ALT A photograph of Hazel and Myles stood in a Studio Theatre space. Hazel, a white person with a brown mullet is wearing dungarees over a green jumper and speaking into a microphone while holding their laptop. Myles, a white person with brown hair and a short beard is wearing glasses, a light blue hoody, jeans and sipping from a takeaway coffee cup and resting his other hand on a large speaker. Behind them is a plastic sheet draped in front of a projector screen, a metal ladder, and a small fan.

ALT A photograph of Myles taking a video of Meg on his phone. Both Myles and Meg are in silhouette. Meg is stood between a plastic sheet and a projector screen with one arm in the air. Projected onto the screen and sheet is some kind of colourful image which is obscured by the plastic sheet. To the right of the sheet is a metal ladder.

ALT A photograph of Hazel, a white person with brown hair, standing in profile. They are looking down at their laptop and the glow of the screen is illumintaing their face. Closer to the camera is a microphone on a stand.

ALT A photograph of Meg stood infront of a projector screen. They are in silhouette. On the screen is blackout poetry made from a song.

ALT In the middle of a white background sits a photograph of Hazel. Around the photograph is a frame made out of the graphic mountains from the Helikon logo, this time in yellow. Hazel is a white person with brown hair in the style of a mullet - but a cool one - and a silver nose ring. They are wearing a white vest, red shirt, blue work shirt and black coat. They like layers. They are wearing a yellow backpack and a soft smile. Above the photograph in blue text reads: Hazel Low. Beneath the photograph in blue text reads: Associate Artist they/them

ALT Hazel Low is a performance designer working in theatre, live art and spatial design. They’re interested in work that’s multidisciplinary, challenges form, and inherently collaborative. Credits include: Brilliant Jerks, Southwark Playhouse, 2023. Paradise Now (Costume Designer), Bush Theatre, 2022. I, Joan, Shakespeare’s Globe (Design Associate), 2022. Bogeyman, Pleasance Queendome, 2022. The Blue House, Blue Elephant Theatre, 2022. Who Killed my Father, (co-design with Blythe Brett) Tron Theatre, 2022. Splintered, Soho Theatre, 2021. The Magic Flute, (co-design with Rosie Elnile), Royal College of Music, 2021. A Midsummer Night’s Dream, Latimer Estate, 2021. Trainers, Gate Theatre, 2020. Hazel attended the Prayer Workshops by Rosie Elnile and the Gate Theatre where they conceptualised Myth of Binary and Body, a digital installation exploring costuming trans bodies which they’re still developing. Hazel was design associate on NDT Broadgate in 2020, and a resident designer when it opened

ALT A white background with the new Helikon logo in the middle. Graphic blue mountains with white text over the top reads: Helikon. The dot on top of the i is a small yellow circle. Beneath this, in yellow text reads: Theatre Company.

ALT A white background with graphic blue mountains (the same from the logo) in the bottom third of the image. At the top, in large yellow text reads: Helikon. Beneath, in smaller blue text reads: (noun) a mountain in Greece, believed by the Ancient Greeks to be the source of poetic inspiration and the home of the muses.

ALT A white background with a large yellow circle on the left side. Blue text over the top reads: About us. On the right side, in blue text reads: We blend theatre and live art to create work inspired by the complexity, poeticism & liveness of classical texts. Collaboration, exploration and play are at the core of our practice. Our work is interdisciplinary, experimental with form and inherently queer.