I have taken the decision not to post on this platform for a while. I don’t feel comfortable supporting an outlet that facilitates the far right. You can still find me on Instagram and BlueSky under the same username. Or sign up via operatraveller.com for posts to your inbox

This is very possibly au revoir rather than adieu, but for now you can still find me where the sky is blue or on the instant gram

I saw a War Requiem at the Teatro Nacional de São Carlos that was deeply felt and sung and played with precision and generosity. Read about it here: operatraveller.com/2025/01/2…

Curtain calls after War Requiem with the São Carlos forces at the Teatro Camões. A work that hasn’t lost its power given in a gripping performance from forces that had been superbly prepared. The solo singing was excellent, with Dos Santos’ tenor solos sung with such feeling

I’m delighted to be at the Teatro Camões for the Teatro Nacional de São Carlos concert performance of Britten’s War Requiem. With Sequeira, Dos Santos, Baleiro, the Coro do TNSC, Coro da Escola de Música do Colégio Moderno, Orquestra Sinfónica Portuguesa. Jenkins conducts

Curtain calls after Salome @operaballetvl A very visual staging by Mondtag that gives so much to reflect on. Pérez & his orchestra were sensational as was Smoriginas’ Jochanaan. Cook’s Salome had plenty of scenic energy but her singing took the pitches on the page as suggestions

I’m delighted to be back @operaballetvl for Salome. With Cook, Smoriginas, Stern, Denoke, Delaere and more. Pérez conducts Mondtag’s staging.

Last night, I saw the German premiere production of Innocence at the Musiktheater im Revier. It was superbly done at all levels and confirmed the work's status as a true 21st century masterpiece. Read about it here: operatraveller.com/2025/01/1…

Curtain calls after Innocence at the Musiktheater im Revier. A confirmation that this work is a true 21st-century masterpiece. The quality of the orchestral playing & choral singing was superb. Stöppler’s staging was logical and effective and it was honestly sung

I’m delighted to be paying my first visit to the Musiktheater im Revier for Innocence in its 1st staging in Deutschland. With Sturludóttir, Genet, Allen, Gwenxane, Nelson, Kranjc, Sieloff, Hammerberg & more. Rauhalammi conducts Stöppler’s staging

The first review of 2025 is up! Last night I saw a decent repertoire performance of La bohème at the Oper Köln, very well conducted, with a youthful cast in a thoughtful staging. Read more here: operatraveller.com/2025/01/1…

Curtain calls after La bohème at Oper Köln. A decent repertoire performance from a youthful cast in a staging that has feeling and humanity. That said, the house can’t move back to Offenbachplatz soon enough

I’m delighted to be starting my operatic 2025 at the Oper Köln for La bohème with Hinterdobler, Espiritu, Turk, Hindrichs, Schwaiger, Seidl & more. Marani conducts Hampe’s staging

Bonne année 2025 Happy 2025 Feliz ano 2025 Buon anno 2025 Feliz año 2025 Feliç any 2025 Gelukkig nieuwjaar 2025 Prosit Neujahr 2025

Starting 2025 by getting a nice thick juicy piece or meat inside me

Wishing you a good slide into 2025. Take the good moments with you and build on them to make a better future.

2024 in 16 images. From Hamburg, to Buenos Aires, Palermo to São Paulo. As always, social media only really sees the good tings & not the struggles behind the scenes. But overall, I’m feeling much gratitude for having had so many beautiful moments