We are fashioned creatures, but half made up- Mary Wollstonecraft Shelley. The moon made me do it. Hex the patriarchy to ash. Resistance is always justified.

Enceladus
Joined January 2012
Kym🌻 retweeted
fuck it, just build the antisemitism panopticon. one enormous government funded eye that never sleeps, never blinks and immediately sounds an air raid siren whenever somebody goes three seconds without reaffirming that antisemitism is very serious. enough attention yet??
i know it’s not technically the most pressing issue right now but i do think people are in denial when they say there hasn’t been a significant rise in antisemitism on the left. like i’ve seen otherwise normal people say insanely hateful Nazi shit out of nowhere all the time lol
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How much does grief weigh? A teaspoon of a dying star? Six billion tons?
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Kym🌻 retweeted
free copy here along other selected matriarchal-leaning reads drive.google.com/drive/u/1/m…
Ive been reading Women Who Run With Wolves and let me just say I think it should be mandatory for everyone
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A man violently attacking a woman with a car is political enough. To watch people overlook that reality and use Helen’s trauma for partisan speculation is sick. To any "side" making this about anything else: fix your fucking hearts. My love to Helen and her family 💜
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Las manos siempre fueron hechas para sostenerse.
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Kym🌻 retweeted
Just being alive at the same time is an unimaginable karmic connection that should make our hearts burst with compassion
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Kym🌻 retweeted
Dude what the fuck even is this shit? You ever open a kids' book and there's like a disclaimer about 9/11? These people are such fucking babies. They don't care about anything anymore, all they want is to throw a big fit about how no one likes that they're still murdering people
Alana Hadid and Jenan Matari withdraw their children’s book on the Palestinian experience from Penguin Random House after rejecting editorial changes that demanded a disclaimer on 7 October while treating the Nakba and occupation as debatable.
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Kym🌻 retweeted
Two instruments that should never meet but when they do, you get this. The kora is 300 years old. 21 strings made from a calabash and cow skin, from West Africa. The cello is 500 years old. 4 strings, from 16th century Europe. Different worlds with different histories but they speak the same language. Ballaké Sissoko & Vincent Segal from their album Chamber Music.
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Kym🌻 retweeted
Greenham Common, 1980s UK, 1st peace camp, women-only, active for 19 yrs protesting nuclear weapons. Embrace the Base event-30,000 women held hands around the US airbase fence housing Cruise Missiles, in a 14-mile human chain #WomensArt
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Kym🌻 retweeted
Replying to @hassanrahim
they're trying to cut open the bird to find the song
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Charcoal drawing titled "The arm that carries the hand that carries the roses " created by Palestinian Child Madeeha Al Majayda, AGE 15 depicting the struggles of Palestinian children in Gaza The artwork was part of an exhibition in London showcasing heartbreaking drawings by kids from the strip depicting Israeli war/genocide on Gaza.
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Pay attention to how someone reacts when you stop being useful to them. When you have nothing to offer, no favors to do, no money to lend, and no connections to provide. Sometimes, losing what you can do for people reveals who actually values who you are.
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At this moment, Israel is detonating tons of explosives in Gaza. The sounds are absolutely terrifying, and our children are terrified
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“insults at me that didnt align with the person i am.” That’s the problem with men, they think their perception of who they are is infallible. As long as they think they’re good people, then they are.
This quoted post is unavailable.
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This is Palestine. The warmth of a shared breakfast. The strength of community. A love for one another that extends far beyond blood. Give to Gaza: linktr.ee/thesameerproject?u… This is what the occupation wants to destroy. Not just homes and streets, but the bonds that hold our people together. The traditions passed down through generations. The sense of belonging that no amount of displacement can erase. But Palestinians will never surrender the love, humanity, and community that make Palestine what it is. And as The Sameer Project - Palestinians in the diaspora facilitating the assistance Palestinians can give to one another in Gaza, we ask you to stand with us. Help us preserve and protect what the occupation wants to wipe out, what they will never succeed in erasing. Ever. If you stand with Gaza sign-up to be a monthly donor to one of the campaigns: linktr.ee/thesameerproject?u… Other ways to donate include: paypal.me/mahertali (Paypal option, please make sure to add a message saying "GENERAL") account.venmo.com/u/Maher-Al… (Venmo option, please make sure to add a message saying "GENERAL")
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From the land of strawberries, and the memory of its people that never withers In a new episode of "The City That Raised Me", Bisan takes us back to the house of Lahia, northern Gaza, to hear its stories through the eyes of its people. Because the place can be destroyed, but its story lives on. Our stop for the day: House of Lahia. From its strawberry fields to the memories that live on. In a new episode of "The City That Raised Me, Bisan Owda takes US to Beit Lahia in northern Gaza, sharing ts stories through the eyes of its people Because a place can be destroyed, but its story lives on. Today's stop: Beit Lahia.
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World Central Kitchen in Gaza abruptly terminated the contracts of 250 chefs without any prior notice. Half of the kitchens providing food to displaced people have been closed, and the number of meals being served has been significantly reduced in recent weeks. We don’t understand what is happening, or how this aid can be cut back when thousands of people in Gaza still depend on it to survive. What will happen to these people now?
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“I was once sitting in the courtyard, beneath the green olive tree beside the laurel…” Support Gaza now: chuffed.org/project/113222-t… A song that generations grew up with, and an image that feels instantly familiar to Palestinians: the courtyard, a mother baking, a father watering the trees, and an olive tree standing at the heart of the home almost like another member of the family. In Palestine, the olive tree is older than many of the stories we tell today. Its roots have held this land for thousands of years, and across generations it has remained part of our homes, our seasons, our food, and our understanding of belonging. So when girls in Gaza plant an olive tree with their own hands, it is more than placing a sapling in the soil. It is the continuation of an old story. We plant because this land is ours. We plant because we know it, and it knows us. We plant because a child who grows up beside an olive tree grows up knowing that their roots run deeper than everything this land has endured. And as the song says: no matter how much time passes, we will never give up the land of the free. Today, another olive tree is planted in Gaza. And with it, another promise: that the land will remain alive, and that those who love it will always find a way to begin again. Do you want to stand by Gaza? Contribute to The Sameer Project’s General Fund: chuffed.org/project/113222-t… Other ways to donate include: paypal.me/mahertali (Paypal option, please make sure to add a message saying "GENERAL") account.venmo.com/u/Maher-Al… (Venmo option, please make sure to add a message saying "GENERAL")
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