【マンガ編集者のみなさんへ】
編集者交流会 #0 を開催します!! 参加費無料!! 以前からもっとマンガ編集者同士で知見を共有したり切磋琢磨したりできればなと思っていたので、ぜひ興味ある方はお気軽にご参加ください!!
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「HACHA」編集者交流会 #0🗣️
開催決定!
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出張編集部にあわせて「編集者交流会」も同時開催!
HACHAの立ち上げ背景や、目指す作品づくりを編集部からご紹介!当日はHACHA編集者との交流時間も。作品づくりや編集業務、キャリアについてなど、編集者同士で気軽にお話しできる場を予定しています💬
☑️定員:30名程度
☑️参加対象:現在、漫画編集に携わっている方
📅2026年10月25日(日)
⏰18:00-19:00
📍三省堂書店 神田神保町本店 3Fイベントスペース
🆓参加費無料
詳細・参加方法はこちら👇
forms.cloud.microsoft/r/vxrz…
#HACHA #めちゃコミック
Derek Weiner retweeted
ジャンプから独立した林士平さん、aiで漫画を作る気配を出したら、炎上して投稿を削除
林アンチの数は多いので分析
林さん個人のアンチ
ai漫画アニメへの反対派
編集者が目立つの嫌がる層
林さん担当作品のアンチ
ジャンプの保守派読者
これらが合流して巨大勢力になっているような🤔
Derek Weiner retweeted
people keep saying cn real, at&t, discovery, etc.
but honestly, what really kickstarted them into where they are today was in 2000 when CN moved away from being a general animation channel to a nick/disney channel competitor
now they're dead with the rest of children's cable
Derek Weiner retweeted
Animation is hard work man.😭Brings to mind some bittersweet memories of my own time working at Sunrise.🥲
Derek Weiner retweeted
Pour a cup of coffee and join us at Lightbox Expo!
We’re filming mini episodes of Cartoon Coffee Chat at the WB Animation booth # 1312- stop by and see Josie Campbell, Co-Producer of My Adventures with Superman, Sunday, October. 25th at 2 PM!
#LightboxExpo
Derek Weiner retweeted
We’re literally not even having the same conversation.
This has nothing to do with 24 FPS.
When creators are using AI to take over their software and build the actual assets and do the editing (rather than generative AI, which normies can’t detect without help now, nor do they really care) they are not going to be able to say something is AI slop when it was made in Blender (by an AI controlling my the software) or Hundini or whatever tool and edited together in Premiere Pro or DaVinci…
IQ is brought up because literally the person I am talking to can’t even follow the plot… as if we are talking about generative animation 🤦🏾♂️
I don’t know why I even bother interesting with Anon’s at this point.
Replying to @robertoblake
That’s not what I’m saying Roberto.
Our brain completes the illusion when watching an animation at 24 FPS.
You don’t need a degree for that. When you have studied it you just catch it quicker.
Idk why you’re bringing in IQ like you’re some superior being.
Derek Weiner retweeted
『#ダンダダン』
明日更新あります!!
巨大化バモラVS巨大怪獣——!
見応えたっぷりの巨大バトル、ぜひご覧下さい~!!
前話は⬇️よりどうぞ‼️
shonenjumpplus.com/red/conte…
公式X(@dandadan_manga)のフォローもお願いします🦖
Derek Weiner retweeted
マンガ家を目指している方で、まだまだ若いのに年齢を理由に諦めている方々をたびたびお見受けします。
30歳歳ぐらいで「もうあなたは年齢的に厳しい」と言ってくる編集者の方もいるという。
しかし僕は今まで公にはして来なかったのですが有り難いことに50歳でジャンプ+で初連載をさせてもらっ
Derek Weiner retweeted
Do you want to learn how to use Moho 14.5 SHOWTIME update? Check our new tutorials! One of them teaches you to create a full VTuber model in less than 1 hour
youtube.com/playlist?list=PL…
Derek Weiner retweeted
PROOF OF HUMAN will be the most important part of your brand going forward.
AI is going to make content abundant, but it's going to make verifiable human credibility comparatively scarce and more valuable.
It will be the new commodity, because proof of human will be high trust.
The distinction is going to be between creators who can generate attention and creators who can transfer trust.
And those are two very different assets.
Attention will be a low to mid status signal, and trust will be the high signal high status currency.
Derek Weiner retweeted
I don't think people realize how many heavily sponsored podcasts and shows that look extremely high-quality get virtually zero listeners. They're basically just opportunities for sponsors to clip content for their own social platforms or use as a signal to investors.
Derek Weiner retweeted
This actually looks way much better than adobe animate. Buying it for 20$ and keeping it forever is a steal if i never seen one.
Derek Weiner retweeted
이 트윗을 본 외국의 친구들에게. 내가 이 포스트를 올린 건 한국에서는 일본의 특촬들이 7세나 12세 이상 대상 영상물로 방송되기 때문이야. 쇼의 내용 중에 영유아가 보기에 부적절한 부분이 있을 테니까. 그래서 종종 이 쇼들이 일본에서는 영유아들을 주된 타깃으로 삼는단 사실에 놀라기도 해.
Derek Weiner retweeted
Many overseas tokusatsu fans are often surprised to learn tokusatsu shows are seen as preschool kids content in Japan and kids graduate and stopped watching them in elementary school
Derek Weiner retweeted
at some level you gotta engage with the fact that Americans can read ~90% of major novels for free via their library and don't do it
Everyone blames screens for the decline of reading.
Nobody blames the consolidated corporate publishing industry that made books pricier, more generic, and harder to find. jacobin.com/2026/10/books-pu…
Derek Weiner retweeted
AI video editing using real tools like Premiere Pro and DaVinci and Gemini (Antigravity)…
Will Resurrect DAILY CONTENT and bring back DAILY IRL CONTENT (vlog-like content but more polished).
Production + Personality + Presence + Proof of Human = High Status + High Trust.
It will be very similar to the Casey Neistat era.
What goes into the camera will be all that matters, as well as being able to run into your favorite creator on the street or at the airport.
With Packaging thumbnails and Editing videos solved… you’re going to see that PERSONALITY and PRESENCE are what matter for making a human connection through a screen.
And that the longing true fans have a for a human moment and shared experience with their favorite creator is meaningful.
The “HUMAN CRAFT” won’t be in slanting over software in front of a screen…
It will go back to the HUMAN CRAFT of 25 years ago before software are entering…
And the culture of 10-15 years ago when most people hadn’t mastered that software and it kinda got in the way of anything…
With few exceptions … the OG YouTube Stars never mastered video editing, they kept it simple and later the people they hired made it fancy.
The biggest content on YouTube other than Freddy Wong, was the least over-edited.
The beginning of flexing the edits really came to be a 2018-2020 phenomenon. And the lasted through the pandemic and the Mr. Beast Era.
2026-2030 will be the Authenticity Era, and ironically AI plays a role in that…
Where working class and solo content creators who don’t have teams, will have an even playing field where all that matters is what they want to say and what they want to share with you…
And whether or not you connect with that and want connect with them…




































