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Thank you @Chamath @SocialCapital for this! Dead chuffed & also humbled to be in such company. Looking forward to meeting everyone & also what lies ahead quite excitedly! 🌱
We wrapped up our climate change competition and are pleased to announce our winners.
-1k+ applications
-180 were excellent
-35+ teams interviewed
-8 proposals stood out as particularly innovative
So we have 8 winning teams vs 3 as planned, and each will receive a $25k award.
How brilliantly expressed! Couldn't agree more with Anchit.
I’ve been fascinated by the mass public affection for Air Chief Marshal AP Singh as he nears retirement. I keep asking myself why.
We now fight beyond visual range. Increasingly, we live that way too. Yet Singh has crossed a distance that military leaders rarely do. People don’t merely admire him. They feel they know him.
Fifth-generation fighters, drones and AI are only the military expression of a much larger transformation in society. Technology now totally mediates how we work and interact. And yet, Singh’s public appeal rests on something simply human.
Traditionally, military leaders have been (perceived) as larger-than-life figures. Men to admire, look up to, even revere. Figures who inspire awe, but remain somewhat distant from the ordinary citizen.
Singh seems to have turned that archetype on its head. His appeal is not that he towers above the people around him, but that he appears entirely comfortable sitting amongst them.
Whether participating in public runs, joining for a few dance steps, interacting with schoolchildren, meeting next of kin or talking to airmen, he seems completely at ease with people. He understands their language, humour and cultural references. None of these encounters is particularly grand in itself. Yet, collectively, they have created an unusually personal connection.
And from my own interactions with him, I think there is something even more fundamental. He speaks his mind, certainly, but never seems particularly interested in establishing that he is the cleverest person in the room. He listens with intent. And when he listens, you feel he is genuinely interested in what you have to say.
This is not to suggest that other Chiefs have been any less warm, humane or eager to connect. Many may have been every bit as approachable in private. Singh’s distinction, I think, is how naturally he allows that side of himself to be seen in public. Even with cameras rolling, he seems completely comfortable being himself. It doesn’t feel staged or cultivated.
That is a rather different form of military charisma. The conventional archetype inspires people to follow him. Singh makes people feel that he is one of them.
And, in an increasingly impersonal world, that simple ability to connect has become more powerful than ever.
You expect politicians to understand this instinctively. What is remarkable is seeing a military leader do it so naturally.
Military sociologists will be studying this phenomenon for years.
Debesh Sharma retweeted
Neither Cartier-Bresson, Banksy nor Cold War Steve could have come up with such an image. Absolutely perfect composition and lighting (even the road signs are perfect)! 😍
Debesh Sharma retweeted
I am a member of the Norwegian Nobel Committee.
There are five of us. Five people, appointed by a parliament most of the planet could not find on a map, who decide, once a year, which human being the world has agreed to call good.
I know. I know. I think about it on the tram.
We meet in a building on Henrik Ibsens gate, a street named after a man who wrote almost exclusively about people discovering they are frauds, which nobody on the committee finds funny except me. There is a room with a long table and the portraits of the dead laureates looking down, Mandela, the Dalai Lama, a great many earnest men in spectacles, and one portrait we do not discuss, which is Kissinger, 1973, awarded while the bombs were still falling, after which two of our predecessors resigned and the satirist Tom Lehrer said political satire was now obsolete. We keep him on the wall. A reminder. Every family has the uncle.
It is October in Oslo, which means the sun gives up around four in the afternoon like a civil servant, and it rains the particular Norwegian rain that isn’t quite falling, just hanging there, judging you. I arrive with wet shoes. I always arrive with wet shoes. There is coffee, because this is Norway and there is always coffee, we drink more of it per person than almost anyone alive, and someone’s wife has sent kanelboller, the cinnamon buns, and we sit, five Norwegians, damp, caffeinated, sugared, and we decide the moral standing of the entire species.
Let me tell you how it actually works, because the world imagines a cathedral and it is, I promise you, a book club with a mandate.
287 nominations this year. 208 people, 79 organizations. Anyone can nominate, that’s the secret nobody understands: a professor, a parliamentarian, a former laureate, so the “nominee” list is meaningless, it’s a suggestion box, and every autumn some congressman nominates his own golden retriever and the press writes “SHORTLISTED.” Nobody is shortlisted. There is no short list the public ever sees. There is us, and the coffee, and the rain, and the portraits, and a Norwegian stubbornness that is older than the prize itself.
We read reports. The institute’s advisers write them, thick dull documents, and we argue. Our chairman told the BBC once that in the final meeting “there is a high temperature.” High temperature, for a Norwegian, means someone slightly raised an eyebrow and then apologized for it. We don’t do high temperature. We do a long silence, and then Kristin says “well,” and everyone knows exactly what “well” meant, and it’s settled. That’s our shouting. “Well.” You’d have to be raised here to hear the violence in it.
Now. This year. I will not say the name, because we never say the name, but you know the name.
A certain head of state wanted this prize the way a child wants a thing in a shop window, which is to say loudly, and in public, and with the full belief that wanting it was itself the argument. He said he deserved it. He said he’d ended eight wars, a number that grew most times he said it, like a fish. He had other heads of state phone us. Israel’s prime minister posted it on the internet, “Give him the Nobel.” The leaders of Cambodia and Pakistan announced they’d nominated him, as though announcing it were part of it, as though we tally mentions. A man flew around the globe collecting endorsements for a Norwegian committee the way you’d collect signatures for a petition to the council about a noisy dog.
And here, uff da, is the detail I treasure, the one that makes me smile into my coffee. The nomination deadline is the 31st of January. He took office on the 20th. So for all the phone calls, all the posts, all the gilded lobbying, the only nominations that could possibly count for this year’s prize were filed in the first eleven days of his term, before he had, by his own arithmetic, ended a single one of the eight wars. He campaigned all year for a prize whose window had shut while he was still hanging up his coat. We didn’t have to reject him. The calendar did. We just watched. Norwegians are very good at watching. We have long winters.
People think we sit there weighing his deeds. We don’t. That’s the thing I can’t make the world understand. We’re not grading his homework. We don’t owe anyone the prize for a ceasefire, however real, however loud the announcement. “He made peace” is not a sentence that ends in a medal, the way he believes it does, the way he believes every good thing ends in his name on it. The will of a dead Swede says the prize goes to whoever did the most for fraternity between nations. A dead Swede, I should add, who made his entire fortune inventing dynamite and selling arms, and spent his last years horrified at his own obituary, which called him a merchant of death, and so bought his way to immortality as a man of peace. The whole prize is one guilty arms dealer’s attempt to launder his name. We are, all of us, administering a dead man’s public relations. I find this clarifying. It keeps me humble. It should keep everyone humble, and it keeps, by my count, no one humble at all.
So who did we give it to?
An eighty-five-year-old woman. A judge. Born in Durban, under apartheid, granddaughter of a Tamil man who came to South Africa as indentured labor, a bus driver’s daughter from the poor Indian quarter, who became the first non-white woman to run a law practice in her province, who defended Mandela’s people when defending them was dangerous, who sat on the Rwanda tribunal and the court at the Hague, and who, at eighty-five, is right now a judge weighing whether a genocide is a genocide. When we told the world, our chairman said the rule of law “underpins the system we have set up to ensure peace,” and that “peace requires justice.” She wasn’t even in Oslo. She was in Nuremberg. In courtroom 600. The actual room where they tried the Nazis. You cannot stage that. God staged that, and God, it turns out, is a better satirist than any of us.
She did not phone us. She did not post. No prime minister demanded it for her on the internet. She had, as far as our deliberations are concerned, the one qualification the loud man could never manufacture, which is that she wanted the work and not the medal. The medal finds those people. It flees the ones who chase it. This is not a rule we wrote. It’s just the only pattern the hundred-odd years of our mistakes has ever shown.
The reaction from across the ocean was immediate. His spokesman posted that we “place politics over peace.” Ja. Perhaps. We’re five damp pensioners in a rainy city; of course it’s political, it was always political, it was political when we gave it to a sitting American president nine months into his first term for the promise of things he had not yet done, and we have been quietly embarrassed about that one for fifteen years, so believe me, we had a particular reason this year to prefer a woman with fifty years of verdicts behind her over a man with eight wars in front of him and a deadline already behind him.
Here is what he will never understand, the thing I’d tell him on the tram if he ever took one. We are the one prize he cannot buy, cannot post his way to, cannot have a friendly dictator phone in for him. Not because we’re incorruptible, nei, we’re as vain and wrong and human as the portraits on our wall. But because the entire point of the thing, the only power a small cold country’s book club has ever held, is that it goes to the person not performing the wanting. The moment you demand it, you’ve proven you don’t understand what it’s for, and proving that is itself the disqualification. He ran the most expensive campaign in the history of the prize and the campaign was the reason. He was never losing to Navi Pillay. He was losing to the concept.
It’s dark now. Four o’clock dark. The buns are gone. Kristin said “well” an hour ago and we all went home. I’m on the tram with my wet shoes, and somewhere across the water a very powerful man is explaining to a camera that the prize is rigged, that we’re corrupt, that he’ll win it next year, and he genuinely might, we’re only five idiots and we’ve been wrong before, Kissinger is still on the wall.
But not this year. This year an old woman in Nuremberg, in the room where the law once stared down the exact kind of man who thinks wanting a thing loudly enough should make it his, got a phone call she didn’t ask for.
That’s the job. We don’t reward the man who ends the war and announces it.
We reward the woman who spent fifty years deciding what a war was.
He’ll never see the difference. That’s rather the whole point of him.
Takk for i dag. I have to change trams.
Brilliant interpretation ❤️
I was born in a Jain family. The first thing I learned about God is that he is not coming.
In Jainism nobody is up there running things. The liberated ones, Mahavira and the rest, sit in Siddha Loka at the top of the universe. Omniscient. Not omnipotent. Beyond time. They see everything. They touch nothing. They do not meddle in the affairs of mortals.
The word Tirthankara means ford-maker. He shows you where the river can be crossed. He does not carry you across. He is there to prove it can be done. You don't ask him for things. You copy him. The way a 10-year-old gets a Messi haircut.
So I was told at 7 what most people find out at 40: nobody is coming to save you. Not a god. Not a government. Not an uncle with money. Not a VC. You get heroes. You get work.
It is a sad thing to tell a child.
It is also why I am still in business. 3 dead companies. ₹3 crores in ashes. Then 5 years, 0 investors. I never waited for a sign. There are no signs. There are only people who crossed before you, and the next thing to do.
The most atheist thing about me is my religion. It has gods. They are not helping. They are showing.
I tell my kids what I was told. Pick your heroes. Then do your shit.
Debesh Sharma retweeted
We'll be spending a lot more time trying to understand the outputs of language models. A few thoughts, tips & tricks:
Writing. Something I've had success with: Ask your LLM to explain something in ASD-STE100, it's a controlled language specification originally developed for aerospace maintenance documentation. LLMs well-versed in this language and it comes with heavy constraints on clean writing style that I often find a lot more readable. Sometimes I've tried to soften it a bit e.g. ask for "80% of the way to ASD-STE100" because the spec is quite stringent. But even better:
Diagrams / images. Instead of writing, ask your LLM to create a diagram. These can be a lot easier to process, parse, and understand. But even better:
Web pages. Ask for output "in HTML" to get a beautiful, interactive webpage. LLMs are getting really good at frontend and can create beautiful experiences, animations, etc. But even better:
Explainer videos. The output format I am most bullish on is fully custom / bespoke explainer videos generated on any arbitrary topic. Experiment with things like "Create a 3b1b style video explainer on X. Use my ElevenLabs API key for audio narration". (you'd need an API key for the latter or you can ask your LLM to find you decent free alternatives that use your local compute). This is actually starting to work!
In summary:
- As LLMs get better, they will do more and more of the legwork autonomously, and a lot more of our work will rise up the abstractions into oversight and understanding.
- Luckily, LLMs can help here too because as intelligence and code are increasingly abundant, you can ask for large, custom, discardable software artifacts (e.g. web apps, video explainers) that would have never made sense to create before. Push the boundaries here and you'll be surprised.
My Nana Patekar story
The year must have been 2006. My band Sankara had been having a great year. Earlier that year we'd opened for Rabbi Shergill and Indian Ocean and things were going great.
One day Koko (of Agnee fame and at the time our lead guitar player) calls us and says he guys gig tonight? Sure, we all said. Where?
Turns out it was the closing ceremony of a qualifying tournament for the World Equestrian Championships which was being held at the NDA. The venue was an open field outside NDA, overlooking Pune. A beatiful if somewhat rustic venue, but no matter there would be old monk and an animal being roasted on a spit as one has at Army parties.
Sankara, oh I wish y'all could have heard Sankara. The best damn band that India never got to know. We were all mongrel musicians (with the exception of Koko) and had somehow managed to put together a semi decent band (remember the mongrel part for later).
And our set was all originals or improvised covers of obscure songs. We'd take a Mirza Ghalib poem and set it to music and then we'd jam on it for a quarter of an hour. And all our shows were improvised as well and there was one rule - the music never stops whatever happens.
so there we were playing our set when we were told that the Chief Guest would say a few words and we turned and there on the side of the stage was Nana Patekar waiting for the band to stop so he could give his speech. But the music never stops right?
So the band, which at that point had developed some sort of weird telepathic communication system I can't fully explain dropped the volume and morphed whatever we were playing into a nice chill trip-hoppy trancy vibe and gestured to Nana to begin.
Nana steps onto the stage and in that glorious baritone of his begins to deliver his speech. What a moment it was. Gentle breeze, cool Pune evening, under the stars, smell of meat roasting, a crowd of faces shining and the gentle music underneath it all. Nana liked the vibe and rolled with it as well. He had enjoyed our little tasteful disobedience :-)
Later, during the dinner break he comes up to us and is very nice. He says "one word of advice. you all have to stay together. ladho, jhagdo lekin ek dusre se alag nahi hona. what y'all have is magic and don't fuck with it"
then he goes on to ask a favor of us. He tells us that he has a childhood friend, a classical singer. And this friend and his son used to perform together. And there had been an accident some months ago when they were on tour and the dad survived but the son died. He says that his friend hasn't sung since that day but he feels that if he meets us, his friend will sing. And would we accept an invitation to dinner at his house, along with our instruments?
which is how we find ourselves on Nana's balcony at his apartment on Law College Road where hi lived with his mother. Nana recited poetry for us. His friend was there. We drank. We played. And then Anoop asked his friend to join in on one of our songs called Lil Ojas which was straight raga Hamsadhwani and the friend turns to Anoop and says - app ki woh doosri taar thodi chadh gayi hai (your second string is out of tune)!
Goddamn mongrel musicians.
The gentleman did sing and Nana was very grateful. I never met him again even though he was lovely and would not have minded.
In that brief encounter I saw a very lovely human being. A deep soul. There are rumours that he was capable of tempers and worse but I never saw any of that in him. I met a thorough gentleman and a loving soul.
RIP Nana. Ishwar aapki aatma ko sadgati de.
Haven't read anything that is more apt for Nana Patekar. Thank you, @RajThackeray 🙏
Veteran actor Nana Patekar has passed away.
The Hindi film industry and Mumbai share an inseparable bond. When one speaks of Mumbai, it encompasses its theatre, its world of commercial cinema, and the middle and lower-middle classes striving daily to carve out their identity, from slums to chawls. Then came the working class that gradually faced ruin in this city and across the country; the rise of the underworld born out of that social despair; the period where communal harmony unraveled before our eyes; followed by the post-liberalization expansion of middle-class aspirations and the politics swirling around it all. Through every such era, Nana Patekar made his presence felt, sometimes on stage, sometimes on screen. From ‘Hamidabai Chi Kothi’ to ‘Parinda’, ‘Krantiveer’, ‘Ab Tak Chhappan’, and all the way to ‘Natasamrat’, Nana remained ever-present. Across each phase, he brought to life, whether on the screen or the stage, the common man living with persistent inner turmoil.
Anger, humiliation, powerlessness, despair, revulsion toward immorality, disillusionment with the system, and class struggle constantly simmer within the mind of the common man. It spills over only occasionally through petty arguments or domestic turmoil. Otherwise, it stays bottled up inside. Watching Nana perform felt like looking into this emotional pressure cooker of ordinary lives. When Nana, or the 'Angry Young Man' Amitabh Bachchan, confronted these realities on screen, they vented the steam trapped within the human psyche. As I often say, just as singers and composers like Lata didi, Asha tai, Kishore Kumar, and Rafi sahab, along with filmmakers, playwrights, directors, and artists, entertained Indian minds for at least 60 to 70 years, figures like Nana and Bachchan Sahab powerfully released that inner steam on screen. Had they not done so, chaos might have erupted in this country every month.
Watching Nana act always reminded me of Hollywood's Morgan Freeman. Neither fit the conventional type of Bollywood or Hollywood actors of their times in terms of looks or persona. Watching Morgan Freeman, one often feels this is a man who has absorbed wisdom, patience, and a quiet acceptance of things as they are over time. With Nana's acting, however, I sensed fury, restlessness, and a deeply entrenched despair. Freeman represents a man who seems to have seen it all; Nana represents a man who has endured too much and can take no more. These are two opposite ends of the human spectrum. Because Nana could bring that second extreme to the screen with raw authenticity, he was a truly great artist.
In the 2000s, polished, fair, and conventional leading men began making way for story-driven cinema, ushering in an era of character actors who could carry a narrative and draw audiences on merit. Nana was undoubtedly the pioneer of this era. The prominence that character actors enjoy today was paved by Nana.
Yet, despite all this, he was fiercely individualistic, spoke his mind without filter, and was outspoken (though it hardly suits me to call anyone outspoken; be that as it may). Because of this, even when producers and directors wished to cast him, they often hesitated. Did this hurt Nana? One cannot say; he remained indifferent. But it certainly deprived Hindi cinema and its audience. While Nawazuddin Siddiqui and the late Irrfan Khan were undoubtedly brilliant performers, one wonders whether they and others like them would have found those same opportunities had Nana been willing to compromise. Moreover, Nana was not confined to aggressive or intense roles, through films like ‘Welcome’, he demonstrated to the world that he could handle comedy with equal prowess.
Debesh Sharma retweeted
A BRIEF HISTORY OF SURANGANI
youtube.com/watch?v=yJHRl59B… (from Pandhayam)
- Origins — 🇱🇰Sri Lanka: “Surangani” begins as a Sinhala baila song. Its original date and authorship remain unclear: accounts credit either A. E. Manoharan or an earlier Wally Bastian version.
- 1972 —🇱🇰 Sri Lanka → 🇮🇳India: Manoharan releases his Sinhala–Tamil recording on the Sooriya label. Radio Ceylon helps make it a hit in Tamil Nadu.
- 1977 — Tamil cinema, 🇮🇳India: Ilaiyaraaja adapts it for Avar Enakke Sontham, sung by Malaysia Vasudevan and Renuka; it spreads through student circles.
- 1978 — Hindi cinema, 🇮🇳India: Asha Bhosle sings “Surangani Kamaal Karegi” in Parmatma, carrying the refrain to Hindi audiences.
- Dates uncertain — Goa and Kerala, 🇮🇳India: A Konkani adaptation emerges in Goa; Manoharan also records a Sinhala–Malayalam version celebrating Kerala.
- 2008 —🇮🇳 India: Vijay Antony remixes the song for the Tamil film Pandhayam.
- 2008 onward — 🇱🇰 Sri Lanka → Southeast Asia: Dinesh Kanagaratnam’s Sinhala–Tamil–English “Surangani Remake,” produced with Pasan Liyanage, becomes a Sri Lankan hit and gains listeners across Southeast Asia.
- By 2023 — 🇲🇾 Malaysia: The song remains familiar among Malaysian Indian audiences, with Kuala Selangor’s Balle Balle group helping sustain its popularity.
Sri Lanka’s unofficial national anthem of joy 🤩 Surangani. Every Indian 🇮🇳 I know already loves it and now @yellow_beatz_music just made their own rendition !
Four voices, one baila classic, zero chill. Fish optional.
Vibes mandatory. 🐟🎶 #Surangani #SriLanka 🇱🇰
Credit : yellow_beatz_music
Original / Popularized By - A. E. Manoharan
Word.
What is actually extraordinary is how the British nearly wiped out lions in India.
British viceroys, colonial officers, and visiting nobles turned lion hunting into a sport. A rite of passage. A photo opportunity. They organized grand hunting expeditions.
By 1884, a dozen lions remained in all of India, thanks to the Brits.
Nawab of Junagadh banned all lion hunting in his territory without special permission. He declared that anyone caught poaching a lion would face jail time and fines.
The British did not cooperate. The Nawab petitioned the colonial government to extend protections. They refused. British colonial officials saw lion hunting as their birthright.
After independence, the Indian Forest Department took over in 1965, designated Gir as a National Park and Wildlife Sanctuary, and built one of the most successful large predator conservation programs in the world.
Today there are 891 Asiatic lions in India. From 12 to 891.
So when The Economist expresses astonishment that a "poor country" can protect animals, perhaps they should ask who nearly exterminated them in the first place.
Debesh Sharma retweeted
Autonomous systems are optimized for low-clutter environments—open ocean or structured airspace. But in the chaos of ground combat, will their ability to interpret data truly ever match human judgment? This author's experience suggests the answer is no. mwi.westpoint.edu/we-shot-th…
How beautifully expressed...so true.
Yesterday at CP, there were jammers because of a protest, so an Argentine woman at Saravana Bhavan couldn’t pay her approx ₹500 bill. Her card, UPI basically nothing worked. I ended up paying for her.
She said, “India is such an interesting country. The system is so hostile, but the people are equally kind.”
And honestly, it made me think: it’s rightly said, India disappoints both the optimist and the pessimist; often in the same afternoon. 😭
Fabulous stuff by @dpkpillay12 - proud to call him a brother ❤️ Looking forward attending the book launch, bhai! Won't miss it for the world! 💪
In his review, “Reclaiming India’s Wars,” Mudasir Majeed Pir writes:
“Colonel DPK Pillay’s book argues that colonial defeat never erased Indian identity by tracing a history of resilience across centuries... It is what Pillay calls an act of ‘reclamation’—where he asserts that while invaders occupied our lands, they could never conquer the consciousness that defines us.”
Grateful to Kashmir Life for engaging so thoughtfully with the work and placing it within the wider canon of Indian military writing
@TheCapital_90
@PenguinIndia
@mileeashwarya thank you
Debesh Sharma retweeted
Imagine being that father.
You mortgaged your house.
You emptied every savings.
You watched your son fight for his life at Fortis Hospital , praying every night that the medicines would work.
He left you forever.
And now… a fake cancer drugs racket is busted. Counterfeit chemo and ICU injections were being supplied to over 90 hospitals.
That father is sitting with a broken heart and one soul-crushing question:
“Was my son given real medicine… or was he injected with lies while I was paying with my house and my tears?”
No parent should ever have to carry this doubt on top of their grief.
Government, Judiciary,higher authorities, hospitals ~how many more fathers will you force to live with this hell?
We stand with that broken father @whirlybirdguy
His pain is not just his.
It is India’s shame.
#FakeCancerDrugs #JusticeForCancerPatients
I lost my son to cancer on 02/09/26. He was treated @fortis_hospital in 2024-25. I hv taken a loan against my house for treatment. Can fortis assure me that no fake drugs were given to him?
Debesh Sharma retweeted
प्रकाश भारती - एपिसोड 02
रिपोर्ट आने तक भोजन सुरक्षित माना जाएगा।
बाक़ी, खाते समय खाने पर ध्यान दें… कमियों पर नहीं।
देश देख रहा है, हम भी।
#PrakashBharati #Episode02
Debesh Sharma retweeted
Here is the first episode of my new IP series, PRAKASH BHARATI.
Our first bulletin crossed 300K views on Instagram in under 12 hours.
A fictional 80s-style Indian news network reporting on things that feel a little too familiar.
#PrakashBharati #Satire #aifilm #IndianTelevision #80sAesthetic #80sTrend
































