Anthony retweeted
Her best lead single to date.
A direction she should have explored further.
Loved where she took herself. She pushed herself and leaned into not only new sounds but into a new side of herself as a performer.
Anthony retweeted
“Hung Up” is the lead single from Madonna’s 2005 album Confessions on a Dance Floor. Co-written and produced with Stuart Price, the song is built around a prominent sample of ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight).”
It reached No. 7 on the Billboard Hot 100 and spent three weeks at No. 1 on the UK Singles Chart, becoming a major international hit. Madonna wrote a personal handwritten letter to Benny Andersson and Björn Ulvaeus asking for permission to use the sample, ABBA rarely approved sampling requests but they agreed after hearing the track.
Anthony retweeted
apreciando esse album maravilhoso nessa linda tarde de terça feira obrigada janet jackson por ser a rainha do pop
Anthony retweeted
This is the kind of dancing/choreo that made me no longer argue about her being the best dancer ever.
Anthony retweeted
Lena Horne, Esther Rolle, Diahann Carroll, Eartha Kitt, Pam Grier, Nell Carter, Dorothy Dandridge, Isabel Sanford, Marla Gibbs, Della Reese, Hattie McDaniel, Mabel King, LaWanda Page, Ruby Dee and Cicely Tyson belonged to different generations, but together they tell an extraordinary story of Black women carving out space in American entertainment. They worked in an industry where Black actresses were often offered stereotypical or limited roles, yet each found ways to leave a mark through film, television, theater and music. Hattie McDaniel became the first Black person to win an Academy Award in 1940, Dorothy Dandridge became the first Black woman nominated for the Academy Award for Best Actress in 1955, and decades later Diahann Carroll made television history with Julia, becoming one of the first Black women to lead a network television series in a role that did not revolve around domestic service. Cicely Tyson became famous for deliberately choosing roles that presented Black women with dignity, complexity and humanity, while actresses such as Pam Grier challenged conventional ideas about who could be an action hero and carry a film.
Their influence also reached far beyond individual awards and famous performances. Isabel Sanford became the first Black woman to win the Emmy for Outstanding Lead Actress in a Comedy Series for The Jeffersons, while Marla Gibbs turned Florence Johnston into one of television’s most memorable characters before starring in 227. Esther Rolle insisted that Black family life be portrayed with greater seriousness on Good Times, and Ruby Dee spent decades combining acting with civil rights activism. Eartha Kitt, Lena Horne, Della Reese and Nell Carter crossed between music, stage and screen, building careers at times when Black performers routinely encountered segregation and discrimination even after becoming nationally famous. Their careers were not identical and neither were their views, but their collective legacy helped widen what audiences could see Black women doing on screen. Many opportunities available to later generations of Black actresses were built on ground these women spent decades breaking.
























