An idiot.

Nekropolis.
Joined January 2019
St. Jerome Bible tips: 1. Psalter, your recreation. 2. Proverbs, your way of life. 3. Ecclesiastes, how to trample the world. 4. Job, learn patient virtue. 5. Gospels, always in hand. 6. Acts+Epistles, be steeped in them. 7. Prophets, commit to memory. 8. Canticles, have no fear.
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Ur-Caecus retweeted
“Concept-based approaches will not serve to elucidate a percept-based activity.” Eric McLuhan ‘Cynic Satire’ 2015
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The point of intellectual work is not just to arrive at answers no one else has found yet. The process of working through something can change the questions we ask, and open up possibilities we hadn’t even considered. Why would AI reaching the same conclusions make that any less worthwhile? Poverty mindset.
Wait, why would you do this? If AI is going to discover all this stuff in 1-5 years anyway, why would you bust your ass trying to front-run it?? Just enjoy your life.
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Ur-Caecus retweeted
Purgatory is people laughing at themselves.
Hell is people sneering only at each other. Heaven is people laughing with each other.
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Cause me to hear thy loving-kindness in the morning, for in thee do I confide; make me to know the way wherein I should walk, for unto thee do I lift up my soul. Psalm 143: 8
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Ur-Caecus retweeted
a quantitative history of metaphors in english poetry jean.land/metaphors Ever since I was a kid I've wanted to map every metaphor in English poetry. Now thanks to a very cool Cohere grant and Muse Contributor Tier pricing, I mapped 139k metaphors from 75k poems out of a 136k poem corpus. This is but a small undertaking in investigating the evolution of figurative language, an interesting problem in a larger slice of my larger recreational undertaking, the computational history of consciousness. Every time I work on this project, I have felt an acute, stabbing pain in my balls. I have tried a billion iterations of this project and never achieved a result good enough to publish until AI got good enough. But now I think it's good enough to share! my problem there are no corpus for figurative language in poetry. the closest thing is the VU metaphor corpus but that one lowkey has no poetry. There are some hand-tagged metaphor libraries and prior studies (1, 2,3,4,5) on this subject but all the problems are 1) the corpus seemed too small 2) not poetry specific (mapping metaphor project for example is for all language). Past studies have tested too few poems. To put it shortly, the problem is 1) skill issue and 2) no one gaf. I wanted a large dataset of canonically accepted poems and a temporal network of "A is like B" type shit in all of English poetry. To do this, I read a lot of papers over course of multiple years when I'm not working, and I finally have a good dataset. I want it to be representative for the past, and selectively comprehensive for the present. For problems like this, it is more important to know what to exclude than what to include. To this end I've brought together teaching corpora and contemporary magazines. Every poem here belongs here. my method LLMs have supposedly performed poorly in detecting metaphors. "Prompted LLMs implementing MIPVU performed substantially below supervised metaphor detectors in Reimann and Scheffler's 2025 study, whereas Fuoli et al.'s 2025 full-text experiments obtained a median F1 of .79 after fine-tuning and .76 with their best chain-of-thought configuration." I wondered if this was a skill issue. Models have came far; and also no one gaf. Since that study was for film reviews, not poetry, there was lowkey no reason I would redo this study. But because I had no benchmarks I thought I had to do that anyways. my dataset I have perhaps the awesomest poetry corpus ever. jean.land/metaphors/reader.h… I built this painstakingly over the past 5 or so years. These are things people read, or should read, and definitely take serious. I took the poets.org poems; poetryfoundation, stitched together a few open source datsets, and then from ~425 literary magazines. I deduped common ones. In total I have 163k poems. The timing/slant of this poetry corpus is deliberate: I'm not really interested in a more complete sample of older English poetry. I think listing on the Internet means that those poems are continuing to being read, taught, and studied (by however few people) and thereby influence language of future poets. What is around in this current dataset also roughly proxies influence. This can very easily be done for other languages. Despite all this, my dataset still lowkey ass due to the following reasons: there are some undated poems; there may be some metadata issues, and the quality is too uneven in periods. Whats more, there are period biases, and the contemporary corpus may be a little ass and not comprehensive. It's definitely representative enough within the confines of what I, independent jean, can get without violating copyright. some stats below: If I had more money I could do it better. Right now I do a cheap pass where I go "Is this a poem?" and model goes yeah/nah and if its a poem its added to corpus. This is all extremely cheap btw like I assume they are doing it at the Universities. I would love to be pointed towards better corpora made by people with more money and more human attention and more time than me. the metaphor extraction step is simple. I have Muse Spark contributor tier (I give facebook my own money. It was cheapest option for outcome. Thank you Sophia for suggestion) and I have Cohere's very generous grant (~$3k total, ty!). Running all 163k poems, I just kept metaphors that both Muse Spark 1.2 contributor and Cohere Command A found. EZ🫛Z. The results really do look pretty good to me. Since there are no evals for this, if you think AI missed anything, please let me know. image is love in 15th century -> love in 21st century
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For Marshall and Eric McLuhan, technology is a language (also being a technology), and the tetrad is its etymological dictionary. Was thinking about this when reading pg. 340 of "Medieval Grammar and Rhetoric" where it mentions the various intellectual functions of etymology.
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Like genealogy, etymology is a way to ground thinking or interpretation in a tradition. The goal is not to establish historical origins, but to gain a grasp on the present. Medieval Grammar and Rhetoric, pg. 339
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Medieval Grammar and Rhetoric, pg. 313 Theme: The use of etymology in the medieval period.
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Ur-Caecus retweeted
New, on "The Seafarer" (an Old English poetry classic), with comments on Ezra Pound's translation, the poem's meaning, the Christian transformation of the Aryan ideal of undying fame, and MORE!
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Has anyone ever successfully taught history in reverse?
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The contemplation of the horrid or sordid or disgusting, by an artist, is the necessary and negative aspect of the impulse toward the pursuit of beauty. But not all succeed as did Dante in expressing the complete scale from negative to positive. T. S. Eliot on Dante Alighieri
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There are more things in heaven and earth, than are hallucinated in your LLM.
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There are more things in heaven and earth, than are computed in your algorithm.
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Just as we render to Caesar the things that are Caesar's (things bearing his image), so to do we give to God the things that are God's (ourselves: for we are made in the image and likeness of God).
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McLuhan and the question of "feelings when reading a poem".
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Descartes was spitting when he said "I think I should be your boyfriend, therefore I am."
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Pumpkin shaped nutella donuts. Looks and tastes great.
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Cinnamon sugar coating too.
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With television I was showered in unimaginable lights.
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The freshness of sound and thought and experience of "thingness" con-forming into speech.
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