Cultural critic, writer, academic editor based in Sydney on Gadigal land. Industry Fellow UTS. PhD Latinx Studies. New book: Elián González Goes Pop!

Sydney
Joined November 2023
New book (available soon): Elián González Goes Pop!: The Cultural Afterlives of a Cuban Child Icon (Palgrave Macmillan, Springer) link.springer.com/book/97830…
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Book of the day: Note Book, by Jeff Nunokawa.
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There is a mountain of unworn clothes in the driest desert on earth, large enough to be photographed from space. It grows by 39,000 tons a year and almost none of it will ever rot. The Atacama, in northern Chile, is a place where it may not rain for a decade. On its edge is a duty-free port called Iquique. Every year about 59,000 tons of clothing arrives there from Europe, America and Asia. It is last season's stock that never sold, and the bags people leave at charity shops. Dealers pick through it for anything they can resell across South America. Two thirds of it is worthless. Nobody will pay to ship it back out, so lorries drive it into the desert at night and tip it. The local landfill refuses to take it. The reason given is that the clothing does not biodegrade and is full of chemicals. Most of it is polyester, which is plastic, and in a place with no rain and no soil life it will lie there for centuries. Some of it is set alight, and the smoke drifts over a town of 100,000 people. In 2025 a Chilean court ruled that the dumps had done serious damage to the land. For most of history this could not have happened. Clothes were wool, linen and leather. They were worn out, handed down and patched, and at the very end a rag merchant paid for the scraps. In Yorkshire, from 1813, old woollens were shredded and spun into new cloth. Anything left went on the fields, where wool breaks down in months and feeds the grass. Nobody ever had to find a desert for worn-out wool. We invented a fabric that cannot die, and then we started making it to be thrown away.
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In the jungles of Indonesian Borneo, a rehabilitation center is taking in more orangutans as the country’s worst wildfires in a decade sweep through the forest home of the critically endangered animals reut.rs/4ioAjri
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Book of the day: Beauty and Sadness, Yasunari Kawabata. "Five swivel chairs were ranged along the other side of the observation car of the Kyoto express. Oki Toshio noticed that the one on the end was quietly revolving with the movement of the train. He could not take his eyes from it. The low armchairs on his side of the car did not swivel."
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Book of the day: Fall on your knees, by Ann-Marie MacDonald. "They're all dead now."
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La neurocientífica española Nazareth Castellanos sobre la lectura previo a la hora de dormir. Este video de EFE Salud fue realizado con motivo de la presentación del libro «Un regalo de los dioses. Neurociencia de la lectura» (Siruela, 2026) que ha escrito con el filólogo Antonio Basanta.
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Miles Davis What a beautiful solo! live '64.
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Book of the day: Flaubert's Parrot, by Julian Barnes. "Six North Africans were playing boule beneath Flaubert's statue."
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"[A] pleasure to read. [Reilly's] compelling argument for the value of humanistic enquiry and...a genuine, two-way dialogue between the arts and the mind sciences has never been more pertinent."--Slavic Review PSYCHIC EMPIRE, by Cate I. Reilly tinyurl.com/yhx6apkj @columbiaUP
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On Anne Carson's disobedience, in the Indian Express today: indianexpress.com/article/op…
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If you intend to engage with the foundational texts of postcolonialism, this “manifesto” by Aime Cesaire should be your first step (like it was for Fanon). Flows like poetry, as one would expect anything by Cesaire to. drive.google.com/file/d/1Y1J…
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Book of the day: Black Novel (With Argentines)/Novela negra con Argentinos, by Luisa Valenzuela. "The man--thirty-fiveish, dark beard--comes out of an apartment, shuts the door carefully, checks that it can't be opened from the outside. The door, of solid oak, has a triple lock; the latch doesn't give. Over the bronze peephole it says 10H."
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“She married a man called Jerry, who turned out to be / a hat-stand in disguise. She contracted a disease / transmitted by celibacy. She slept in a violin case, smoking / rosin” —@CarolineBirdUK, “Damage” @Carcanet
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카슨 책을 가장 많이 보유한 출판사는 난다(4종)였다. 초기작들이다. 1981년 박사학위 논문을 개작한 에세이 ‘에로스, 달콤씁쓸한’(1986·영문 초판)은 카슨의 문학 세계를 예고하는 작품이다. 그가 노벨상을 받은 이 시점에 다시 읽어볼 만하다. 카슨은 ‘에로스’와 ‘앎’을 겹쳐 놓으며 “사랑에 빠지는 것과 앎에 이르는 것이 왜 나를 진정으로 살아 있다고 느끼게 만드는지 파악하고 싶다”고 쓴다. 카슨의 두 번째 시집 ‘유리, 아이러니 그리고 신’(1995)은 에세이·산문시·비평·번역·극·일기·고전 다시 쓰기 등을 오가며 장르를 허문다. 특히 이 시집에 실린 장시(長詩) ‘유리 에세이’에 극찬이 쏟아진다. 시적 화자와 에밀리 브론테의 삶을 교차시켜 상실과 고독에 대해 쓴 ‘시소설’이다. 이 밖에 첫 시집 ‘짧은 이야기’(1992)와 시·산문·여행기·가상 인터뷰 등을 아우르는 ‘플레인워터’(1995) 등도 펴냈다. 난다 대표 김민정 시인은 출간을 결심했던 2017년 6월 이야기를 들려줬다. 시 낭독회를 위해 황유원 시인과 영국행 비행기에 올랐다. 김 대표는 “이거 한번 읽어 보라”며 ‘짧은 이야기’와 ‘유리, 아이러니 그리고 신’ 영어 원서 두 편을 황 시인에게 건넸다. 비행기에서 내린 뒤 황 시인의 소감은 “이거 되게 재밌는데요?”였고, 이에 대한 김 대표의 답은 “그럼 (번역) 당신이 해보라”였다. 황 시인이 번역을 맡게 된 사연이다. 여기에 대학원에서 앤 카슨으로 석사 학위를 받은 송원경 편집자, 난다 내 세계문학 브랜드 ‘모호’를 론칭했던 권현승 편집자 등이 합류하면서 연달아 앤 카슨 책을 낼 수 있었다. 번역가인 황 시인은 “카슨의 지적이고 날렵한 문장은 옮기기 쉽지 않다”며 “‘에로스, 달콤씁쓸한’처럼 인용문이 특히 많은 책을 옮길 때는 책상 옆에 늘 책이 열 권 이상씩 쌓여 있었다”고 했다. 그는 “앤 카슨은 장르라는 울타리에 한 번도 갇힌 적이 없는 작가”라는 점을 강조했다. “앤 카슨 자체가 장르죠. 예술가라면 누구나 다 자신이 한 장르가 되어야 한다고 생각합니다. 카슨은 우리에게 그 선례를 보여줬어요.” naver.me/GEdvaOWu
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Madrid Review is the real deal.
Exciting news for fiction writers: Run entirely by #writers , this new independent #hybrid #press is seeking English novels that defy easy categorization. High #royalties , total transparency, and an editorial-first approach. Details: themadridreview.com/f/announ…
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Book of the day: The Interpreters, by the Nigerian 1986 Nobel Laureate Wole Soyinka -- First lines, "'Metal on concrete jars my drink lobes.' This was Sagoe grumbling as he stuck his fingers in his ears against the mad screech of iron tables."
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