I cannot articulate why it feels fascist to destroy the art of documentary filmmaking. Another institution that kinda wasn’t a problem. Partially think it should’ve been a reality show??

Nathan Fielder and John Wilson are uniquely evil filmmakers because of how they frame their subjects ironically for comic effect. now let me put on some Frederick Wiseman and DA Pennebaker and Penelope Spheeris and Maysles brothers and

much of what has been said about "Digger" --both positively & negatively-- suggests that it is a somewhat Brechtian didactic work with little cinematic interest. is this a mistaken assumption?

They’re making legacy sequels to movies that don’t exist