Letters to the TV (@LettersToTheTV) header
Letters to the TV (@LettersToTheTV) profile picture

Notable eccentric. Failed Competitive Eater.

Joined June 2010
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The best part of being so far into COVID is trying to talk to your doctor about depression and their only response is “dude, same”
Sure sex is great, but have you ever rested your head on someone’s lap as they play video games and you stare at your phone?
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Dear prestige dramas, You could probably afford to pay your crew more if you cut all the bits where you intentionally mislead the audience and make your season 2 episodes shorter
If anyone needs me I’ll be in my room writing Derryl Trujillo/Jim the Vampire fic
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I preferred Squid Game when it was called DRIVE(2007)
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God, the cast of Drive is the only punchline you need
What’s the point of having an animated series if the fights still look like absolute shit?
Letters to the TV retweeted
i worked at an antarctic base for a while and Things only do that when they’re very stressed
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I just don’t want to watch eight movies to understand why a movie is good, I’m so sorry.
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This doesn’t apply to the Rocky/Creed series. I will sit down with you for several hours to explain why those movies are fucking amazing
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If I were a multibillion dollar network I would simply not repeatedly draw attention to our past relationships with pedophiles
I’m officially scared that Only Murders in the Building is setting itself up for an extremely narrow landing it has absolutely no chance of hitting
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Who needs drugs when flu shots are free and a benefit to the community?
I like Only Murders in the Building because everyone is always explicitly stating their emotions in the moment
Only Murders in the Building: what if Bored to Death had two Ted Dansons?
Reservation Dogs is amazing, but I’m afraid to show it to anyone because I would spend the whole time staring at them hoping they like it.
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“It’s just so sincere, and the weirdness is so specific. It’s amazing!” - me not holding my chill
I don’t love HouseBroken, but I deeply appreciate that it dedicated a whole episode to explaining how George Clooney’s pet pig can be a character despite being dead