JSMI is Ireland's first peer-reviewed musicological journal. Established in 2005, it is published exclusively online and has an international scope.

Ireland
Joined May 2018
NEW PUBLICATION Áine Palmer's review of Elizabeth Eva Leach's Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders, available now in Volume 21 of the JSMI. jsmi.musicologyireland.ie/in…
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NEW PUBLICATION "Brutalising the Banal: The Music of Gerald Barry and the Late Theatre of Samuel Beckett" by Adrian Smith (TU Dublin Conservatoire) has just been published by JSMI as the first article of Volume 21. jsmi.musicologyireland.ie/in…
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Volume 21 of the JSMI has just been launched, opening with Wolfgang Marx’s review of Philip Ewell’s book, On Music Theory and Making Music More Welcoming for Everyone. jsmi.musicologyireland.ie/in…
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Just published: Esther Cavett's article: "Piano Lessons in the Office: Playing to Be/Come Alive" in Volume 20 (2024-25) of the JSMI. jsmi.musicologyireland.ie/in…
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The JSMI are pleased to announce the publication of Volume 20, beginning with Joanne Cormac's review of 'Schubert: A Musical Wayfarer' by Lorraine Byrne Bodley. jsmi.musicologyireland.ie/in… #JSMI2024
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The JSMI are pleased to announce the publication of a Special Issue celebrating the 20th anniversary of the Society for Musicology in Ireland, edited by Nicole Grimes and Patrick Devine. The volume is available, open access, here: jsmi.musicologyireland.ie
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Volume 19, ‘The SMI at Twenty’ was launched last night at the Joint SMI / ICTMD-IE Postgraduate Conference, hosted by Maynooth University, and was introduced by John O’Flynn, Helen Lawlor and Nicole Grimes.
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NEW PUBLICATION: Read Deirdre Toh's article, "Werktreue Ideology in Clara Schumann’s and Franz Liszt’s Piano Transcriptions," in Volume 18 of the JSMI: doi.org/10.35561/JSMI18237
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NEW PUBLICATION: Read Bláithín Duggan's review of Diedrich Diederichsen, Aesthetics of Pop Music (Cambridge: Polity Press, 2023) in Volume 18 of the JSMI: doi.org/10.35561/JSMI18236
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NEW PUBLICATION: Read Martin O'Leary's review of Benjamin Dwyer, Music Autopsies: Essays and Interviews (Hofheim: Wolke Verlag, 2023) in Volume 18 of the JSMI: doi.org/10.35561/JSMI18235
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NEW PUBLICATION: Read Wolfgang Marx's review of David J. Burn (ed.), The Book of Requiems: From the Earliest Ages to the Present Period, 1450–1550 (Leuven: Leuven University Press, 2022) in Volume 18 of the JSMI: doi.org/10.35561/JSMI18234
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Journal of the Society for Musicology in Ireland retweeted
My @JSMI_Tweet article on melodic structures in Irish traditional music is in this month’s list of new @ITMADublin acquisitions! – at Dublin City, Ireland
No fooling around with our BIG LIST of new publications, recordings & material added to the ITMA collection-just published itma.ie/latest/rpa Freely available to view/read/listen at 73 Merrion Square Dublin. Publisher urls/contact provided too!
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Journal of the Society for Musicology in Ireland retweeted
So delighted to have yet another academic article published on my hero @rorygallagher. This time about Irish Tour '74, sense of place and Corkonian identity. Thank you @JSMI_Tweet for such a smooth and enjoyable process 🙂Click here to read more: musicologyireland.com/jsmi/i…
Journal of the Society for Musicology in Ireland retweeted
Wonderful atmosphere at the launch of Creative Impulses Cultural Accents here at the Irish Georgian Society 📚📚 🍷🍷Warm wishes to the editors @bjdignam @Music_DCU & Barra Boydell @MusicMaynooth 🎼🎼🎼
Journal of the Society for Musicology in Ireland retweeted
Congratulations to our colleague Barbara Dignam and to Barra Boydell on their book launch - a wonderful celebration!
Wonderful atmosphere at the launch of Creative Impulses Cultural Accents here at the Irish Georgian Society 📚📚 🍷🍷Warm wishes to the editors @bjdignam @Music_DCU & Barra Boydell @MusicMaynooth 🎼🎼🎼
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Journal of the Society for Musicology in Ireland retweeted
Thanks to @UCDPress @IrishGeorgian and all those who attended last night’s launch of ‘Creative Impulses, Cultural Accents’. It was a very proud & happy occasion, augmented by a live harp performance by Clíona Doris. Thanks too to Prof Harry White for his wonderful address. 🍾
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