KimStim retweeted
🎬 DISCOVER SOMETHING DIFFERENT!
Select KimStim overstock titles now as low as $1.98 @ MVD Shop! Explore acclaimed documentaries, independent films & world cinema. Limited quantities!
🛒 mvdshop.com/collections/kims…
#MVDShop #KimStim #PhysicalMedia
KimStim retweeted
The historical drama JOAN OF ARC / JEANNE (2019) starring Lise Leplat Prudhomme has been released on Blu-ray
theentertainmentfactor.com/2…
#bluray #joanofarc #liseleplatprudhomme #jeanne #history #france #war @KimStimFilms
Kurosawa reimagines his own 1998 thriller in this haunting French-language adaptation of SERPENT'S PATH, transforming a revenge story into a chilling meditation on grief, guilt, and moral decay. "CRITIC'S PICK!" @TheFilmStage now available @PrimeVideo
amazon.com/gp/video/detail/B…
We have 4! Kiyoshi Kurosawa films now streaming on @criterionchannl BRIGHT FUTURE, CREEPY, TO THE ENDS OF THE EARTH, SERPENT'S PATH (2024)! All available to buy/rent @PrimeVideo
criterionchannel.com/collect…
KimStim retweeted
.@KimStimFilms acquires North American distribution rights to Cristobal León & Joaquín Cociña’s DONKEY PRINCESS. The distributor, which previously released THE WOLF HOUSE, plans a 2027 theatrical rollout for the Chilean duo’s latest feature variety.com/2026/film/market…
Big news for fans of THE WOLF HOUSE!
“Feels as if Guy Maddin & Jan Švankmajer had collaborated on a fairy tale — handmade, darkly funny, romantic, and gloriously strange!"
KimStim Acquires All Rights to León & Cociña’s ‘Donkey Princess’ variety.com/2026/film/market… via @variety
Julien Faraut's "Mesmerizing" and "Spellbinding" (@Variety) THE WITCHES OF THE ORIENT "elegantly restores the glow of legend." (Critic’s Pick! @nytimes) How does a Japanese women’s volleyball team from the '50s become an international sensation? Find out on OVID via @KimStimFilms
Great news - Serpent's Path held over an additional week @IFCCenter! Now through 9/24! "An effective French-language remake of his nasty, twisty 1998 thriller." - @Variety
ifccenter.com/films/serpents…
"Shocking, heartbreaking and infuriating." @LoudAndClearRvs
Exec produced by Sean Penn, Walter Salles & the Dardenne Bros, Marianna Brennand's MANAS is #nowstreaming courtesy @KimStimFilms
*World Premiere, 81st Venice International Film Festival, Winner of the Director’s Award
Everyone must watch To the Ends of the Earth (and not just because I have an article on it coming out in a few months 🤫)
A 12-film Kiyoshi Kurosawa series is coming to the Criterion Channel next month, featuring the rarely shown 'Door III,' 'Eyes of the Spider,' 'Charisma,' and both versions of 'Serpent's Path': thefilmstage.com/the-criteri…
"By turns suspenseful, playfully funny, and full of emotional weirdness, it's not just one of the best films at Cannes, it's also one of the best films of the year." @NextBestPicture
🇫🇷 In Bruno Dumont’s RED ROCKS, a group of children between the ages of 5 and 7 enact a kind of pre-preadolescent Romeo and Juliet, complete with rival gangs and puppy love, in a coastal French Riviera town.
Don't miss the North American Premiere at #NYFF64 on October 8, 9 & 11! 🎟️: filmlinc.org/tix
KimStim retweeted
Replying to @DanielGorman20
Ooo I'm happy To the Ends of the Earth is included, that's a really underrated film
KimStim retweeted
billions must watch, the Kiyoshi century is upon us
A 12-film Kiyoshi Kurosawa series is coming to the Criterion Channel next month, featuring the rarely shown 'Door III,' 'Eyes of the Spider,' 'Charisma,' and both versions of 'Serpent's Path': thefilmstage.com/the-criteri…
KimStim retweeted
Kiyoshi Kurosawa on film vs. digital: "The [Serpent's Path] remake was shot digitally, so details in the dark areas are rendered very clearly. This weakens the gloomy atmosphere somewhat, but it also allowed us to pursue a harder, more inhuman visual quality. Whether one is making a crime film or a horror film, I believe that finding ways to portray shadows digitally is one of the great challenges facing contemporary filmmakers. Through a long history of trial and error, cinema shot on film developed a rich and lustrous way of rendering darkness. For me, every film is a rewarding experiment in discovering how closely digital filmmaking can approach that quality—and whether it can ultimately surpass it."
Read our interview with the director: thefilmstage.com/harder-more…
KimStim retweeted
Chicago Film Festival Sets International Competition Lineup With New Films From Ryusuke Hamaguchi, Hirokazu Kore-eda and Lee Chang-dong hollywoodreporter.com/movies…
KimStim retweeted
Kiyoshi Kurosawa on Robert Zemeckis' 'Here': "It has a simple premise, but it is an extremely intricate film, and I found it very interesting. I was impressed that anyone could conceive of such a structure and story. Above all, I was astonished once again by the extraordinary level of technique that allows Tom Hanks to play the character from youth to old age without anything ever feeling unnatural."
Read our interview with the 'Serpent's Path' director: thefilmstage.com/harder-more…
👇🔥🚨
wrote about Kiyoshi’s remake of his own Serpent’s Path, in which he updates his nightmare conspiracy scenario for our new digitally interconnected world. inreviewonline.com/2025/07/1…
Serpent's Path— Kiyoshi Kurosawa Review: "It’s a big, wide world out there, and the evil that men do has permeated it all." @InRO - Opens Today @IFCCenter
inreviewonline.com/2025/07/1…
KimStim retweeted
THE FALLING SKY (2024) @KimStimFilms
Davi Kopenawa, a shaman and leader of Brazil’s indigenous Yanomami people, fights to return the world to balance in the face of rampant materialism and the unsustainable lifestyles of developed countries.
▶️ docuseek2.com/ks-fsky

























