Emerging Collective (@EmergingColl) header
Emerging Collective (@EmergingColl) profile picture

Emerging Collective

@EmergingColl

NGO giving exposure to social impact art with a specific eye toward emerging markets.

 Worldwide
emergingcollective.com
Joined February 2014
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Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)Photo by Emerging Collective (@EmergingColl)
Ben Bernanke leaving the Fed to work for Citadel is like Chief Justice John Roberts leaving the Supreme Court to work for Koch Industries.
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ARTnews (@artnews) profile picture
ARTnews@artnews31 May 2020
Earlier this month, Tate Modern celebrated its 20th anniversary. These are the London museum's 10 most important shows artnews.com/art-news/news/mo…
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Andrew Russeth (@AndrewRusseth) profile picture
Andrew Russeth@AndrewRusseth10 Jan 2020
Cecilia Alemani: a very solid pick to organize the Venice Biennale. As High Line curator in New York she's given huge swings of the bat to young artists (and obscure ones), and gotten generally good work from veterans: no easy task in the public art game. theartnewspaper.com/news/cec…
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hyperallergic (@hyperallergic) profile picture
hyperallergic@hyperallergic24 Dec 2019
#Banksy makes a nativity scene. trib.al/CUVwNQc

Banksy Unveils a Political Interpretation of the Nativity Scene in Bethlehem

The work was unveiled this past weekend at the artist’s Walled Off Hotel, which overlooks Israel’s separation wall around Bethlehem.

hyperallergic.com
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British Museum (@britishmuseum) profile picture
British Museum
@britishmuseum14 Mar 2019
Replying to @britishmuseum @WomenInTheArts
Mary Sibande’s work explores issues of race, gender and identity in post-apartheid South Africa, featured here in our 2016 exhibition ‘South Africa: the art of a nation’. Sibande explains how her art confronts history in this video: ow.ly/lDmQ30nXyqJ #5WomenArtists
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AnabelRoqueRodríguez (@anabelroro) profile picture
AnabelRoqueRodríguez@anabelroro16 Mar 2019
Today,South African artist Sue Williamson.I took the images at Art Basel 2017 "Messages from the Atlantic Passage" each bottle is inscribed with the details of one of the 12.5 million people shipped from the African continent as slaves between 1525 and 1866 #5womenartists
Image from AnabelRoqueRodríguez (@anabelroro)
Image from AnabelRoqueRodríguez (@anabelroro)
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Jean-Seb Cloutier (@jsebcloutier) profile picture
Jean-Seb Cloutier@jsebcloutier15 Mar 2019
Wow! Montreal pour la planète... #marchepourleclimat #climatestrike
Image from Jean-Seb Cloutier (@jsebcloutier)
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Pioneer Works (@PioneerWorks_) profile picture
Pioneer Works
@PioneerWorks_18 Dec 2017
We are so excited about Four Simultaneous Soloists, a music series to accompany our upcoming Anthony McCall exhibitions: bit.ly/2j2l7Si #pwmusic xitter.cf/ARTnewsmag/status/9406…

Four Simultaneous Soloists

In much the same way that Anthony McCall’s solid light works when exhibited together are experienced individually and as a group, this series of musical...

pioneerworks.org
ARTnews (@artnews) profile pictureARTnews@artnews12 Dec 2017
Music series will accompany Anthony McCall's 'Solid Light Works' at Pioneer Works in Brooklyn bit.ly/2Aw4w4t
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ArtRabbit (@ArtRabbit) profile picture
ArtRabbit@ArtRabbit18 Dec 2017
William Kentridge Enough and More Than Enough focuses on Kentridge’s stage work, including theatre, opera and performance @museoreinasofia until 19th March 2018 artrabbit.com/events/william…

William Kentridge Enough and More Than Enough - Exhibition at Museo Reina Sofía in Madrid

Upon finishing his degree in Politics and African Studies at the University of the Witwatersrand in Johannesburg, William Kentridge (1955) moved to Paris for a year to study theatre and mime.

artrabbit.com
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Coverage and twitter commentary of the Syrian conflict has the one benefit of quickly unmasking the morally corrupt and intellectually dishonest.
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The Manhattan district attorney announced Friday that three ancient sculptures are being returned to their rightful owners in Lebanon. bit.ly/2D0HO1V

Stolen art returning to Lebanon

New York

timesunion.com
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Maison des Arts (@MDA_Chatillon) profile picture
Maison des Arts@MDA_Chatillon19 Dec 2017
Bel article de l'Oeil de l'exilé, sur la table ronde ayant eu lieu dimanche 10 à la Maison des Arts : L'art, un outil politique ? #art #politique #engagement #chatillon #HautsdeSeine loeildelexile.org/art-outil-…
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New Museum (@newmuseum) profile picture
New Museum@newmuseum11 Dec 2017
"One of the rare moments when too much is exactly enough." — @hyperallergic on "Trigger: Gender as a Tool and a Weapon" #gendertrouble hyperallergic.com/409920/how…

How Contemporary Artists Are Embracing the Ambiguities of Gender

What’s incredibly refreshing and exciting about Trigger: Gender as a Tool and a Weapon is that it’s a queer art show that specifically seeks a space beyond a taxonomic obsession.

hyperallergic.com
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Artist Toyin Ojih Odutola Finally Gets Her Due @whitneymuseum bit.ly/2ykTn5k
Image from CAA Advancing Art & Design (@caavisual)
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MoMA PS1 (@MoMAPS1) profile picture
MoMA PS1
@MoMAPS129 Sep 2017
We will be hosting a fundraiser on Wed., Oct. 4, with proceeds benefiting Puerto Rican relief efforts. RSVP at mo.ma/puertorico.
Image from MoMA PS1 (@MoMAPS1)
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Creative Time (@creativetime) profile picture
Creative Time@creativetime29 Sep 2017
"Our revolution must be rooted in love. Profound love." - @syrusmarcusware today at the #CTSummit. Watch live: facebook.com/creativetime/vi…
Image from Creative Time (@creativetime)
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hyperallergic (@hyperallergic) profile picture
hyperallergic@hyperallergic29 Sep 2017
The future, as imagined by artists at this art festival, is plagued by the same societal ills we experience now. hyperallergic.com/403045/lof…
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"International solidarity is somehow nomadic" artist Bouchra Khalili answers @NatoThompson artistic director @creativetime #CTSummit
Image from France in Toronto 🇫🇷🇪🇺 (@francetoronto)
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Koffler Arts (@KofflerArts) profile picture
Koffler Arts@KofflerArts29 Sep 2017
Postcommodity, Indigenous, internedia art collective speaks about their Mexico-American border installation #CTSUMMIT @creativetime
Image from Koffler Arts (@KofflerArts)
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Creative Time (@creativetime) profile picture
Creative Time@creativetime29 Sep 2017
At #CTSummit, @Postcommodity say Repellent Fence was an attempt "re-indigenize the land." Here's more on the piece: postcommodity.com/Repellent_…
Image from Creative Time (@creativetime)
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