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Detroit, MI
Joined March 2024
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I’m not sure if panini will continue making downtowns so I had to get my favorite one @CardPurchaser
I hate that Lions twitter thinks we are back on top after a SINGLE win verse the Cardinals
We still haven’t won back to back games in over a year lol let’s take this one game at a time 😂
Cam Sutton really doesn’t sound THAT bad anymore 😭
Imagine evaluating this Lions secondary in training camp and thinking you’re A ok to begin the season.
Epic miscalculation. #OnePride
Coaches are supposed to suck at dances like this which is why the players love it and it’s so hilarious 😭
College kids don’t know how to properly use burner accounts, because they are not for Doxxing & shaming hoes (that we all love), it’s to keep your main account employable 😂
“It just feels like this album has too many moments of attempting to recapture the essence of what made him so successful in the past and because we’ve heard the shit for almost two decades it’s become monotonous.”
This is exactly why this album smashes, I wanted a glimpse back into old future
Album Review for The Real Me by Future
*Deep Negro Sigh* Ok, let’s just rip the fucking band-aid off now. This album is fucking terrible. There it’s been said. As a default Future fan (cuz I’m from Atlanta), I always tune in to see how can Future build off his prior projects. This project follows that prior mixtape that was also horrendous as fuck. It just feels like this album has too many moments of attempting to recapture the essence of what made him so successful in the past and because we’ve heard the shit for almost two decades it’s become monotonous.
From the elementary ass raps on the track “One Two”, to the King’s Dead voice on “2018”, to the same repetitive ass subject matter on “Konnichiwa”, this album is full of moments that made him popular in the past but in the present age of 2026, just sounds like he’s reaching at his past glory. It’s not all bad, there are a few redeeming qualities and tracks where you feel like you could replay a track or two… but that’s literally it, A TRACK OR TWO. Nothing less, Nothing more!
The production… well, same as always, let’s be real. Yes, there’s a “melodic trap vibe” as I was told apparently, even though I personally do not get trap from this shit at all. I think the melodic rap elements are just that, melodic rap. Also, that 2010’s DJ Mustard beat on “Alice” made me almost throw my phone off the Grady Curve bridge. The use of electric guitar on “Cast a spell” isn’t too bad but it just doesn’t fit with a traditional Atlanta beat behind it. As a whole, the album just doesn’t flow cohesively enough to sustain replay value.
Overall, there are just one too many skips on this album. It’s too many tracks that just feel like leftover material from past projects. This is a project that you give your diehard fans because these songs didn’t make their respective albums. The quality of this project is just a bad mixtape and unfortunately it feels like you have to turn your brain off to enjoy it.
Final Score: 1/10
If anybody is getting rid of their Jaxson Dart collection since he introduced our President last night, feel free let me know, I don’t mind getting them out of your hands @CardPurchaser
Nah nobody is ever going to reach drake level again, the whole world is tweaking, it’s like a holiday
