Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
🎸🔥24-year-old Tracy Chapman, virtually unknown at the time, was suddenly pushed onto the Wembley Stadium stage as a last-minute replacement when Stevie Wonder couldn't perform due to a major technical glitch (his synth hard disk went missing). Armed with just her acoustic guitar and raw vocals, she delivered "Fast Car" and left the massive 72,000-person crowd in absolute stunned silence within seconds. This iconic 1988 moment literally launched her career overnight—does it give you goosebumps too? If you've ever heard "Fast Car" live (or even just this version) and didn't get chills or teary-eyed, drop your story below—I need to hear it!
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
This guy’s a legend.
He perfectly captures the absolute
state of ‘Raise the Colours’.👏🏼👏🏼
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
Tony Benn’s 5 political questions:
“What power have you got?
Where did you get it from?
In whose interests do you exercise it?
To whom are you accountable?
How do we get rid of you?
And if you can’t get rid of the people who govern you, you don’t live in a democratic system.”
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
The Royal Family don't do real work like a Teacher or a Nurse says Lord Foulkes and they should have their pay streamlined like the European Royal families instead of getting £137.9m for ribbon cutting.
Absolutely the Danish King and Queen get only £0.5m a year.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
You couldn't make it up,well you could, britain 2026,nothing ever changes does it? Unless the people decide to change it.and believe me they can.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
On this day in 1992, “How Can I Go On,” a duet by Freddie Mercury and Montserrat Caballé, was re-released amid renewed interest in their album “Barcelona” following that year’s Olympic Games. It all began in 1987, when Freddie publicly expressed his admiration for the soprano, and the message reached Montserrat herself.
At a dinner at his home following one of her recitals, Freddie proposed writing a song about Barcelona, his hometown, which would eventually lead to an entire album composed in collaboration with pianist Mike Moran. Three tracks emerged from that collaboration: “Barcelona,” “The Golden Boy,” and “How Can I Go On,” the latter featuring Queen bassist John Deacon as the band’s sole guest.
Freddie and Montserrat had planned to sing “Barcelona” together at the opening ceremony of the 1992 Games, but Mercury’s death in November 1991 prevented that from happening. Montserrat ended up performing the song alongside José Carreras instead, while the BBC chose the song as the theme music for its Olympic coverage.
Terry O’Neill gave us this wonderful photo.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
Farage says there was no Russian interference with the 2016 referendum.
MI5 says there was.
Who to believe?
I know who I choose.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
I am a member of the Norwegian Nobel Committee.
There are five of us. Five people, appointed by a parliament most of the planet could not find on a map, who decide, once a year, which human being the world has agreed to call good.
I know. I know. I think about it on the tram.
We meet in a building on Henrik Ibsens gate, a street named after a man who wrote almost exclusively about people discovering they are frauds, which nobody on the committee finds funny except me. There is a room with a long table and the portraits of the dead laureates looking down, Mandela, the Dalai Lama, a great many earnest men in spectacles, and one portrait we do not discuss, which is Kissinger, 1973, awarded while the bombs were still falling, after which two of our predecessors resigned and the satirist Tom Lehrer said political satire was now obsolete. We keep him on the wall. A reminder. Every family has the uncle.
It is October in Oslo, which means the sun gives up around four in the afternoon like a civil servant, and it rains the particular Norwegian rain that isn’t quite falling, just hanging there, judging you. I arrive with wet shoes. I always arrive with wet shoes. There is coffee, because this is Norway and there is always coffee, we drink more of it per person than almost anyone alive, and someone’s wife has sent kanelboller, the cinnamon buns, and we sit, five Norwegians, damp, caffeinated, sugared, and we decide the moral standing of the entire species.
Let me tell you how it actually works, because the world imagines a cathedral and it is, I promise you, a book club with a mandate.
287 nominations this year. 208 people, 79 organizations. Anyone can nominate, that’s the secret nobody understands: a professor, a parliamentarian, a former laureate, so the “nominee” list is meaningless, it’s a suggestion box, and every autumn some congressman nominates his own golden retriever and the press writes “SHORTLISTED.” Nobody is shortlisted. There is no short list the public ever sees. There is us, and the coffee, and the rain, and the portraits, and a Norwegian stubbornness that is older than the prize itself.
We read reports. The institute’s advisers write them, thick dull documents, and we argue. Our chairman told the BBC once that in the final meeting “there is a high temperature.” High temperature, for a Norwegian, means someone slightly raised an eyebrow and then apologized for it. We don’t do high temperature. We do a long silence, and then Kristin says “well,” and everyone knows exactly what “well” meant, and it’s settled. That’s our shouting. “Well.” You’d have to be raised here to hear the violence in it.
Now. This year. I will not say the name, because we never say the name, but you know the name.
A certain head of state wanted this prize the way a child wants a thing in a shop window, which is to say loudly, and in public, and with the full belief that wanting it was itself the argument. He said he deserved it. He said he’d ended eight wars, a number that grew most times he said it, like a fish. He had other heads of state phone us. Israel’s prime minister posted it on the internet, “Give him the Nobel.” The leaders of Cambodia and Pakistan announced they’d nominated him, as though announcing it were part of it, as though we tally mentions. A man flew around the globe collecting endorsements for a Norwegian committee the way you’d collect signatures for a petition to the council about a noisy dog.
And here, uff da, is the detail I treasure, the one that makes me smile into my coffee. The nomination deadline is the 31st of January. He took office on the 20th. So for all the phone calls, all the posts, all the gilded lobbying, the only nominations that could possibly count for this year’s prize were filed in the first eleven days of his term, before he had, by his own arithmetic, ended a single one of the eight wars. He campaigned all year for a prize whose window had shut while he was still hanging up his coat. We didn’t have to reject him. The calendar did. We just watched. Norwegians are very good at watching. We have long winters.
People think we sit there weighing his deeds. We don’t. That’s the thing I can’t make the world understand. We’re not grading his homework. We don’t owe anyone the prize for a ceasefire, however real, however loud the announcement. “He made peace” is not a sentence that ends in a medal, the way he believes it does, the way he believes every good thing ends in his name on it. The will of a dead Swede says the prize goes to whoever did the most for fraternity between nations. A dead Swede, I should add, who made his entire fortune inventing dynamite and selling arms, and spent his last years horrified at his own obituary, which called him a merchant of death, and so bought his way to immortality as a man of peace. The whole prize is one guilty arms dealer’s attempt to launder his name. We are, all of us, administering a dead man’s public relations. I find this clarifying. It keeps me humble. It should keep everyone humble, and it keeps, by my count, no one humble at all.
So who did we give it to?
An eighty-five-year-old woman. A judge. Born in Durban, under apartheid, granddaughter of a Tamil man who came to South Africa as indentured labor, a bus driver’s daughter from the poor Indian quarter, who became the first non-white woman to run a law practice in her province, who defended Mandela’s people when defending them was dangerous, who sat on the Rwanda tribunal and the court at the Hague, and who, at eighty-five, is right now a judge weighing whether a genocide is a genocide. When we told the world, our chairman said the rule of law “underpins the system we have set up to ensure peace,” and that “peace requires justice.” She wasn’t even in Oslo. She was in Nuremberg. In courtroom 600. The actual room where they tried the Nazis. You cannot stage that. God staged that, and God, it turns out, is a better satirist than any of us.
She did not phone us. She did not post. No prime minister demanded it for her on the internet. She had, as far as our deliberations are concerned, the one qualification the loud man could never manufacture, which is that she wanted the work and not the medal. The medal finds those people. It flees the ones who chase it. This is not a rule we wrote. It’s just the only pattern the hundred-odd years of our mistakes has ever shown.
The reaction from across the ocean was immediate. His spokesman posted that we “place politics over peace.” Ja. Perhaps. We’re five damp pensioners in a rainy city; of course it’s political, it was always political, it was political when we gave it to a sitting American president nine months into his first term for the promise of things he had not yet done, and we have been quietly embarrassed about that one for fifteen years, so believe me, we had a particular reason this year to prefer a woman with fifty years of verdicts behind her over a man with eight wars in front of him and a deadline already behind him.
Here is what he will never understand, the thing I’d tell him on the tram if he ever took one. We are the one prize he cannot buy, cannot post his way to, cannot have a friendly dictator phone in for him. Not because we’re incorruptible, nei, we’re as vain and wrong and human as the portraits on our wall. But because the entire point of the thing, the only power a small cold country’s book club has ever held, is that it goes to the person not performing the wanting. The moment you demand it, you’ve proven you don’t understand what it’s for, and proving that is itself the disqualification. He ran the most expensive campaign in the history of the prize and the campaign was the reason. He was never losing to Navi Pillay. He was losing to the concept.
It’s dark now. Four o’clock dark. The buns are gone. Kristin said “well” an hour ago and we all went home. I’m on the tram with my wet shoes, and somewhere across the water a very powerful man is explaining to a camera that the prize is rigged, that we’re corrupt, that he’ll win it next year, and he genuinely might, we’re only five idiots and we’ve been wrong before, Kissinger is still on the wall.
But not this year. This year an old woman in Nuremberg, in the room where the law once stared down the exact kind of man who thinks wanting a thing loudly enough should make it his, got a phone call she didn’t ask for.
That’s the job. We don’t reward the man who ends the war and announces it.
We reward the woman who spent fifty years deciding what a war was.
He’ll never see the difference. That’s rather the whole point of him.
Takk for i dag. I have to change trams.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
I was walking to the building where I work in Oxford when I passed three young girls speaking Farsi and I couldn’t help but run back and ask if they were from Afghanistan.
They said yes. It had been a few months since their arrival as refugees waiting in Pakistan, now studying at a local school in Oxford.
I was swelling with emotion. These girls just escaped 5 years of gender persecution under the Taliban. Erasure of their schools. And are now in Oxford, studying freely.
Thank you to the U.K government for giving them a second chance.
As a former refugee myself, we all just need one chance, as Canada gave to my mother and I.
Two sets of Afghan women, escaping two Taliban regimes, meeting in Oxford. All in the hopes of finding freedom through education.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
Every week Britain’s old people are being blamed for something.
Last week it was ‘the state pension is too generous. It’s holding young people/the economy back’
This week it’s ‘old people not downsizing and moving from the family home is the cause of our housing crisis’.
Both claims are false but there is clearly an agenda here.
It’s not a very pleasant one & needs calling out.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
Miguel de Unamuno: "Lo que los fascistas odian por encima de todo es la inteligencia".
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
Barbara Castle MP, born #OTD 6 October 1910, walks through Cathedral Square, Blackburn. She holds the Equal Pay Act 1970, which she piloted through Parliament and into law. She was a Blackburn MP for 33 years.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
Your parents won’t see you grow old.
Your partner never knew you as a child.
Your kids will barely remember you young.
Even your closest friends only know parts of your story.
You’re the only one who lives every chapter.
Be kinder to the person who’s been there through it all.
You.
Jackie Hands #FBPE #FarageOut#CovidContracts retweeted
We talk endlessly about the economic cost of Brexit.
But what price do you put on a generation losing the freedom to simply say:
“I think I’ll try living in Italy for a year.”
Freedom of Movement was an enormous expansion of personal choice.
We should want it back.
I am so weary of being labelled as a ‘pensioner’. I am an independent woman, who has spent her life studying, working in a vocational profession. I pay tax, look after other people, including my semi-independent disabled brother. I volunteer and give a lot of my time to the
The comments from those who are younger are insensitive and unnecessary - they will be where we are now in the blink of an eye. Why is it so difficult to examine the ordinary man or woman without compassion?
























