Dawn Di retweeted
ようやく目標の一つだった、酒井ゆうじさんの 出現シリーズ全18作品をギャラリーに展示することができました。
18作品が一堂に揃っている光景はなかなか目にすることがないので、実際に展示するとかなりの迫力です。
ずっと実現したかった光景なので、こうして形にできたのは感慨深いです。
#酒井ゆうじ
Dawn Di retweeted
[酒井ゆうじ造型工房 30cmゴジラ1989 大阪上陸 第四種警戒体制]
新作完成。青みを帯びた黒を基調に、全身のモールドを強調し、重厚感のある皮膚の質感に仕上げました。
特にこだわったのは目の虹彩。細部まで丁寧に描き込み、力強く鋭い眼差しを表現しています。
#酒井ゆうじ造型工房 #ビオゴジ
To capture the film stills via hand-brushing, I used a multi-color base (R/Y/B/G) under black, plus blue-gray/brown dust. Then Wet-blended the dorsal plates with semi-gloss tips; washed the claws for a muddy sheen according to the screenshots.
Sakai Yuji 30cm Godzilla 1989 Osaka Landing
The very start of 30cm Heisei line, also a favorite of mine. This kit balances fidelity with modern reinterpretation: it preserves the suit's tight stance and violin silhouette, while refining the proportions of each body part.
50cm Biogoji Advancing by @kitora_zoukei9
This massive kit captures its lumbering weight and fierce face, with the sculpt enhancing its immense sense of scale. I commissioned the painter GU Studio to craft the eyes using multi-layered gradients for biological, iris-like details.
Top: Recently reissued Godzilla 1991 Hokkaido
Bottom: Godzilla 1991 Fierce Battle of Abashiri, released five years ago.
Does your company really think that reissuing a ten-year-old figure means copying decade-old build quality?
@shounen_ric_xp
Almost done! After adjusting the color of dorsal fins, the toes’ color now feels mismatched instead. But I ran out of paint, so I’ll leave it here for now.
The seamless work on the neck is done. Next is painting the dorsal fin. Having a bit of a headache over how to paint a gradient—I gave it a try, and it's nowhere near the effect I want¯_(ツ)_/¯.


































































