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Perhaps filmmaker Martin Scorsese might have the vocabulary to describe the careful color selection of what he considers "the most beautiful films ever made" — as we showcase the works of Powell & Pressburger, Thursday nights this November. 😉🎥
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Frame & Reference Podcast: “Jim Henson: Idea Man” DPs Igor Martinovic and Vanja Černjul
@FrameAndRefPod
Hosted by Kenny McMillan
#Cinematography
thefincheranalyst.com/2024/1…
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Kurosawa making one of the greatest movies ever, basically every year, for 15 straight years, absolutely locked in
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Tomorrow is Friday the 13th and I'm not seeing a single Friday the 13th marathon scheduled on any of the major channels. Nothing on AMC. Nothing on SYFY. Have we stopped caring?! What are we doing anymore?!
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Cannot wait to get my hands on the 4K Blu-ray to see this "Inside the Lens: The Raw Cut" version. See more in the EW article. #kingdomoftheplanetoftheapes @wesball @WetaFXofficial @quister
ew.com/kingdom-of-the-planet…
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The Filming of Forbidden Planet
The most ambitious science-fiction thriller yet filmed, this MGM production called for use of every cinematographic trick in the book.
This article was originally published in AC Aug. 1955.
theasc.com/articles/filming-…
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How is the @am_cinematheque able to secure so many rare 70mm prints? It starts with the highly skilled, highly dedicated team of union projectionists led by chief Ben Tucker. Their print handling along with FIAF certified booths help AC film programmers secure rare 35/70 prints.
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The Hollywood cinematography of the interior of a cave, daytime, in a big sci-fi feature film in 1968.
"Planet of the Apes" (1968)
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✨Maya and Ethan Hawke’s Closet Picks!✨ The father-daughter team behind the new film WILDCAT—now playing in theaters c/o @OscopeLabs—talk about their love of CHILDREN OF PARADISE, the films of Wim Wenders, the influence of AN ANGEL AT MY TABLE, and much more!
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The @Slamdance Film Festival is leaving Park City, Utah, and permanently moving to L.A.: “We felt that there was space for us in the Los Angeles melting pot to really contribute and to continue the mission of what Slamdance is all about.” latimes.com/entertainment-ar…
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A still photographer lines up on a subject in this shot by Jacek Laskus, ASC, PSC.
See this any many more excellent stills in our May issue of AC.
bit.ly/AmCineHome
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Shout-out to cinematographer Rodrigo Prieto, ASC, AMC...
When I was writing the Fortnight music video, I wanted to show you the worlds I saw in my head that served as the backdrop for making this music. Pretty much everything in it is a metaphor or a reference to one corner of the album or another. For me, this video turned out to be the perfect visual representation of this record and the stories I tell in it. Post Malone blew me away on set as our tortured tragic hero and I’m so grateful to him for everything he put into this collaboration. I’m still laughing from getting to work with the coolest guys on earth, Ethan Hawke and Josh Charles (tortured poets, meet your colleagues from down the hall, the dead poets). I still can’t believe I get to work with the unfathomably brilliant Rodrigo Prieto on cinematography and my team of dream collaborators: Ethan Tobman (production design), Chancler Haynes (editor), Anthony Dimino (1st AD), Jil Hardin (producer) and Dom Thomas (executive producer). Parliament aced the VFX as always. Joseph Cassell, Lorrie Turk and Jemma Muradian made these tortured looks come to life. The entire crew made this a dream to shoot. Thank you to everyone involved and everyone who has watched it!!
taylor.lnk.to/FortnightMV
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The process of creating is crucial to learning and growing as an artist. You make discoveries, have revelations, come up with new approaches, techniques, ideas. The process is something most artists enjoy and value deeply. If it feels like 'mundane drudgery,' ask yourself why.
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This is a lesson for those out there who may not grasp the logistical nightmare that is "making a movie". The moment you step on set, you're making compromises.
David Fincher blames the rain in "Seven" on El Niño
avclub.com/david-fincher-bla…
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Frame & Reference Podcast: Michael Cioni (@michael_cioni), CEO & Founder of Strada
Kenny McMillan
@FrameAndRefPod
thefincheranalyst.com/2024/0…
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"Why Are Movies So Dark", my article for @FilmmakerMag, is back! In video form!
Check it out right now:
youtube.com/watch?v=PSK_cERf…
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Realism With A Master’s Touch: The Asphalt Jungle
Startling depth of field and dramatic perspective mark the photography of Asphalt Jungle, which Harold Rosson, ASC photographed almost entirely with a 35mm lens.
theasc.com/articles/realism-…




































