Formerly known as @soundslikecorey. Art Director, Brand Designer, Published Illustrator, Content Creator. I owe @templeuniv money. IG: @HelloQori
NYC | ATL
Joined August 2010
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Babyyy, it’s the BIGGEST HOMECOMING in the Southeast! I’m back for ✨ year three ✨ as an official ambassador for @onemusicfest 2025!
Tickets are available now at onemusicfest.com. October 25th & 26th... See you there? The countdown starts NOW!
#OMFAmbassador2025
QORI B. | Creative Genius retweeted
Still pinching myself that this is my job! ❤️
The Atlanta #CreateNow event was an absolute blast—hosted by the incredible Aaliyah Taylor and Rachel Menkes and featuring inspiring guest speakers @HelloQori and @KirahBaexo! ✨
Photos by @Freako_Vasquez 📷
this is a video of me, @JordanCathleen_ & our homegirls in 40 years.
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Without it being about whether I disagree or agree, I definitely think a lot about how we find the use of hip-hop & rap in politics, the music and the artists, as shameful and ignorant. Lots of layers to it.
Speaking at Adobe Create Now in Atlanta on November 14th. 🤩
adobe.com/events/create-now/…
Idk what made me open this app in the first place, but every time I come over here I feel like I’m going on a bender.
Both of them are eyebrow deep in capitalism. They can both be critiqued, no debate.
As someone who is experiencing the feeling of whiplash with Bey’s releases, I’ve been trying to figure out why for a minute, lol.
So, here are my lil thoughts nobody asked for.
To clarify, both of them have their fan base somewhere in their target pipeline, but if that’s the primary audience for multiple very different products (which is what it currently feels like) you end up with me. A fan with whiplash.
I think Love is Blind has tested this hypothesis enough to bring this experiment to a conclusion, don’t ya think?
Not saying this is a summary of her experience, but this summarizes my experiences dating creative [men], as a creative [woman]. Just no.
Always in critique and competition, lmao.
