
https://xitter.cf/t.co/WAlGke42Mr Created by @peterpodgursky and @bryankeithley. CONTACT: [email protected] (213) 437-9506
Lost Angeles
Joined June 2014
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NPRmageddon retweeted
"In bed, throw the covers on your head... you pretend like you are dead."
@GloriaEstefan's 1987 smash hit "Rhythm Is Gonna Get You" is the plot of a horror film. (At least I thought so.)
Years ago, Cindy Fang and I made a fake horror trailer based on the song.
NPRmageddon retweeted
AI Video experimentation!
I used real William Shatner audio and tried upscaling the finished video to see how much I could improve the final image quality.
I'm still learning. Tips welcome!
#AIVideo #GenerativeAI #VideoProduction #Halloween #StarTrek
NPRmageddon retweeted
Replying to @BuzzKnudson69 @sarahwclkers
Saturation is not the main problem.
The issue is with lack of contrast, which makes the shots less dynamic while allowing mid-tone tints to bleed over the entire image.
This is what it looks like with lifted highlights and crushed shadows (and a smidge less green in the mids).
NPRmageddon retweeted
This one is very frustrating. It’s a fine film, a great part - and it fell off the face of the earth. If anyone finds it anywhere, please holler!
NPRmageddon retweeted
New song is out! — “Edit Me”
This is for anyone who’s ever felt too much or too weird for the room. Featuring Mark Mallman. #EditMe #TayZonday
Edit Me - Tay Zonday feat. Mark Mallman (Official Music Video)
“Everywhere I go I need you there to Edit Me…” New song is out! This one’s for anyone who’s ever felt too much or too weird for the room. Featuring Mark Mallman. #EditMe #TayZonday
NPRmageddon retweeted
Theoretically, you could write an obtuse thriller full of exciting scenes that didn’t add up to anything. Then at the end, have the lead stop in a street. Realizing something, putting-it-all-together faces and expressions and then just cut to black.
NPRmageddon retweeted
Watch Shake. Watch Meatwad. Watch Frylock. Watch Carl. Please, I’m begging you, just watch Aqua Teen Hunger Force.
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NPRmageddon retweeted
BIG PICTURE REASONS WHY "CHOCOLATE RAIN" WENT VIRAL:
• With no algorithms, the Internet was driven by novelty, not loyalty. Weirdness wins novelty.
• Myspace was #1 in social media. YouTube was unproven and Facebook had just opened up beyond colleges. YouTube needed a "model home" for what its cultural real estate meant.
• One person uploading a video that thousands of strangers parodied became YouTube's behavioral "model home." No other platform had that social dynamic.
• Soulja Boy, Chris Crocker, and other talented creators had viral YouTube videos that got widely parodied. "Chocolate Rain" became identified with a type of "shareholder safe" virality. YouTube's human editors promoted it on the front page.
• YouTube was an unproven business for both Google and creators. The idea of creators earning Internet money was not mainstream. I was added in round two of YouTube's experimental Partner Program. I believe round one had about thirty creators.
• Television remained the eight-hundred-pound media gorilla. Viacom's billion-dollar copyright lawsuit was an existential YouTube threat just as the first YouTube videos went viral. The fact that "Chocolate Rain" began on YouTube and transitioned to me being on CNN, Jimmy Kimmel, discussed by Carson Daly and dozens of other celebrities... came at a time when YouTube needed a Rosetta Stone. They needed to translate a massively subsidized, high-risk venture into understandable cultural value. "Chocolate Rain" became a stenographer of YouTube crossing over. I got parodied on South Park, Saturday Night Live, nominated for a People's Choice Award, sang with Boyz II Men on Tosh.0 etc.
HOW DID "CHOCOLATE RAIN" GO VIRAL?:
• "Chocolate Rain" was rushed to completion in April of 2007 since I had another song ("Love," made with Kooby) featured on YouTube's front page and wanted other new content. It sat at around 30,000 views until summer.
• "Chocolate Rain" got posted on Digg in July of 2007, an early Reddit-style social bookmark site. Someone saw it there and posted it on 4chan.
• 4chan worked to meme "Chocolate Rain," "Numa Numa," Rick Astley, and other things. In 2007, 4chan was dominantly "Howard Stern liberal." Being offensive, outrageous, and highly speech-tolerant used to be identified with leftist, avant-garde identity. My first inkling that "Chocolate Rain" was going viral was 4chan prank-calling Tom Green's self-produced show and the caller busting out singing "Chocolate Rain!"
MORE FACTORS IN "CHOCOLATE RAIN" GOING VIRAL:
• YouTube had no stereo sound in early 2007. I posted a free "Chocolate Rain" MP3 download, with a giant video banner announcing it, purely to circumvent this. I wanted my songs heard in stereo.
• "Chocolate Rain" begins with an instrumental and loops. This, combined with the MP3 download, made parodies easy. This was totally unplanned luck. It's like it was made to be parodied.
• I looked like Janet Jackson, moved like Mr. Bean, and sounded like Barry White. Not trying to mean-girl myself, just being blunt. I was a unique combination of attributes but also not self-aware. Social internet video of everyday life was a new experience. Like, "If that guy is singing 'Chocolate Rain,' what's MY neighbor doing?" Everyday life was transforming into a democratic video content frontier nobody had given much prior thought to.
• It's worth noting that 2007 was before mainstream mobile Internet video consumption. YouTube was overwhelmingly consumed on desktop computers and laptops. The later shift to engagement-optimized and loyalty-optimized social video was heavily influenced by phones.
PERSONAL FACTORS WHY "CHOCOLATE RAIN" WENT VIRAL:
• I built a bedsheet box in my living room to sing "Chocolate Rain" in because I'm agoraphobic. That's the opposite of claustrophobic. Boundaries supercharge me. It also turns out that lots of people have bedsheets to hang up.
• I moved stiffly and sang "Chocolate Rain" with elongated vowels because of dyspraxia, a neurological movement difficulty tied to me being autistic (first diagnosed at age sixteen).
• "Chocolate Rain" musically captured my tendency towards echolalia and echopraxia — repetition and reinvocation of speech and behavior. These are adaptations to being a partially verbal autistic who has to blend-in with speaking society. They also help in making catchy songs.
NPRmageddon retweeted
The solution to the theatrical problem is very simple. Extend the time before it goes to streaming. Make it 180 days. 6 months. If you don't watch it in theaters you won't get to see it for a long time. Studios have devalued their product by letting the consumer know there's no urgency. They're going to see it for "free" later. They've cheapened the business into a buffet and violated basic supply and demand.
NPRmageddon retweeted
If you call Film LA, the very first option is to report a production you think should be shut down for not having a permit.
The third option is to try and get a permit. If you don't get your application in my 10am a week before the shoot, they will not process your application. Not 10:05, not 12pm. Must be in by 10am. When you speak to the person at Film LA, they truly sound like they don't even want you to shoot there.
I hope whoever our next mayor is shuts down Film LA and makes it free and easy to get a permit.
LA has the best crews, the best casts, the best weather. It shouldn't be cheaper and easier to fly to Oklahoma and shoot there than it is to shoot at home. It's time to bring filmmaking back to LA.
NPRmageddon retweeted
Do you miss the good old days when movies were made out of old fashioned CGI instead of AI?
NPRmageddon retweeted
I love these shots high above fans. I wonder what the first movie to do this was.
NPRmageddon retweeted
I checked out Ray Dennis Steckler's "The Thrill Killers" thanks to @sampanico and @Groovy_Doom. I had only seen Steckler's "Wild Guitar" before that.
It had that rare combination of a Mirror Shot AND a Zoom Shot transition. I can't think of another (but I am now on the lookout.)





























