read me your poetry, I might weep #3
O, VANITY
FRIDAY ! Oct 16, from 7pm
At
Motto Kreuzberg
Skalitzerstr. 68
Hosteb by Nancy Li
Open mic (or almost)
Streamed live on Motto radio
Collective poem assemblage
Check out ARCHIVE A3 (1995–2026): An Archival Photobook from Donbas by Marko Kolomytskyi on @Kickstarter kickstarter.com/projects/mar…
This Saturday at Motto:
RESONANCES OF THE VOICES BEFORE US — Electric Modernism & Material Sound in Post-Independence Ghana. Curated and hosted by @blamekuuks a Ghanaian born curator and designer.
Positioned at the intersection of post-independence cultural sovereignty, analog experimentation, and ancestral memory, this broadcast traces the electric transformation of West African popular sound across the 1970s. As acoustic palm-wine roots and big-band brass gave way to organ-led, psychedelic studio experimentation, musicians across Accra and Kumasi developed a distinct form of electric modernism.
Approaching rare vinyl pressings, independent label archives (Essiebons, Gapophone, Bokoor), and physical ephemera as living historical artifacts, the three-hour session combines continuous playback with live curatorial commentary.
Listen in person from the Motto courtyard in Kreuzberg or tune in online via the live stream.
—
Date: Saturday, 10.10.2026
Time: 17:00 CET
Location: Motto Berlin — Skalitzer Str. 68 (Im Hinterhof), 10997 Berlin
Curator & Host: @blamekuuks
Broadcast: Streaming live via mottobooks.com
Format: Live Vinyl Playback, Field Ephemera & Audio Commentary
Entry: Free / Open access

read me your poem, I might weep
Edition #1, Oct. 1 2026
Motto Xberg
Hosted by Nancy Li
With a collective poem given birth by us
To be misremembered
To be misinterpreted
To be continued
With special thanks to Roy for showing up with his keyboard
Human Inferno – We Intend To Break, The Life/Death Cycle, Wahrscheinlich (Vinyl)
Human Inferno
Nagelpilz Records
Side A: We Intend To Break, The Life/Death Cycle
Sode B: Wahrscheinlich
Vinyl by Norwegian Noise guru Human Inferno, tons of tape delays / field recordings and electronic manipulations
Limited to 30 hand numbered copies with selfmade covers
Mastered by Lasse Marhaug

















