There's only so far you shorten production to save money in a "hybrid filmmaking" effort or you're essentially making an animated film with minimal live action
*split diopter alert
Watching Sergio Sollima's VIOLENT CITY
The final scene with Charles Bronson's sniper hitman taking out the couple in the elevator is astonishing
Marcus Kempton retweeted
I understand people are feeling financial pressure. But when I look at the choice in front of voters, I ask: what’s the better offer? The U.S. remains the default economy for investors around the world. With 52 cents of every internationally invested dollar coming here, I’m staying the course.
Marcus Kempton retweeted
PETER HYAMS’ THE STAR CHAMBER — A REVIEW BY NICK CLEMENT podcastingthemsoftly.com/201…
Marcus Kempton retweeted
On this day November 3rd, 1983, Peter Hyams' THE STAR CHAMBER, starring Michael Douglas, opened in London..
I love how Peter Hyams gets tons of coverage.
The end of this scene when Jericho is pinned against the church's wall after fighting the demon, for example.
You can do so much more practically by breaking it up.
The entire film is shot this way.
Marcus Kempton retweeted
名に恥じない物であった。全体に漂うどことないチープさとお色気、主役のK・マクラクランの寂しげな表情が一種独特な味付けとなっているのも好ましい。こんな傑作がいまだ国内でBlu-ray発売されていないのが不思議である。あの淀川先生もご贔屓らしく「日曜洋画劇場」にて何度も放送されていた。
It's weird to think about vertical mini-dramas in the sense of
the devices that audiences are paying to watch them on,
could be the same make and model devices that were used to shoot them
Marcus Kempton retweeted
Executive Target (1997)
PM Entertainment Group
Directed by Joseph Merhi
@BulletproofPod


















