Responsable communication @generalifrance Créateur @SpinOffConseil Animateur @OhMyGodSeries Producteur @NormalHeart2022 https://xitter.cf/t.co/DFNGDvHEwR Bisontin

Paris
Joined March 2007
Eric Maillard  retweeted
500 000 participants, alors 500 000 fois merci d’être venus à la #MarchedesFiertés de Paris et de nous avoir accompagnés toute la journée sur le char #rugby des Coqs Festifs ! 🐓🏉🏳️‍🌈🏳️‍⚧️ @generalifrance @stop_homophobie
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Eric Maillard  retweeted
On s’est quand même bien marré ! #marchedesfiertés
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Eric Maillard  retweeted
Hier à Paris, les Coqs Festifs étaient au départ de la #marchedesfiertés avec leur char « Rugby Is My Pride » Avec @stop_homophobie et le soutien de la Fédération sports LGBT+ et de Generali, nous avons annoncé le dépôt de plus de 40 plaintes pour insultes et menaces homophobes.
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Eric Maillard  retweeted
À l’occasion de la Marche des Fiertés de Paris et avant que notre char ne s’élance, nous prendrons la parole. Un rdv important pour notre club, pour nos valeurs et pour ce que nous défendons depuis toujours. À samedi à 13h sur notre char Rugby Is My Pride avec @stop_homophobie
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pour ceux que ça intéresserait :
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Eric Maillard  retweeted
Je remets ici ma chronique sur le précédent clip de #MylèneFarmer et j’en profite pour dire qu’en deux chansons elle a réussi à dire plus de choses importantes sur les maux de notre époque que tous les candidats à la présidentielle réunis durant les 926825 interviews diffusées depuis la rentrée. Merci 🙏 #2027 #Farmer #deslolsetdesquoi
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Eric Maillard  retweeted
"Les actrices sont des drag comme les autres !" ✨ Isabelle Adjani était l'invitée surprise de la finale de #DragRaceFrance Retrouvez le programme sur france.tv 👉 bit.ly/DRFS4-FINALE
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Eric Maillard  retweeted
#DragRaceFrance azemylia trop cunt pour le public français
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Eric Maillard  retweeted
In a time where ALBUMS barely matter anymore, Madonna shows up with a brand new reinvention…another artistic peak era. This is what Album culture used to mean, she showed us once again why she’s the last TRUE POPSTAR
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Eric Maillard  retweeted
⚫️ Le DJ Kavinsky, une des figures phares de la scène électro française, a été retrouvé mort à son domicile à Paris, a indiqué mercredi le parquet, sollicité par l'AFP, confirmant une information du Parisien.
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Eric Maillard  retweeted
quem gosta do madame x, e quem gosta especificadamente dessa música, tem um ouvido aguçado e um gosto apurado e culto que difere das baratinhas que ficam difamando esse hino xitter.cf/Takeunicorn/status/197…
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Eric Maillard  retweeted
#MeToo avant l’heure, Irène Cara avant « Flashdance », Madonna recalée… « Fame », cet ovni à (re) voir sur Arte ➡️ l.leparisien.fr/DQzB
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Eric Maillard  retweeted
À priori, notre ballon s’est barré quelques jours en vacances… Il paraît qu’il sera de retour sur le terrain dès samedi !☀️⛱️🏉
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Eric Maillard  retweeted
For most of Madonna’s career, it was déclassé to repeat yourself; to be seen as passé was a fate worse than death. These unspoken principles guided Madonna past the end of the 20th century after a reputation-building streak of collaborations with Reggie Lucas (“Borderline”), Nile Rodgers (“Like a Virgin”), and Patrick Leonard (“Live to Tell,” “Like a Prayer”). The ballooning scope and ambition of each successive release kept her forever in step with the pulse of the club at the time. But the chart failures of ‘American Life’ in 2003 inspired something she doesn’t much endeavor: From the screaming 1979 ABBA sample of the lead single, “Hung Up,” 2005’s ‘Confessions on a Dance Floor’ reconnected Madonna with her roots as a late-’70s club diva, feeding off her own rich history instead of morphing sonically to meet present trends. She now revisits the conceit of that latter-day classic with ‘Confessions II,’ her best new release since the first installment, writes critic Craig Jenkins. Madonna is, like Paul McCartney this year, animated by rummaging through her own vaults. A second ‘Confessions’ is a smart play not just in the wake of renewed interest in her back catalogue but also a trail of Madonna full-lengths in the past two decades that made some points but never matched the highs of her 2005 opus. “The songwriting is airtight, regal but sometimes necessarily absurd, and tastefully cognizant of which points in Madonna’s career are most beloved,” writes Jenkins. “It’s a treat for a pop star who so furtively avoids circling home base to slide back to the lower Manhattan arts playgrounds that boosted her music and film careers, to shout out seminal clubs and DJs who put her on.” Read Jenkins’s full review of Madonna’s latest album: nymag.visitlink.me/R4KHDb
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Eric Maillard  retweeted
L’arbitre met enfin un carton jaune à un paraguayen qui a sorti son flingue #PARFRA
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Eric Maillard  retweeted
Le coup d’envoi de la #MarchedesFiertés est reporté, mais la troisième mi-temps est maintenue ! 🏉🌈 Rendez-vous dès 18h au COX avec les Coqs Festifs, leurs supporters et partenaires !
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Eric Maillard  retweeted
Madonna está mudando a ótica do que é ser mais velho para que quanto chegarmos na velhice não sejamos silenciados e desumanizados e sim grandes aventureiros cheios de vida e admirados. Long live the Queen!
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Eric Maillard  retweeted
#Madonna réécrit encore les règles du jeu. Son nouveau court-métrage « Confessions II » réunit une constellation d’icônes et confirme son statut de reine absolue de l’image pop. Découvrez pourquoi tout le monde en parle : -> voguefrance.visitlink.me/xW8… © Dolce & Gabbana
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Eric Maillard  retweeted
Variety
@VarietyJun 5
#KitHarington tells #PeterDinklage he’s “weirdly doing a lot of nudity” and sex scenes lately. “The more I do it, the more I think, ‘I think I should stop.’ I’ve got to start thinking about my kids, like, ‘Why is Daddy always naked on-screen?’” Dinklage replies: “It’s OK. Nudity’s good. Kids are always naked in the house. We see enough of them. It’s OK — that’ll be a conversation for the therapist one day.” Read the full #ActorsOnActors conversation: wp.me/pc8uak-1lHk9R
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Eric Maillard  retweeted
Madonna has always danced and dressed to shock. She has always pushed boundaries. Then she got old. Some men can’t handle Madonna continuing to Madonna whilst getting older. So they use words like “slutty” - to describe a fully clothed woman wearing a Dolce and Gabbana corset and tights. What these men reveal is that they think a woman should make herself invisible as she ages. Because for these men - a woman being sexually attractive to THEM is what gives HER validity. They will probably happily consume porn where the women are selected to appear to be underage and see nothing wrong with that because “she chooses to do it” and they can ignore the sexual exploitation of the women they participate in. They perceive “ownership” of these women the moment they click on their screens and these women must behave according to the rules men hold in their minds about women being hairless, wrinkle-free, submissive and sexually complaint. These men do not measure themselves on the same scale or to the same standards as the women they judge. They can be obese, balding and in their fifties, masturbating to horrendous porn scenarios involving young girls gang raped - but a woman who has “crossed over” into a middle-age wilderness where they no longer wish to use her for their sexual fantasies should disappear from their view. These men are afraid of older women. They hate them. They particularly hate the ones who insist on being seen. Because women getting older are a challenge to the porn set woman who the men feel they can scroll through, use and discard until the next time. By contrast a woman with wrinkles and aching joints is real - she might say no. She might say “fuck off and tidy yourself up you flatulent potato”. These men believe that in real life they shouldn’t have to encounter an “ugly” female body with sagging skin and cellulite. They themselves may be balding, their arses are sagging and their bellies hang to their knees but they still believe they operate in an attractiveness economy where their dollars double in comparison to a woman of the same age. They can trade for a woman ten years younger. So when a Madonna steps forward and carries on doing what she has always done it’s a bit annoying. She isn’t turning them on sexually so how dare she act in a sexual way?! They didn’t summon her and they can’t control her. The fragility of these men is laughable. Madonna is clearly not fragile - she will perform as long as she can. She loves music and fashion. She’s doing what she thinks she can to maintain her brand. She has always been creative. I enjoyed watching her slightly unravel each day during Covid. She doesn’t know how NOT to be a performer. I hope Madonna keeps running a little wild and unravelling into later life with abandon. It’s gloriously generous of her to get on stage and show us. She’s like a later life Mustang that men like these can’t throw a rope round. Good for her that she is.
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