clouds and distant terrain provide visible downward-motion cues. They remain far above the city and sea at the end. No hovering, sudden braking, upward flight, landing, or water impact.

Seedance 2.5 Prompt: Use <<>> as the exact character and style reference. Preserve her long pale-blue hair, oversized blue-and-orange pointed magician hat, orange-and-blue coat with its circular sleeve emblem, blue knee-high socks and chunky orange-and-blue sneakers. Keep the same angular painterly anime rendering, sharp graphic shapes and character proportions. Replace the background with clean pure white. Create a playful, completely nonverbal comedy in one continuous shot. She offers increasingly surprising gifts to the viewer, reacts to each implied rejection through expressive facial acting, then decides to step out of the picture herself. MAIN VISUAL GOAL: An unmistakable OUT-OF-FRAME, POP-OUT effect. Her offered objects, hands, sleeves, hat and finally her legs and body visibly project OVER the black letterbox bars toward the viewer. COMPOSITING ORDER, BACK TO FRONT: 1. White background and scene. 2. Two broad black letterbox bars at the top and bottom. 3. The foreground character and the objects she presents. The white background is confined to the central picture window. The foreground character and offered objects are NOT confined to that window. Their silhouettes continue uninterrupted across its boundaries and onto the black bars. Their original colors remain fully visible when overlapping black. STATIC BARS, MOVING FOREGROUND: Both bars are completely static screen graphics. Keep their equal thickness, full width and exact screen position unchanged throughout. Their inner boundaries remain perfectly straight and horizontal. Foreground movement only temporarily hides portions of the bars. The underlying bars never move or deform. Visible edge segments on either side of an overlap remain aligned on the same horizontal line. When an object withdraws, reveal the original unchanged black surface beneath it. Keep black visible beside the overlaps. No bending, sliding, shaking, stretching, opening or impact reactions. The bars remain unchanged even during the final step out of the picture. CAMERA AND PERFORMANCE: Stationary camera, fixed wide-angle lens and level framing. She stays close and prominent throughout. Keep her face clearly visible inside the central picture window while her hands and gifts extend over the lower bar. Her facial acting remains continuously active: eye contact, eyebrow changes, natural blinking, questioning head tilts, shifting smiles, pouts and expressive cheek movements. Connect every reaction to the current offer. The viewer remains unseen and silent. Every rejection is IMPLIED entirely by her own reaction after looking into the lens. No viewer hands, camera nodding or external rejection signals. STRICTLY NONVERBAL: No dialogue, spoken words, whispering, narration, lip-sync or human vocalizations. No subtitles, captions or speech bubbles. She never mouths sentences. Mouth movement is limited to natural nonverbal expressions. Follow this exact order: FLOWER, KHAO TOM MAT, JEWEL, PUG, HERSELF. FIRST OFFER, FLOWER: She smiles warmly and retrieves a single flower from beyond a side edge of the screen. Extend it toward the viewer, bringing the flower, fingers and sleeve visibly over the lower black bar. After a brief expectant look into the lens, her hopeful smile fades. One eyebrow rises, her head tilts and her eyes search the viewer’s face. Give the flower one small encouraging forward nudge, then accept the implied refusal with a tiny disappointed pout. Retract the flower and visibly place it outside the side edge of the screen before retrieving the next object. SECOND OFFER, KHAO TOM MAT: Reach offscreen and return with one traditional Thai khao tom mat bundle: two small banana-leaf parcels paired together and tied securely with thin bamboo strips. The folded green banana leaves have a natural steamed sheen and clearly visible leaf veins. Keep the bundle wrapped and its shape consistent throughout. Hold the bundle securely from underneath in one hand. Her face brightens with renewed confidence. Offer the khao tom mat close to the lens. The banana-leaf bundle, her fingers and her sleeve clearly overlap the lower black bar while her face remains visible above it. Her smile falters. Look at the bundle, then back into the lens with raised eyebrows and pursed lips. Give it one small encouraging forward nudge, followed by a resigned shoulder drop. Pull the bundle back and visibly set it offscreen. Do not unwrap it, drop it or transform it into another object. THIRD OFFER, JEWEL: Her eyes brighten with a sudden idea. Produce a large sparkling gemstone and present it in an open palm. The gemstone, fingers and sleeve project over the lower black bar. Look proudly from the jewel to the viewer, expecting success. After the implied rejection, widen her eyes, lift both eyebrows and briefly part her lips in silent disbelief. Give the lens an incredulous stare, press her lips together and put the jewel offscreen. FOURTH OFFER, PUG: Retrieve a cute small fawn-colored pug from offscreen. Preserve its compact stocky body, short smooth light-brown coat, black muzzle, wrinkled forehead, folded ears, round dark eyes and tightly curled tail. Support its chest with one hand and its hindquarters with the other, keeping its body comfortably supported throughout. Present it toward the lens, bringing its front paws, body and her hands visibly over the lower black bar. Her expression becomes delighted and persuasive. The pug blinks, tilts its head and moves its front paws naturally. After another implied rejection, her delighted expression collapses into exaggerated disbelief. Look at the pug, then at the viewer, then back at the pug. Squint slightly and form a frustrated pout. Turn slightly and gently lower the pug onto the white floor behind her. Show its paws making contact with the floor before releasing it. The pug gives a brief playful bark and trots away through a side edge. Keep this quick and comical, with no throwing or airborne movement. FINAL OFFER, HERSELF: Turn back to the viewer. Her frustration changes into a mischievous idea. Raise one index finger in a clear requesting-a-moment gesture, with the fingertip overlapping the upper black bar. Lift one knee toward the lens and extend her sneaker OVER the lower black bar. The shoe grows large through foreshortening. Her leg crosses the picture boundary in front of the unchanged black surface. Shift her weight forward and bring the rest of her body after it, as though stepping out of the framed image into the viewer’s space. Her coat overlaps the lower bar while her oversized hat overlaps the upper bar. The bars remain perfectly straight and stationary beneath her. Her body simply renders in front of them. No opening, bending or displacement of either bar. Finish close to the lens with open palms presenting herself, lifted eyebrows and a cheeky hopeful smile. Keep natural blinking, breathing and small facial movements through the ending. OBJECT CONTINUITY: One offered gift at a time. Show each retrieval, presentation and removal clearly. Gifts enter through a side edge of the output. The flower, khao tom mat and jewel are visibly placed offscreen before the next retrieval. The pug is visibly placed on the floor and then exits through a side edge. No objects transforming into the next gift or disappearing while still held. Preserve consistent object shapes and natural hand contact. Brisk natural real-time pacing with readable reactions. No slow motion, frozen expressions, distant retreats or camera movement. No warped bars, duplicated hands, costume changes or text. AUDIO: Audio consists only of light prop sounds, gentle banana-leaf rustling, fabric rustles, sneaker steps, soft pug paw steps and one brief playful pug bark. No dialogue, human vocalizations or background music.