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BODIES on @netflix was a very interesting project to compose the score for.
For a while I've wanted to put together a thread with some details on the approach to the music.
It's taken me a while to get round to this (busy composing) but for those interested here we go...🧵
Yesterday I had the enormous privilege of recording at @AbbeyRoad with the totally unique, legendary Evan Parker. An experience I’ll treasure forever.
Jon Opstad retweeted
Please support this incredibly important campaign.
More than 1,000 musicians have come together to release Is This What You Want?, an album protesting the UK government’s proposed changes to copyright law.
#IsThisWhatWeWant?
isthiswhatwewant.com
Jon Opstad retweeted
A good result for everyone last night in the UK as AI bill allowing tech companies to basically pillage and destroy the future of the creative industries is knocked back..
Speech below is brilliant and sums up entire situation excellently if you have the time.. 👇
Baroness Kidron may have saved the UK's creative industries with her speech in the House of Lords today.
She managed to get the House of Lords to approve her amendments to the Data (Use and Access) Bill, which among other things requires overseas gen AI companies to respect UK copyright law if they sell their products in the UK. (As a reminder, it is illegal to train commercial gen AI models on ©️ work without a licence in the UK.)
What's astonishing is that her amendments passed despite @UKLabour reportedly being whipped to vote against them, and the Conservatives largely abstaining. Essentially, Labour voted against the amendments, and *everyone else who voted* voted to protect copyright holders.
This should give you some sense of the strength of feeling over the government's plans to upend copyright law to favour AI companies.
The bill still has to go through the Commons. But, as it stands, it would require generative AI companies selling their products in the UK to license any copyrighted training data they use.
This is what standing up for the creative industries looks like. I strongly suggest you watch her entire speech.
(If you want to read it instead, the link to the transcript is in the first reply ⬇️)
Very pleased to hear my track “Diskmusik X” from my album Extensions: Music For Computer-Controlled Prepared Piano used so emotionally in the finale of new Apple TV drama Before, starring Billy Crystal
Full album: open.spotify.com/album/09zEb…
Thanks to @tiptoprecs @MannersMcDade
Jazz and @ECMRecords fans - I’ve written an article for Universal Music’s website Everything Jazz on Jan Garbarek’s 1971 debut ECM album Afric Pepperbird and how it helped lay the groundwork for future ECM releases: everythingjazz.com/story/afr…
In Budapest yesterday, making some big strings sounds with the wonderful Budapest Art Orchestra and conductor Peter Pejtsik
Did a good bit of lazy Sunday sorting of my @ECMRecords vinyl over the weekend. Most of these are ones that never made it to being reissued on CD. Some rarities in here.
Jon Opstad retweeted
If you fed an AI algorithm the Beatles’ early catalog only up through “Revolver” and asked it to write more Beatles music, would it ever give you “Sgt. Pepper’s Lonely Hearts Club Band”?
For those who are interested in such things, I’ve put some details on my current synth setup in my new studio over on my Instagram: instagram.com/p/DAa0GiRtWHn/…
Delighted to be nominated in the @MASAwards for my title music for Bodies!
Pinch me. I just met my all-time musical hero.
@herbiehancock
It’s the last few days of voting for this year’s @WSAwards. If any of you are voting members and haven’t cast your votes yet then I would be very grateful if you might consider my work on BODIES and THE VEIL in the category of “Television Composer of the Year”. Thanks!






























