The cinematography of You Can See Everything was designed to tell the story through human faces. Lots of unusual choices: - Ultra high length zoom lenses allowing cameras to shoot ultra-tight shots of faces without being close to the subjects. We’re talking breathtaking 250mm zoom lenses. You’d normally see these at sporting events. The subjects would have no idea just how intimate these shots were going to be. - Low apertures giving creamy bokeh that separates the faces from the scene. - Distinctive vintage color grading by Damien Vandercruyssen that makes Elizabeth’s sharp blue eyes pop off the screen. It also makes everyone look a little bit evil. Nathan’s grey hairs seem to really pop. - An aspect ratio of 4:3 instead of the usual 1.85:1 seen in most movie theaters. the result is that faces fully fill the screen. (I found the resulting letterboxing to be annoying, but I get the art of it).