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For @Metrograph I wrote about what’s on everyone’s mind these days: Farley Granger, noted bisexual and star of classics by Hitchcock, Visconti, and Ray metrograph.com/cracked-actor…
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It’s heartening to me out on the road that two excellent pieces on Rossellini’s Socrates (was/is playing at @Metrograph) appeared at the same time, one by Pinkerton, one by Rizov.
metrograph.com/futures-and-p…
screenslate.com/articles/soc…
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On the inimitable Late Style (TM) history films of Roberto Rossellini generally, and his 1970 Socrates specifically, for @Metrograph: metrograph.com/futures-and-p…
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This weekend, @Metrograph presents COMPOSED BY JANG YOUNG GYU, a selection of South Korean modern classics scored by Jang Young Gyu, with a special screening of SYMPATHY FOR MR. VENGEANCE moderated by our own Goran Topalovic!
Details/Tix: metrograph.com/jang-young-gy…
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A long-lost entry into queer Serbian cinema, Srđan Karanović's 'Virgina' has been restored and opens at Metrograph on October 23.
Watch our exclusive trailer debut: thefilmstage.com/exclusive-t…
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Stop the presses!
To celebrate NYT turning 175, we're holding a film series in Manhattan featuring some of the best movies ever made about journalism.
I'm introducing my personal favorite, "Broadcast News" on October 17th.
Tickets below!
metrograph.com/new-york-time…
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HAPPY RELEASE DAY!
Ryuichi Sakamoto's intimate, special New York exhibition opens today at THE GALLERY by Odo.
The first English translation of Ryuichi Sakamoto's autobiography, Music Sets You Free, is released today.
Get your book:
harpercollins.com/products/m…
We are celebrating Ryuichi's life and legacy in New York, the city he called home, with a special exhibition featuring rare photographs, displays of his discography and books, and Sakamoto's personal Bertoia sound sculptures.
odogallery.nyc/news/sakamoto…
This week, celebrate Ryuichi Sakamoto's book release from HarperVia at Rizzoli Bookstore, Public Records, and Metrograph throughout NYC.
kabamerica.lnk.to/MusicSetsY…
Join us to honor Ryuichi Sakamoto.
The UK edition releases tomorrow.
#ryuichisakamoto
#musicsetsyoufree
#newbookrelease
#autobiography
#exhibition
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Four Favorites with Shunji Iwai 📽️
Swallowtail Butterfly released 30 years ago today. A newly remastered 4K version is in cinemas across Japan now.
📌 : @Metrograph
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“Breaking Free: The Films of Anja Breien” opens September 11th at @Metrograph.
Anja Breien’s politically engaged, unapologetically feminist, irony-fluent oeuvre encompasses both documentary and fiction films, perhaps her best known work in the latter category her decade-spanning Wives trilogy; the first entry, released in 1975, depicting three women bailing on their domestic routines for a three-day spree in Oslo, was conceived as a rejoinder to John Cassavetes’s 1970 'Husbands'.
Presented in new restorations from the National Library of Norway and with the support of the Royal Norwegian Consulate General in New York, Metrograph offers a rare opportunity to discover—or rediscover—one of North European cinema’s most essential auteurs.
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For @Metrograph I wrote about what’s on everyone’s mind these days: M. Night Shyamalan and his worst critic. metrograph.com/lady-in-the-w…
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"A rejection of traditional linear structures and the willingness to submit to the flow of nature allow Robb Moss to capture the deeply moving ordinariness of human experience."
Farihah Zaman talks to Moss about his wonderful film THE BEND IN THE RIVER:
reverseshot.org/interviews/e…
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Christopher Doyle | from @Metrograph metrograph.com/christopher-d…
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La Notte, second in Antonioni's trilogy (or tetralogy, with Red Desert), @Metrograph at 5:45pm (and on @criterionchannl); his importance grows in step with ever-stronger media saturation, his theme and the source of his style:
newyorker.com/goings-on-abou…
newyorker.com/culture/richar…
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"Whether filmed in Georgia, France, or anywhere else, his films do not seem to fit into any school, wave, or national tradition..."
Revisit Celluloid Liberation Front on the liberating, humanist films of Otar Iosseliani (now playing @metrograph.) mubi.com/en/notebook/posts/t…
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Big Tsui Hark retrospective starts September 4 at @Metrograph!
Info: metrograph.com/tsui-hark/
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Otar Iosseliani’s first two features screen today at @metrograph. Two street films dedicated to his hometown, Tbilisi.
New 4K restorations.
FALLING LEAVES (1966) &
THERE ONCE WAS A SINGING BLACKBIRD (1970)
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Quite the double feature of the erotic outdoors, French-rural and German-urban: Jean Renoir's A Day in the Country + Robert Siodmak and Edgar G. Ulmer's People on Sunday, at @Metrograph at 12:30pm:
newyorker.com/culture/richar…
newyorker.com/culture/richar…
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On the films of the Georgia Peach, Otar Iosseliani, for @metrograph: metrograph.com/futures-and-p…
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The Green Room, one of Truffaut's best and least-seen films, its dearh-haunted sombreness a step short of comedy (and with a Godard-centered twist, at @Metrograph 7:10pm in 35mm.: newyorker.com/culture/richar…
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Great that Robert Bresson's last film, L'Argent, is at @Metrograph 12:45pm, in a tribute to the sound recordist Jean-Louis Ughetto, because the soundtrack plays a dominant role in expression and substance (struck by it when I saw it in first run in Paris):
newyorker.com/goings-on-abou…




























