A critical forum on media and culture brought to you by the graduate students of @UTRTF.
University of Texas at Austin
Joined March 2009
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@Jungmin_Kwon discusses audiences for Boys Love media in South Korea, uncovering a shift from mostly heterosexual women to more diverse queer audiences. Check it out here: flowjournal.org/2023/12/boys…
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@RedvallEva examines the current challenges of creating media for youth audiences, while reflecting on the 2023 international conference "Reaching Young Audiences: Investigating Media Content for Children and Young People in a Multi-Platform Era." flowjournal.org/2023/12/reac…
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Celebrate the end of 2023 with a new issue of Flow! Global scholars bring fresh perspectives on streaming, tv genres, childrens' programs & music. Check out the great writing from @chess_ess, @RedvallEva, @Jungmin_Kwon, @analoguefutures, & @TV__ologist: flowjournal.org
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@rahul_mukh explores the infrastructures and services underpinning the shift to mobile streaming in India. Discover more here: flowjournal.org/2023/11/stre…
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For @FlowTV, I wrote a short piece about distributing streaming content to mobile phone audiences in India - about local CDNs, deep-edge computing, catalog title curation and telecom (un)bundling: flowjournal.org/2023/11/stre…
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NOPE is about the eye of the camera, but also Black defiance of it. Read Sophia Abbey's brief but excellent piece at @FlowTV, "Gazing Upwards: Spectacle, Surveillance, and Resistance in Nope." #OpenAccess
flowjournal.org/2023/08/gazi…
ALT On the left, a screen shot of S. Abbey's article.
ALT On the right, a poster for the film NOPE, showing the three main characters gazing upward at the sky.
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Happy 100 yrs+1 day @TheNormanLear! @EmersonCollege's esteemed alum also made #Maude which I wrote @ @FlowTV & which couldn't be timelier flowjournal.org/2021/11/maud… On My 100th Birthday, Reflections on Archie Bunker and Donald Trump nytimes.com/2022/07/27/opini… @nytopinion @Emerson_ORCS
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CALL FOR PAPERS: The Velvet Light Trap 92 – Genres and Disruption. Now accepting open call submissions as well! See CFP below for more details. Submissions due by September 16, 2022. #CallForPapers
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It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters!
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Appreciated shout-out to Maude's "very special episode" on which I wrote @FlowTV last fall: flowjournal.org/2021/11/maud…
@MatthewGilbert's TV shows that understood a woman’s right to choose bostonglobe.com/2022/05/12/a…
@BostonGlobe @N4TVM @Emerson_ORCS @scmswomen @LTorchin @ashdharcourt
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I had so much fun writing this column about race, class and gender in Snowpiercer for @FlowTV! Follow the link below to give it a read: 🚆🚆🚆
New Over*Flow column!
@ItsRiziki assesses the Snowpiercer television series' depiction of class as the central axis of political solidarity, a move that ignores the varied experiences of marginalized peoples to intersectional oppression.
Read it here!
flowjournal.org/2022/05/race…
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Wrote about BLM TV and the status of nostalgia, i.e. how much I enjoy The Wonder Years reboot!
flowjournal.org/2022/03/from…
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Deadline Extended to Feb 28, 2022!
CALL FOR PAPERS for The Velvet Light Trap issue 91: Digital Storytelling. We look forward to all submissions analyzing narrative and storytelling within digital environments and contexts.
Shareable CFP link here: drive.google.com/file/d/1bHr…
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New from CSCM: 2022 Report on Politics in Sports Media. politicsinsportsmedia.org It’s a 36-page downloadable document with contributions from sixteen (@MoodyCollege) faculty members and grad students, examining US sport, politics and culture quantitatively and qualitatively.
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The deadline for The Velvet Light Trap issue 91 is approaching. We welcome all submissions exploring digital storytelling, and we look forward to expanding the conversation on this topic with this issue. Any inquiries regarding submissions can be sent to vltcfp(at)gmail(dot)com.
Announcing CALL FOR PAPERS for The Velvet Light Trap issue 91: Digital Storytelling. Submissions due by January 31, 2022. Shareable CFP link here: docs.google.com/document/d/1…
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Happy to be in such great company at @FlowTV for the first of two columns in which I delve into “BLM TV”!
From “Relevance” to “Reckoning” or, Channeling Black Lives Matter on TV — Part OneBrandy Monk-Payton / Fordham University – Flow flowjournal.org/2021/10/from…
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this is a very nice piece by @EloraKate in @FlowTV about the collectivism & contradictions of keeping America’s Hardest Movie Theater alive, pre-and-mid pandemic. (a few too many quotes from me, tho......) flowjournal.org/2021/07/spec…
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Check us out! Two Rogers' for the price of one!! (& that price is free because @FlowTV is all about that accessible public scholarship!)
@EloraKate writes about microcinema & I'm talking fanboy auteurs - let us know what you think!
It's our first graduate student issue of the summer! Check out 27.09 at flowjournal.org/ for new work by our awesome column editors @EloraKate and @LaurelPRogers!
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It’s been a privilege to contribute to @FlowTV and to share ideas I care about in shorter, more accessible articles. This final piece, On the (In)Visibility of Female Gamers, is both a work in progress and more theoretical than my norm. I’d appreciate any feedback/thoughts!
.@accote challenges the idea that women in gaming is a new trend, exploring how a continual surprise at women’s presence in gaming communities undermines their historical contributions in the field.
Read it here: flowjournal.org/2021/06/invi…
#FlowJournal27
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.@crystal_camargo, PhD Candidate @NURTVF and graduate student affiliate of the Center, has published a piece entitled "Crossing the Sonic Color Line: TV voiceover narration in Never Have I Ever" in @FlowTV. Find it here👇
flowjournal.org/2021/04/cros…