@Kate_Sutton_
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A startling and honest take on how we talk about the things beyond our control. I am in such awe of Emily LaBarge. transitbooks.org/books/dogda…
The good folks at @memoreview have made my summer conversation with David Velasco available online. Seems like as timely a moment as ever to think about boycotts, solidarity and "protocol." memoreview.net/magazine/issu…
The conversations circulating this week have me thinking back to an interview on Gaza, risk, and responsibility I did with David Velasco @samuelkidd this summer for @memoreview's second issue (sadly not online). Happy to send a PDF for those who want to read the full text.
With all that is going on, really grateful to have a moment to slow down and spend time with some artists I deeply admire as part of this year's CuratedBy. Come join us for the opening this weekend lombardi-kargl.com/en/schlei…
"Unlike in the refined discourse around readymades, which would see these humble objects “elevated to the status of art,” Ondak’s found objects refuse to go willingly." Some thoughts on Roman Ondak for Galerie Martin Janda. martinjanda.at/en/exhibition…
I have officially resigned as editor at Artforum. I am absolutely gutted, but also proud of all that we were able to pull off these past five years and extremely grateful our colleagues and contributors.
Of all the news I have been dying to share, this is the true silver lining of my summer:
Bookforum is back!
We’re thrilled to announce the magazine’s return, in partnership with @TheNation magazine. But we need your support to stick around for the long haul.
Subscriptions start at $30 if you follow this link: subscriptions.bookforum.com/
The last day to catch this thoughtful group show curated by Luca Lo Pinto and Olaf Nicolai, which slipped works by Nairy Baghramian, Enzo Mari, Hana Miletic, and Mladen Stilinovic, et al, into architect Jože Plečnik's house in Ljubljana. artforum.com/print/202301/ka…
So proud to start the year than with this piece in @Artforum by Tara McDowell, a writer I've long admired, on D Harding, whose solo, We Breathe Together, is still up at @kunsthall through this Sunday. artforum.com/print/202301/ta…
I know I should just express gratitude for all the incredible writing I've encountered through Bookforum, the phrases that still bounce around in my head, and for the incredible indulgence of taking my time with a text, etc, etc, but right now, all I feel is grief. This hurts.
It's true. And it was magnificent. Baggage claim felt a little like the ending of the Breakfast Club.
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So refreshing (and reassuring) to know that work can still surprise you, even after all these years. Delighted to have stumbled across Marwan Bassiouni at @_workplace_ artforum.com/picks/marwan-ba…
Dusting off my Diary camera for a week well-spent in Paris... artforum.com/diary/inside-ar…
Nicole Miller's moodboard-as-monograph Michael in Black questions what we see when we look at our idols, centering on a vision of Michael Jackson that comes, to quote Hannah Black, "punished in advance." In this month's @bookforum . bookforum.com/print/2903/mic…
As an update, the rector of @akbild, one of the region's most important art academies released a statement likening a Palestinian scholar's research to illegal trespassing through the coinage "discursive border crossings": akbild.ac.at/en/institutes/a…
I am too tired to be polite here. The cancellation of @WAlqaisiya's lecture is a racist, cowardly act by Vienna's Academy of Fine Arts. @akbild kate-sutton.com/statement-in…
These days every biennial opening launches a fleet of think pieces about the relevance of the biennial model. I'll be weighing in tomorrow w Verein K as part of "Art Geographies" in Vienna akbild.ac.at/en/institutes/a…