Paul Ark retweeted
Every move those KPop Demon Hunters girls make in Netflix's new dance video came from three real women in a dance studio, and one of them is the choreographer behind routines for BLACKPINK and TWICE.
Her name is Leejung Lee. She and two other dancers, Bambi and Nara, performed the whole "How It's Done" routine start to finish, and then Netflix's animators turned them into Rumi, Mira and Zoey. Lee did the motion capture for Rumi in the original movie too. She's said she's usually wiped out after running a routine about twice, and that working on HUNTR/X was a blast because the characters never run out of energy.
And most of this dance was never actually in the movie. The camera kept spinning, somebody was always fighting a demon, and the edit cut away before you could catch more than a few seconds of it. Netflix waited 16 months after the film came out to finally show you the whole thing.
Netflix is borrowing straight from how K-pop companies run their groups. Look at how the video is shot, with one camera that never moves, a wood floor, gear cases pushed up against the wall, the group's logo behind them and everybody in sweats. Real K-pop labels put out a video exactly like that with most new releases, and they do it so fans will learn the dance, film themselves doing it, and post it. Every one of those copycat videos is free advertising for the song.
Netflix needs that more than most. KPop Demon Hunters is the most-watched movie Netflix has ever had, with 482 million views in its first six months, and the sequel isn't due until 2029, in theaters. A normal studio would go quiet for three years and pour everything into a trailer. A K-pop label would never leave fans sitting around with nothing to do for that long, so Netflix is acting like one.
You can see the schedule once you start looking. "How It's Done" got its own single release in January, and the "Golden" lyric video has passed a billion views on YouTube. This week Netflix is dropping practice videos for five songs, and episodes breaking down the signature poses start November 2.
A cartoon group also gets to skip the thing that breaks up real ones. In Korea, idol contracts top out at seven years under the standard contract rules, which is why so many groups lose members or call it quits right around year seven. Riot just ran that play with K/DA, its League of Legends girl group, which came back this month after six years with two of its four singers swapped out and the same four characters on screen that fans have loved since 2018.
I was a producer on Fortnite when we put Travis Scott inside the game, and 12.3 million people logged on at the same time to watch a giant animated version of him perform. People will show up for a cartoon all day long as long as there's a real person underneath it.
The movie won't be back until 2029, and Netflix has figured out how to keep its girl group busy for every one of those years.
Paul Ark retweeted
Dibikin ngakak & geleng-geleng kagum sama iklan dari Thailand ini. Kalau liat beberapa detik awal, nggak nyangka bakal promosiin produk itu 😂
Kreativitasnya memang udah next level!
Paul Ark retweeted
Love this woman
It takes an inordinate amount of wit and charm to best Conan O’Brien in a riff-off. The most an average comedian or host can hope for is not to embarrass themselves trying, which is largely how Kareem Rahma fared in a recent episode of his popular social-media series, Subway Takes. But toward the end of the interview, Rahma and O’Brien were shown up by a stranger named Debbie Shields who just so happened to be commuting on their train.
The 68-year old native New Yorker didn’t know what ‘SubwayTakes’ was, or that she was about to get pulled into a viral improvisational comedy bit. But thanks to a childhood spent performing in church and experience hosting comedy and karaoke nights, she says her instincts kicked in immediately.
This 'SubwayTakes' appearance isn’t even the first time she has been put on the spot by someone with a huge comedy platform.
Shields shares which comedian once pulled her onstage at Barclays Center, how she’s handling her virality, and whether she’d be interested in hosting a show of her own: nymag.visitlink.me/Tr0FRD
Paul Ark retweeted
I don’t think you have a dog in this fight but if you did you would have shot it.
I’ll take @ellalangleymsic over Kacey Musgraves any day.
And if I’m choosin’ Texas, I’ll take Ken Paxton over James Talarico.
Paul Ark retweeted
Princeton didn’t consider Anne Carson worthy of a recommendation for tenure, and she couldn’t continue teaching at McGill after its Department of Classics was shut down.
Now, everyone wants to claim her as their own …
Paul Ark retweeted
Someone sent me this, so I have no clue who made it but I kinda like it 🤣🤣🤣
🤖 Made with AI
Paul Ark retweeted
Transcripts of the interviews between Title IX investigators and the accused members of Chi Phi fraternity reveal incoherent and often contradictory descriptions of the night in question. As an attorney, I’m astounded by the numbers of red flags here that were effectively ignored by campus police and the DA’s office. nytimes.com/2026/10/01/nyreg…
Paul Ark retweeted
1,200 sexual assault cases were filed at Cornell from 2018 to 2024. Most of those found responsible received minor sanctions that allowed them to remain on campus, such as probation or training. Only 7 ended in expulsion or dismissal.
usatoday.com/story/news/nati…
Paul Ark retweeted
On the *same day* the Cornell Seven drugged and raped Jane Doe, Cornell banned four students (including the President of Cornell @jvplive) from campus for three years for nonviolent, pro-Palestine protests. The same @Cornell officials let the rapists off with apology essays.
Paul Ark retweeted
This was a difficult story to report. Some of these conversations stayed with me long after the interviews ended.
I spoke with these bright, ambitious women who came to Silicon Valley to pursue their dreams. They described being sexually harassed, assaulted or raped—often by someone they knew and trusted, someone they considered a friend.
What was especially painful to hear was what happened afterward. Some described being discouraged from going to the police. Others said they were told nobody would believe them. And someone was told that she was seeking attention and all was a lie. 🥲 Alongside the trauma came fears about losing friendships, careers and their place in a community they had hoped to belong to.
When the person you’re accusing has money, influence and powerful connections, seeking accountability can feel like David taking on Goliath.
Victims aren’t always women, although most of the accounts shared with me came from women. One woman’s point stayed with me: we need to confront the predatory mindset—the entitlement that allows someone to disregard another person’s boundaries.
Whisper networks can help people warn and protect one another. But they cannot substitute for a system people can trust: somewhere to turn for support, a fair process for investigating allegations, and meaningful accountability when misconduct is established—even when those responsible are wealthy or powerful.
To the women who shared their experiences with me: thank you. I know these are deeply personal and painful things to revisit. I appreciate your trust.
No single article can capture the full weight or complexity of someone’s experience. I take seriously the responsibility of telling these stories with care.
My hope is that bringing them into the light helps more people find support—and helps create a culture where pursuing your dreams doesn’t mean staying silent about harm.
If you ever unfortunately get into the situation of experiencing rape or sexual assault, please seek medical care and professional support, and consider reporting to the police when you feel safe and ready. You do not have to face this alone. What happened was not your fault, and you deserve care, support and to be heard.
I was deeply moved by the strength of the women I spoke with and their determination not to let what happened define their lives. They still have dreams to pursue, companies to build and so much ahead of them. They deserve every opportunity to shape that future. 🌷
Read my latest article for @nypost and @californiapost (link in thread) 👇








































