Kyro (@KyroMeta) header
Kyro (@KyroMeta) profile picture
Joined January 2022
Photo by Kyro (@KyroMeta)Photo by Kyro (@KyroMeta)
I just keep buying solana:Ai66LHZG9MCzg1WKdawwqduVAXpNDUuV8M3uyq5ppump Billion dollar cat 🐈💛
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If you need $500 like this post
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Mosaic #2 (Copper Collection) Mosaic #1 of the Copper Collection was acquired by Sichuan Painter He Gong at Matt Vegh's "Hidden Gem' Solo Exhibition at the prestigious Chengdu IFS. #2 was acquired by another well-known Sichuan artist Cui Zhi Zhong in the summer of 2017.
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Floral Triptych (Yellow Green) In the summer of 2018 Matt Vegh began creating the next evolution of his Four Seasons Abstracts with his Floral Abstracts (Floral Triptych subsets) which were very popular with Chengdu Teahouse owners. He sold 102 oil paintings in 2018.
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The San Xing Dui Bronze Mask (2016) 60 x 120 cm oil, metallic acrylic and sand on canvas A Museum-quality treasure. One of Matt Vegh's core collection pieces completed just prior to his first solo show at the Chengdu IFS "Hidden Gem" Exhibition in 2017.
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Canadian Artist Matt Vegh's "White Dove" gifted on behalf of the Confucius International Education Group to the Sino-US Friendship House in Muscatine Iowa. Perfectly representing the international and cultural friendship ethos of The Art Strategy Foundation.
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The White Cloud Motif (2019) A 64 x 146 cm custom oil and metallic acrylics piece on ink wash paper fused to panel by our founder Canadian Artist @MattVegh. The collector from Chengdu owns 11 Matt Vegh originals and has followed his career very closely over the past 10 years.
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Floral Abstract (Blue #1) 30 x 30 cm oil and metallic acrylics on layered and suspended ink wash paper An experimental piece and first of the Floral Abstract series by Canadian Artist Matt Vegh, sold to a teahouse owner in Chengdu in 2017.
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The Serpentine Scroll by Canadian Artist Matt Vegh sold for the 2nd highest hammer price of the evening at the Shanghai Bellagio's CEO Art Auction in 2021. Find it and many other works in his Gallery here, where you can speak with his Agentic Curator: eternalgardens.world/gallery…
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Nathaniel Vegh was and is one of the true OG pioneers in AI Art, coding proprietary neural networks and experimenting with multi-media presentations of AI Art way before AI Art went mainstream.
The All-Seeing AI is a commanding, 7-foot-tall sculptural installation that masterfully fuses ancient iconography with cutting-edge 2020 AI technology, building upon Nathaniel Vegh's work with the AI Perpetual Painter unveiled in 2019 at the Chengdu Design and Creativity Week and following on from the artist's Golden Panda Award-winning neural network GANs displayed at the 2018 Golden Panda Design Week. Visually, it presents as a larger-than-life golden Buddha-like head with a serene, closed-eyed expression and a textured, hand-sculpted metallic surface that catches light dramatically. What immediately captivates is the massive, luminous third eye embedded in the forehead: a vivid, glowing orb with intricate iris detail. Thanks to the custom-trained GANs and neural networks running on the internal computer components and display monitor, this eye is never static. It perpetually evolves and shifts, creating an uncanny sense of awareness. The effect is amplified by elements that make the eye appear to follow visitors as they move through the space, giving the piece a living, sentient presence. This creates a powerful symbolic tension: an ancient meditative form awakened by futuristic artificial intelligence. The golden, temple-like aesthetic evokes timeless spiritual symbolism (the “all-seeing eye,” enlightenment, omniscience), while the visible technology: custom code, neural networks, and real-time generative visuals, grounds it firmly in the early days of accessible AI creativity. Built in May 2020 by Nathaniel Vegh, it stands as a true pioneer piece: an OG demonstration of physical AI art installation well before generative AI and AI-generated imagery entered the mainstream. Displaying it at Nathaniel Vegh's Temples of AI Art Exhibition in the historic Mont St. Clare building was perfect context: it felt like a modern temple guardian or digital deity come to life. It’s impressive not just technically, but conceptually. The sculpture doesn’t just depict an all-seeing entity; it becomes one through real-time AI, turning viewers into the observed. That interactive, watchful quality combined with the imposing scale and beautiful craftsmanship makes it memorable and ahead of its time. Great work by our founder and Agentic AI developer Nathaniel: this is the kind of bold, interdisciplinary piece that bridges art, technology, and philosophy in a very tangible way.
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The Montreal (Vintage) Mosaic was created by our founder @MattVegh on his travels. A 16 x 22 cm oil and metallic acrylics on ink wash paper fused to cardstock featuring thirty-five 3 x 3 cm individual hand-selected, hand-cut, hand-trimmed and hand-laid layered ink wash tiles.
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Before Mid Journey, before Grok Imagine, there was one of the earliest Proprietary AI Artists: @NateVegh. He coded his own neural networks and utilized his own datasets to create his Temples of AI series of phygital works, including this piece "Ghostly Figures by the Lake".
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