Outside of Solana, my other favourite work of on-chain art this year is ‘Wanderer’, by Jan Robert Leegte (@JanRobertLeegte). As part of Photo Paris 2025, Jan made ‘an autonomous, digital flâneur, an internet-based entity that roams the map of our physical world through an endless sequence of directional choices, recorded immutably on the blockchain and visualized through web-based map services’. It started at the Grand Palais, in Paris, and has now made its way West, deep into the countryside. Walking pieces have been a staple of conceptual art, from Stanley Brouwn’s ‘This Way Brouwn’, where he asked strangers to draw him maps of directions he had asked for, to Vito Acconci and Sophie Calle’s following pieces, where they elected random strangers to trail until they lost them (either through entering a building or general disorientation). I love Jan’s work here, the mix of autonomy and monotony, a never-ending trek across the globe that is totally decided by randomised transaction hashes on the blockchain. It feels like a work that should’ve come out during the lockdowns, but still feels fitting with the rise of AI and the fears around the autonomy of such technology. An exciting addition to the canon of ‘walking as art’, updated for the 21st century.