Product Builder & Service Designer | 🥁 Drummer | 👺 Otaku | Consulting → Startup → Shipping products (AI & not) with modern stack

Spain
Joined August 2009
Frustration tolerance part 2: Billie Jean Most people quit during the "slow and boring" part. Right before the breakthrough... -> But, look at Billie Jean (Michael Jackson's drummer): 1 Beat, 20 Songs. video: youtube.com/watch?v=ThMfWvmg…
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My drum teacher always talks about "frustration tolerance" I practice an exercise and immediately want to speed it up... But, ofc, I mess up. His rule: Stay at a slow, clean tempo. Master it. Then speed up In drumming, like in life, speed without control is just noise
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I found we don’t outgrow friendship We outgrow forced conversations What brings people together now? - Shared passions - Low-friction context - Space to be themselves Jam sessions, anime tours, moto groups… These aren’t hobbies. They’re belonging without needing to explain
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Why “solo travel” isn’t really solo Solo travel is growing fast But 70% of travelers still choose guided group tours. It’s not a contradiction, it’s a signal: People want freedom and community. To explore alone, but connect with those who “get it” (source: getyourguide)
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🎯 Realization from building travel & music products: You’re not just helping people do the thing You’re helping them do it with the right people 🛠️ Community > UX polish ❤️ Shared vibes > roadmap features 📈 Retention = people feeling seen Don’t just promote features, promote
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What if you built a product that only existed while you were traveling? Not always on. Not pushing. Just… present, when the mindset is open. Not a notification. Not an SDR. BUT a companion. A nudge. A well-timed whisper. Does that kind of digital presence even make sense?
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Mid-trip, people aren’t thinking like they normally do. They’re hyped. Curious. Open. Their mental browser tabs are closed. That’s why they say things like: “I don’t want this feeling to end” “Where should we go next?” It’s not a CTA moment. It’s a trust moment.
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Travel Insight: People book while they’re feeling, not planning. Found out they’re 3x more likely to buy their next experience while still on the current one Don’t wait until they get home. 🎯 Build for that dopamine moment, because feeling good beats a 10% discount. Every time
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I wonder if MBA programs now require MVPs with traction… or if students still graduate pitching business plans. Someone mentioned theirs and I got curious. I finished mine in 2023. We built a prototype, but we had no Lovable, Cursor, Bolt, nothing. Different game now.
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Plot twist: Users wanted MORE human involvement, not less. - The manual coordination was the feature, not the bug. - Now, how to replicate it without losing the "human" touch?... enhance community somehow? - Peopel wanna connection
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Didn’t expect this: Gemini was faster at understanding UX/UI and mapping fields from a screenshot Claude reviews like a boss 🤖 🧩Nugget 1: Mobbin has tons of UI flows. Super helpful for user flows & early prototypes 🧠Nugget 2: I also used Mobbin to draft a new system design
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Rebuilding JamsomMusic with an AI-first stack ⚡️ Prototyping → Lovable / Rork 🧠 Design → Figma + Notion + Mobbin 💻 Dev → Cursor + Claude / Gemini + Supabase ☁️ Backend → Firebase → Supabase 🔁 n8n + Stripe speed ≠ direction. That still comes from real users.
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Tried to fix a problem with more tech. Didn’t work. The poll said it all. So I went full analog. - In-person meetups - No app - Just people talking about music And it worked. Sometimes, the “MVP” is just humans in a room. #Startups #UX #JamSessions #musictech
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Most amateur musicians freeze in jam sessions Not because they lack talent, but because there’s no structure We added curated setlists by genre and level, and suddenly: 🎶 More confidence 🎶 More flow 🎶 More music Structure can unlock creativity...? #ProductDesign #UX #MusicTech
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How to manage user anxiety before booking a jam? WhatsApp groups worked: lurk, chat, intimate enough Facebook groups/Meetups: wild jungle, but you trust it somehow Challenge: Bring that same "good feelings" to the app without losing the magic.
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No 10k MRR yet. Instead? Silence. The kind of rejection no one talks about We moved users to a new & clean webapp But no one booked. No feedback. Just… quiet A quick poll on WA revealed: -Most New joiners had no jam exp. -Scared to be first, to play with strangers, to mess up...
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Product lesson: At this phase, Users chose chaotic WhatsApp over my "smart" app - Community beats algorithms - Sometimes the best product decision is to listen, adapt, and iterate... Also, pick who to listen to as well
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Phase 3: Designing the solution v01 Phase 4: Beta testing with musicians - Expected: "When can I use it?" - Got: "Can we keep WhatsApp?" - Realization: I needed to enhance UX for community to make them jump How do you design for community and not become a social media app?
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🎛️ Phase 3: From WhatsApp chaos to designing Jamsom. We didn’t build features. We mapped real frictions: – Who plays with whom – Where – When – Who pays And what if… someone doesn’t show?
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🎵 Music connection = Human connection. And let’s be real, nowadays we need A LOT more of that. People between 18-65 yr old were joining the WhatsApp group just to meet and play music together. The problem? I accidentally became a musician broker 😅...
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