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Opera & the Age of Arrogance - newly updated. 'The simple fact is that Baroque opera does not need a director in the modern sense and is almost certainly invariably better off without one' earlymusicworld.com/age
A new recording of a rare Baroque oratorio. Read the full review here: earlymusicreview.com/pasquin… #oratorio #Baroquemusic
Can anyone explain the apparent link between the Palestinian @AndRealisation and the Russian bots/sympathisers that call for Ukraine to be destroyed? It looks sinister to me.
'These orchestral sonorities are superbly realised by the Chiaroscuros, who bring to them an impressively full-bodied commitment perhaps best illustrated by the tripartite final movement ...' Read the full review: earlymusicreview.com/beethov… @BIS_records
'As should have become clear from the foregoing, these are exceptional ‘historically informed’ performances that offer superb playing ...' Read the full review: earlymusicreview.com/beethov… @BIS_records
Brian Robins retweeted
Merci et toute ma reconnaissance à la revue en ligne "Art Bourgogne International" et à ma chère Nektarianna Saliverou, critique littéraire grecque d'une immense culture artistique pour ce magnifique article sur "Le Maître des Vagues".
Affectueuses pensées
. Catherine Delamarre
Le Maître des Vagues et autres nouvelles
Un article de Nektarianna Saliverou
Phd of Contemporary Art – Historian - Author
artbourgogne.com/saliverou-m…
Brian Robins retweeted
📷 ✨️ Looking back in pictures at our 'Sturm und Drang' concert @wigmore_hall, featuring Associate Artist @chiaraskerath.
#SturmUndDrang
#soprano
#opera #operasingers
Bon chance!
A few moments from rehearsal ahead of our concert tonight @wigmore_hall featuring soprano @chiaraskerath 🎶
We can’t wait to share with you an evening of drama, passion and turmoil, straight out of the 18th century!🔥
#classicalmusic #SturmUndDrang #opera #londonconcerts
'... So this beautifully recorded CD marks another distinctive chapter in the Rautio Piano Trios survey'. Read the full review here: earlymusicreview.com/beethov…
Currently watching Man Utd and City. @afcbournemouth better than both.
Brian Robins retweeted
The very essence of all the injustice in this world. Why are we, Ukrainians, forced to see this at night in our cities... Why doesn't morning begin with a peaceful sky and the aroma of coffee, or a morning jog, and a sound sleep in our own bed on a day off? But instead like this - evacuating from our home in the middle of the night, with children, due to yet another russian attack. This is one of the many buildings in the city of Odesa tonight. Burning because russia wants it this way.
Brian Robins retweeted
🎶✨️ Join us as we open our 2026/27 season at @wigmore_hall with soprano @chiaraskerath.
🎥 🎶 Listen to Chiara sing Traetta's "Io resto sempre a piangere" from Antigona:
youtube.com/shorts/H1qNxDzDv…
🔗 🎟️ -> mozartists.com/sturm-und-dra…
#Mozart #LondonConcerts #ClassicalMusic
'The E minor especially is a magnificent work, given an impressive strength and tension by its unison opening that never lets up, here in part at least because the razor-sharp playing of Il Giardino Armonico adds its own degree of intensity.' Read on: earlymusicreview.com/haydn-2…
Just found I've been blocked by @davidkurten. Can't imagine why and don't really care. But at face value it seems another case of right-wing suicide. I can't vote for his party if he won't let me see its policies.
Utterly gut-wrenching. Two worms representing an amoral president crawling on their bellies before a snake ...
One of the lowest points in American history.
Two grifting scumbags, representing financial interests of the US President, groveling before a mass murdering dictator that's currently helping Iran murder Americans and waging war against every American ally that's fought alongside the US, all for promises of lucrative business deals that Putin will never give them.
'Page’s total empathy with the music is indeed the single most distinguished feature of the performances both here and in earlier discs of a series further graced by his scholarly notes.' Read the full review: earlymusicreview.com/sturm-u…
Brian Robins retweeted
It is immediately obvious from the first pages of this blisteringly superb book that a dominant undercurrent is the restrained exasperation of the teacher attempting to explain, to uncomprehending dolts, once again, that the earth moves around the Sun because of gravity. This is school teacher Sebag Montefiore at his absolute best. The story he tells is simple, yet complex. It needs, first & foremost, to be understood. To be understood, it needs to be explained.
It has been written to de-sting the viper of ignorance. It could be angry, but is not. Instead it oozes authoritative restraint, lubricated by the sublime use of language. I cannot emphasise enough how the author is the master swordsman of the English tongue.
It is not a dynastic narrative like ‘The Romanovs’, nor an historic travelogue like ‘Jerusalem’. It is, instead, a book written for recalcitrant learners by a still-patient teacher, restraining himself with the exasperated ‘have you not seen, have you not heard?’ of the prophet Isaiah. It’s telling us to ditch our preconceived certainties and embrace the complexity of a world that relishes too much its simplicities.
The narrative sweep is of the recent history of the Middle East (1909-2026), a region that is both the crucible (‘Cauldron’ even) of the world and the repository of its most ancient bigotries. The reshaping of the region following the demise of the Ottoman Empire has seen not merely expressions of power, local, regional and international, but the resurgence of the hatred of Jews, the restatement of Islamist certainties, the emergence of many new powers and, crucially, a rejection of both the idea and the reality of Israel. It also saw, from the ashes of both Constantinople in 1919 and New Delhi in 1947 a series of new & competing nationalisms that have blistered themselves to ancient certainties and prejudices that, alongside external meddling, keep the region in turmoil. Yet it has also seen pragmatism as well as religious certainty, idiocy as well as genius.
Is this a book about Israel? No, but overwhelmingly, Yes. Israel looms large in the whole. Although Sebag Montefiore’s story is focused on the broad sweep of leadership across the region’s 19 states the centrality of the Jewish question to the recent history of the region makes the book also the story of Israel, and its role in the creation of the region’s modern polity, rivalries and interests.
Pleasingly, one can see how this is a book designed to demonstrate to the dunces in the class the fervency of the Dalrymple and the simplicities of the Lineker simply do not work. It’s not hard to see its origins in the futile exchanges on Twitter/X in the years since 7 Oct 2023. It will do nothing to change the minds of those cursed with the vilest of hatreds, the warriors of anti-semitism who, like Miller and Albanese, are the cavalry of the apocalypse, bloody swords aloft, calling civilisation to its doom, but perhaps it will do something to teach the rest of us that Israel, for example, is the product not of Zionism, but of the very hatreds that fuel the anti-Semitic narrative. Jews of the diaspora came back together for the first time in 2,000 years to secure precisely the protection and freedom that the world had refused to give them and wishes still to dismantle. It was fuelled by the forced exodus of Jews from their Babylonian exile across the Middle East, the product of the very exclusionary hatreds that diminished the countries that expelled them and helped create an Israel that was anchored not in the ghettos of Lvov, but in the Middle East. 1948 was an expression of self-determination, not of colonialism, an end to victimhood and a determination by the world’s most persecuted minority to take their destiny in their own hands, not to allow it to be subject any longer to the ridiculous hatreds of others.
I cannot describe how beautifully this book is written. You’ll need to read it for yourselves to see what I mean.
























