ALT The MAX rumbles through the opening shot of James Sweeney’s new Portland-set psychological dramedy, Twinless. The train clears to reveal an empty restaurant. It’s quiet, but forebodingly quiet—almost peaceful. Soon, the city swells into a bustling yet pointedly isolating backdrop for this black comedy about two grieving young men who bond in a support group for those who have lost a twin. This tranquility won’t last. The restaurant becomes a signpost marking time in the film. Much like the Chinese spot in My Own Private Idaho, it’s a place where characters lay bare their pain that also signals more trouble is on the way. But the restaurant remains empty this first time we see it. As the camera holds on its windows, we hear the clashing and screeching of a fatal car accident out of frame. It’s an early indication that, while at times darkly funny, this incisive film is profoundly concerned with absence.

ALT Dylan O'Brien (left) and James Sweeney (right) dressed up as SIMS with diamonds above their heads with striped sweaters that are close but not the same for a Halloween party in a still from the film TWINLESS.