@IconDawn

Dawn's Sunday magazine on Entertainment, Celebrity, Style

 Karachi, Pakistan
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Joined December 2016
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  • Followers294
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As Pak turns 70, @MalihaRehman profiles some who will impact its entertainment & fashion industries in years to come dawn.com/news/1351303/spotli…

SPOTLIGHT: THE RISING STARS OF TOMORROW

As Pakistan turns 70, Icon profiles some artists we believe are going to impact Pakistan’s entertainment and fashion

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Should Joss Whedon, talented director but a man, be directing the Batgirl film? dawn.com/news/1332688/subtex…

SUBTEXT: THE DIVERSITY QUESTION

The announcement of Joss Whedon as the director of the Batgirl film raises a dilemma

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S.M. Shahid remembers sitar virtuoso Ustad Rais Khan who passed away on May 6 dawn.com/news/1332687/in-mem…

IN MEMORIAM: THE MAESTRO’S LAST NOTE

The death of one of the greatest exponents of sitar, Ustad Rais Khan, has impoverished the world of music

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From Icon's interview with Shaan...
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THE ICON INTERVIEW: Shaan opens up to @MalihaRehman about the need to put country first, his new venture and aging dawn.com/news/1332691/the-ic…

THE ICON INTERVIEW: THE PATRIOT OF PAKISTAN

Film star Shaan opens up about the need for putting one’s country first, the art of movie-making and the aging process

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Pooja Bhatt remembers the iconic actor who was once one of her father @MaheshNBhatt's closest friends @PoojaB1972 dawn.com/news/1331163/in-mem…

IN MEMORIAM: REMEMBERING VINOD KHANNA

Vinod Khanna, the iconic superstar of the 1970s, passed away on April 27. Pooja Bhatt recalls the man she knew once as

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The Icon Interview: Sanam Marvi - Raw and Uncensored images.dawn.com/news/1177561…

'A musician’s family struggles a lot' — Sanam Marvi recounts her difficult journey to stardom

With brutal honesty Marvi talks about an impoverished childhood, losing her first husband and her daughter's kidnapping

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The critics missed the main point in Sahir Lodhi's film Raasta argues @karachikhatmal dawn.com/news/1328728/subtex…

SUBTEXT: MANIFESTO OF THE MAN-CHILD

Critics have missed the point completely. Sahir Lodhi’s Raasta is actually about male sexuality and what kind of...

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Digital music distribution is finally coming into its own, but is it enough? dawn.com/news/1328731/trade-…

TRADE: CAN STREAMING SAVE MUSIC?

A new study shows the US recorded music market — from artists such as Drake and Adele, to indie rock bands, to...

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The 8th instalment of Fast&Furious is second-best only to the 5th instalment. Just check in your brain at the door dawn.com/news/1328730/cinema…
It's rare to find movies centred around grown-up female characters dawn.com/news/1328729/spotli…

SPOTLIGHT: AGE BEFORE BEAUTY

Feud makes an eloquent point: it’s rare to find movies centered on grown-up female characters

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The PFDC Sunsilk Fashion Week was a breath of fresh air and a ray of hope in gloomy times, says @MalihaRehman dawn.com/news/1328739/style-…
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ICYMI: @karachikhatmal wonders why Pak has not yet been able to go viral worldwide dawn.com/news/1327338/popara…
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ICYMI: Surekha Kadapa-Bose remembers Kishori Amonkar dawn.com/news/1327330/in-mem…
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ICYMI: The growing clout of the Chinese in Hollywood @KamranJawaid investigates dawn.com/news/1327328/trade-…
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ICYMI: What's the secret to the enduring success of Shah Rukh, Aamir and Salman? dawn.com/news/1327339/spotli…

SPOTLIGHT: THE AGING KHANS OF BOLLYWOOD

It’s been more than two decades and the three reigning Khans of Bollywood — Shah Rukh, Salman and Aamir — haven’t lost

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Fashion takes a backseat to business where bridalwear is concerned says @MalihaRehman dawn.com/news/1325465/style-…
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The Icon Review of Sahir Lodhi's Raasta dawn.com/news/1325898/the-ic…
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"To stop me you have to be me or God, and you are neither!" In case you missed today's hottest interview dawn.com/news/1325906/the-ic…

THE ICON INTERVIEW: THE VULNERABLE NARCISSIST

Nobody can ignore him and Sahir Lodhi too believes the world revolves around him

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CINEMASCOPE: Our review of Lion dawn.com/news/1322929/the-be…

The Beast Within

Lion will connect with Pakistani viewers for its story of neglect and child abuse

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