Tomorrow, Tuesday, August 22 at 6 pm, join artist Fred Tomaselli in conversation with OCMA’s CEO and Director, Heidi Zuckerman, as they talk about growing up near Disneyland, art-making, and the influence and importance of music!

Items above - Carrie Mae Weems: “A Great Turn in The Possible” Necklace Rainbow by ISKIN Sisters Blue Avocado Vase by Ilex Studio

The MIND at OCMA is more than just a gift shop! Imagined by PLEASE DO NOT ENTER , the MIND provides a selection of vintage and artist-designed products, mixing jewelry, fashion, design, and books. Visit OCMA to shop in-person or browse online: pleasedonotentershop.com/ocm…

Jane Gottlieb, French Mustard Field, 1993. Hand-tinted photograph, 35-1/2 × 47-1/2 inches. Collection of Orange County Museum of Art. Gift of Claudette Shaw, Newport Beach, 1998.020.

Spring is Finally Here 🌼 In “French Mustard Field” Jane Gottlieb captures a blooming mustard field in fisheye view. The dream-like nature of the image and its fleeting tones are accomplished through her process of hand-painting layers of retouching dyes onto a Cibachrome print.

Fred Tomaselli, April 2, 2015 #2, 2015. Gouache, collage, and digital print on watercolor paper. 17 x 11 inches. Collection of Orange County Museum of Art. Museum purchase. Acquired by OCMA as part of our Sixtieth Anniversary Initiative, 2022.014.001  #FredTomaselli

Fred Tomaselli made “April 2, 2015 #2” when California’s water levels were reaching near crises proportions. His painting a rainbow beyond the bluffs of a nearly leveled Lake Oroville's cliffs, gives a sense of optimism to the drought. Find this piece and more on view at OCMA!

Martha Rosler, Semiotics of the Kitchen, 1975. Single-channel video, 06:09 min. Collection of Orange County Museum of Art. Museum purchase with funds provided through prior gift of Lois Outerbridge, 2004.013.004 #MarthaRosler #OCMA #SemioticsoftheKitchen

In “Semiotics of the Kitchen”, Martha Rosler presents a cooking-implement demonstration before a camera. Parodying tv personalities like Julia Child, she exhibits kitchen objects in an intense, violent, and oddly humorous manner. Now on view in "13 Women: Variation II" !

Daniel Arsham, Blue Cacite Eroded Venus of Arles, 2019. Blue calcite, selenite, hydrostone, 81 7/8 x 40 3/16 x 29 1/8 in (208 x 102.1 x 74 cm). Courtesy of the artist and Perrotin. Photo: Claire Dorn

OCMA is excited to announce the first major US Museum solo exhibition of American artist, @DanielArsham — “Wherever You Go, There You Are”, where we explore his concept of “fictional archaeology”. Opening on February 14 at 8 PM! RSVP: jotform.com/form/23016592952…

Mary Weatherford, Second Riddle, 1991. Acrylic, flashe paint and ink on canvas. 78-1/8 x 107 inches. Collection of Orange County Museum of Art. Gift of Joan and Gerald Kimmelman, 2003.011. © Mary Weatherford

Celebrate the Valentine's Day exhibition opening with us on February 14 at 8 PM! Curated by OCMA’s CEO and Director Heidi Zuckerman,“13 Women Variation II” will present works from the 1950s to present by artists in our collection. RSVP: jotform.com/form/23016592952…

See yourself in Fred Eversley’s parabolic lenses. “The lens has a fisheye effect," says Eversley "So you can see yourself in the work.” says Eversley. The exhibition Fred Eversley: Reflecting Back (the World) closes on January 22: ocma.art/exhibitions/fred-ev…

This week is your last chance to explore parallels between #PeterWalker’s landscape designs and Minimalist artworks by #SolLewitt and #FrankStella. Visit the exhibition, Peter Walker: Minimalist Landscape, before it closes on January 22! ocma.art/exhibitions/peter-w…