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A Radiance, Foiling So
Joined November 2018
Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)Photo by 𝓟atrick (@OldRituals)
Cannes '67: Claude Lelouch, Robert Hossein, Geraldine Chaplin, Yves Montand, Annie Girardot, Peter McEnery Cannes '68: Claude Lelouch starring at camera during strike.
Good night with Annie Girardot in Vivre pour vivre 1967 Directed by Claude Lellouch With Yves Montand
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To Sleep So as to Dream (1986) dir. Kaizo Hayashi 1080p BluRay, 5.43 GB sc eng subs transfer.it/t/RqdbsJ01wJoS
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Nazarín (1959) 🇲🇽 Dir. Luis Buñuel 1080p Legendado: 🇧🇷🇺🇸
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"Uhh, human resources" meme but for historical innacuracy in The Devils vs Nolan's The Odyssey.
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Reading a Norwegian novel from 1920 and realizing Twitter has always been with us:
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"Un instante cualquiera es más profundo y diverso que el mar" (Jorge Luis Borges) Holubice, 1960
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My only comment on THE DEVILS sensationalism is.... imagine if it was for something worthwhile, like PROVIDENCE (1977).
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Todas as Mulheres do Mundo (1966) 🇧🇷 Dir. Domingos de Oliveira 1080p WEB-DL Legendado: 🇧🇷🇺🇸🇪🇸 Paulo, mulherengo das praias da Zona Sul, conta ao amigo Edu como se apaixonou por Maria Alice.
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Here’s some GHOSTBUSTERS (1984) trivia you won’t hear from anybody else: the bearded fellow who walks behind actor Christopher Wynkoop in this scene was not a paid extra, just a passerby who happened to be the grandson of notorious serial killer Albert Fish (1870-1936).
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Having a beer at the famous Bob’s Java Jive in Tacoma as featured in the motion picture I Love You to Death (1990)
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Ned Sparks isn’t used that well in The Fall Guy (1930), but he has his moments
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"Several wore blue goggles—we knew not whether for use or beauty." -Laura Winthrop Johnson after meeting a group of Lakota circa 1875
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L'assassino (Elio Petri, 1961).
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Interestingly, the song "She's Lost Control" was originally titled "She's Lost the Remote Control", but Ian Curtis was convinced that it was too wordy.
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One of my favourite cinematic microcosmic examples of the Special Relationship is Caine & Nicholson in Blood & Wine. Jack as a blithely selfish, suave, opportunistic thief & Michael as his seasoned, violent & deeply unpleasant partner-in-crime. Both trade excellent cynical barbs
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