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Writer + Producer + Editor

Los Angeles, CA
Joined May 2009
Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)Photo by MOSLEY. (@MCMosley)
Our FINAL SEASON IS UPON US!! Had an AMAZING time putting together this series! Shoutout to my partner in editing crime @thepoloman - we outsiiiiide And to my super freaking talented Directors @josephsikora4 and @eifrivera - THEY NOT READY!! I believe we’ve done all we can with Kanan. We’ve raised a monster. Catch the final transformation - June 12th on @starz #CutbyMosley
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Happy Halloween 🎃
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YESSSSSSSSSSS
Darkness must be hunted. Mike Flanagan’s The Exorcist: Martyrs only in theaters March 12.
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Interesting that I’m not seeing too many mainstream news outlets mention that misfire of words about Los Angeles and San Diego Trump spewed at the rally
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Nigga… what?
Trump on Iran: Let 'em take out Los Angeles and San Diego, it's a small price to pay
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I need Fall to bob and weave, throw one to the body, something! How you just gonna let Summer do you LIKE THIS??! Tell this nigga to LEAVE! #LA
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Taking the subway this week because these gas prices are 😳😳
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What the Falcons hitting on tonight?
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I was also reminded that this film came out over this past weekend
Tom Cruise’s “Digger” cratered at the box office with an $8M domestic (and $20M worldwide) debut. Here are five takeaways from its opening weekend: • Bad buzz killed any curiosity • Auteurist swings are necessary for Hollywood’s survival, but they can’t come with blank checks • International box office crisis • Cruise’s unconventional press tour didn’t jibe with today’s moviegoers • Marketing can’t hinge the campaign on Cruise’s cinematic legacy Read the full analysis from @rebeccaarubin: variety.com/2026/film/box-of…
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#DIGGER doesn’t feel like an October movie either though… Would it have performed better opening weekend in a different month?
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Watched DIGGER this past weekend! I could see where the mixed reviews come in. There’s a lot happening here, but I was never bored! There were moments where I had to be locked in so that I could stay on the train of thoughts that were happening. But the film is interesting in a lot of aspects. Performances, pacing and weaving, you almost forget what kind of movie you’re watching as the film switches from an audience from the crowd perspective to an immersive experience within the actual story of Digger. I was loving the Cinematography and Direction! Plenty of frames here that could stand on their own and garner discussion just based on composition. And of course Tom Cruise! Sometimes an actor is just fun to watch. He’s one of them. Go see #DIGGER
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They hated this man 🤣 🤣
Republicans during the obama era
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I feel like Tubesteak would be a Trump Supporter 🤣 🤣 @iamcarljones
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I feel like, most times, the conservatives on Jubilee vote each other out faster than the liberals do…
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Ain’t getting no younger. I laughed too hard and my back gave out! 😩
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Feel free to critique my proposal… This is to keep and expand Film Productions in Los Angeles and throughout California: - A $20M annual commitment by each major studio (Disney, Sony, Universal, Paramount/Warner, Amazon, and Netflix) to produce and distribute either 20 ($1M) or 10 ($2M) films in LA and the greater state of California. - This is meant to not only address runaway productions, but also stimulate the state film economy creating a sustainable farm system for local crew and talent. - Each project has an opportunity to participate in California’s Tax Credit Program. - Each picture has guaranteed distribution on the respective streaming platform of its home studio with commercially viable projects getting an option of theatrical release. - A vehicle for up and coming filmmakers with at least 2 completed short films demonstrating they can handle a narrative arc, direct actors, manage a crew, and deliver a finished product through post production. - Generates massive volume of “union qualification days” for local LA-based crews (IATSE & Teamsters) - Provides critical entry-level director and writer opportunities. Low-budget tiers feature highly reduced guild minimums, allowing studios to take financial risks on unproven talent. (DGA & WGA) - Operates cleanly under the Moderate Low Budget Project Agreement (MPA). This scales down day-rates while successfully securing union health and pension days for up-and-coming actors. (SAG) - Minimizes runaway VFX spend - Continuous Soundstage Utilization for mid tier stages across LA - Each studio provides a quarterly submission window (90 Days) for a Pitch to Production Timeline allowing studios to greenlight projects in batches, creating a predictable production calendar for local crews for the following calendar year. - Allows Studios to test a filmmaker's vision, work ethic, and box-office/streaming draw at a micro-budget level. - If one of these $1M-$2M films becomes a viral streaming hit or a festival darling, the studio holds the first-look option for that filmmaker’s next big-budget project. #StayinLA #FilmLA #FilmIndependent
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Have always loved marketing like this!
Netflix is bringing the premise of ‘THE LAST HOUSE’ to life with a performer “stuck” inside a living room built into a billboard 30 feet above Sunset Blvd. The installation will run from August 6–8 ahead of the August 7 premiere of the film, starring Greta Lee and Wagner Moura.
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