We are Mantis. We produce evil bass music. Follow us! Bookings: [email protected] FB: https://xitter.cf/t.co/4W7qNjl4xr SC: https://xitter.cf/t.co/dA2yzkqW04

Atlanta, GA
Joined April 2009
It's here. Most heaviest, Most dumbest, Most Mantiest mix of all time. soundcloud.com/mantisdubstep…
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The company I work for just gave me a brand new 16” M5 Max MacBook Pro, with 64gb RAM, maxed GPU, 2tb SSD : but I have to only use it for ‘work’ 😭😭😭😭😭 Only video/ animation shit, no Ableton 😩
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I’m just imagining how many instances of Kontakt it could handle
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Or just like, not having Ableton tank my CPU and sound like a fart machine, c’es la vie
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Most of ya'll are probably too young to know about Massive, but I can't recommend it enough. It's an old dog, but can still show you new tricks. This is all from one patch, on one channel lmao
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Drill beat + Massive reese basses = profit?
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a little reminder: openers shouldn't play 4 'exposure', should b compensated 4 their efforts, & should enjoy themselves in that time they're on stage: cuz life is short. Headliners should take a deep breath, remember that they're headlining, & that most ppl aren't comparing them to the openers
a little reminder: the opener should never go harder than the headliner
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Update: I listened to like 3 of his tracks on Beatport, they all sound the same. If openers are going harder - then it's a skill issue. Unless by 'going harder' he means them being 'louder' - in which case he should be villainizing sound guys instead of opening DJs
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I’m benching 225 for the first time in my life, squatting 255, weighing a thicc 210 pounds. I’m literally the strongest I’ve ever been physically, and I’m grateful to be here. 😤
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Mitch Lucker was untouchabe, RIP youtu.be/cnROvj39FpQ?si=M32c…
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also, that fucking snare lmaoooo
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Fun fact: i tracked the guitars for this youtube.com/watch?v=YJGHl0O7…
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Moshaholics, but make it Mosh moar
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That time people in the comments were convinced I was in the Illuminati because my shirt had a triangle on it. Little did they know that I WAS and am STILL too poor to be in the Illuminati 🤣 youtu.be/sPX-BdS5SCg?si=4nDp…
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I was going back through my @SoundCloud library to find WIPs, and I noticed everything sounded like shit, then found out why. >128kbps is now paywalled. This is so ass, as someone who has paid for their service since 2010. Not trying to imply that I should be catered to individually, but this is fucked. I already have an 'Artist' subscription, so bitrate shouldn't be an upcharge.
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Bass music wouldn’t be what it currently is without Trampa. I only got to play a couple shows with Rikki, but he was never anything but a gentleman. Massive respect to @skism_uk for opening the door for him to address what happened to him. RUN THAT SHIT BACK.
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Everyone is entitled to their own research / opinion: but I highly recommend listening to what @skism_uk took the time to say on this
TRAMPA. I finally have his blessing to speak on this, and I’m happy to do so. I know social media doesn’t reward long videos like this, but if you’re going to comment, please watch both all the way through and read the timeline first. I won’t be going back and forth online about it after this, and I’m also not going to pretend Trampa didn’t exist. Part 1 — What I know Part 2 — Why I’m speaking now
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Heard ya’ll FW jerseys…who would want to cop one of these limited edition bad boys?
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