My God this looks gorgeous.
IN-DEPTH Blu-ray review of Ford's landmark film starring Woody Strode as 'Sergeant Rutledge' from @WarnerArchive sourced from #4K scan of the OCN with 27 SDR screenshots 🎬🎞️🎥📽️💿 highdefwatch.com/post/the-la…
The closest to an Ian Fleming novel is From Russia With Love, not this. Casino Royale, the book, is lean and fast. The Barry Nelson version is closer to the book than this. Also, Bond was not traumatised in the following books.
Tonight's film is Casino Royale, no, not the 1967 Niven comedy spoof of yesterday, although that was great fun, but the 2006 reboot of the James Bond franchise with Daniel Craig.
According to some, this film is the closest to a James Bond novel that a James Bond film has ever come. One can only assume that the people who say this have not read any of Ian Fleming's books. The films that were closest to their novels were From Russia with Love and On Her Majesty's Secret Service.
Craig's film is an adaptation, and it's not as faithful to Casino Royale as some think. Let's start with the character James Bond. Craig's Casino Royale is deliberately an origin story: we watch the two kills that secure the licence to kill, we watch the first serious emotional breach, and we watch the deliberate hardening that follows. The performance is excellent on its own terms, physical, wounded, and capable of sudden stillness, but the trajectory is that of a modern action protagonist acquiring the armour of a professional rather than of an already armoured professional which is what Bond is in the 1953 novel.
In the novel, Bond's first two qualifying kills are a Japanese cypher expert in New York and a Norwegian double agent in Stockholm. The novel Live and Let Die describes Bond's journey to America as his first since the Second World War. Therefore, the assassination of the Japanese cypher expert in New York must be before the Japanese attack on Pearl Harbour in December 1941. The Norwegian double agent in Stockholm, working for the Germans, is equally a wartime matter.
Scholarly chronologies consistently date the novel itself to the summer of 1951, or at the latest mid-1952. That yields an interval of approximately nine to eleven years. Bond has carried the double-0 number and the licence to kill for something on the order of ten years by the time he sits down at the baccarat table in Casino Royale. He is a seasoned professional secret agent who needs no lectures on how to do his job.
The film, of course, changes this aspect of the character dramatically.
In the 2006 film, his first two kills are compressed into a single black-and-white pre-title sequence that functions as the opening.
The narrative then moves into what appears to be Bond's first assignment as a 00 agent, the Madagascar pursuit of Mollaka, which in turn propels him into the larger Casino Royale operation. The kills and the film's principal action are therefore contiguous; the picture is, structurally, an origin story that begins at the moment the licence to kill is earned.
The physical emphasis is also different: Craig's muscular and kinetic Bond is closer to the post-Bourne contemporary action hero template than to Fleming's lean, wiry, civil-service spy who happens to be dangerous.
The film retains the skeleton of the story, the game at Casino Royale, the torture by Le Chiffre, Vesper's betrayal, while replacing almost everything that gives the original book its je ne sais quoi.
The most immediate and structural difference is the card game itself. In the novel, Bond's confrontation with Le Chiffre is conducted at chemin de fer, a form of baccarat, a game of limited skill and considerable ritual. The film substitutes it with no-limit Texas Hold'em. The change is understandable for an audience outside of Europe. Poker is more televisual and more widely understood, but it alters the texture of the duel dramatically. Baccarat is a matter of nerve, bank, and the turn of the cards; poker introduces bluff, reading, and a different kind of combat in gambling. Bond's near-ruin at the table and subsequent financial rescue by Felix Leiter remain, but the atmosphere of the casino is not quite the same.
Finally the gut punch of the novel's ending with Vesper Lynd's suicide is replaced by a Venetian spectacle.
It is an efficient piece of modern action cinema; it is most certainly not as close to the book as its defenders claim.
#JamesBond #CasinoRoyale #DanielCraig #IanFleming
DavidRoylance retweeted
Okay. I'm going to explain something here, because apparently we've reached the point in human civilization where BASIC FIREARMS SAFETY is now a controversial political position.
There is a concept in engineering called "defense in depth." It's a fairly simple idea. You have multiple, independent layers of protection against something going catastrophically wrong, because human beings are remarkably creative when it comes to finding new and exciting ways to screw things up.
For example, commercial buildings have automatic fire sprinklers. They ALSO have fire extinguishers.
"But the building has SPRINKLERS!" you might exclaim. "Why do we need FIRE EXTINGUISHERS? What are you, some kind of ANTI-SPRINKLER BIGOT?" No. We have both because fires are bad, and we'd prefer the building not turn into a large, expensive barbecue.
This brings us to firearms. Most of us "gun bros" (and chicks/sisters/catgirls/whatever) are familiar with something called Cooper's Four Rules of Firearms Safety, named after Jeff Cooper, who was something of an authority on the subject.
They are:
1. Treat every firearm as though it is loaded. ALWAYS.
2. Never allow the muzzle to point at anything you are not willing to destroy.
3. Keep your finger OFF THE TRIGGER until your sights are on the target and you are ready to fire.
4. Be absolutely certain of your target and what lies beyond it.
Notice something interesting about these rules?
They work TOGETHER.
They're an example of DEFENSE IN DEPTH.
Suppose you accidentally point your firearm at something you don't particularly want to shoot, such as your television, your dog, or your Uncle Bob, who has already had a difficult week.
Well, if you're following Rule Three, your finger isn't on the trigger.
And if you're following Rule One, you're behaving as though the gun is loaded, EVEN IF YOU PERSONALLY UNLOADED IT FIVE MINUTES AGO.
Here's something that firearms instructors understand, and apparently a surprising number of people on the internet do not:
HUMAN BEINGS ARE IDIOTS. Not ALL the time, mind you. Frequently enough that entire engineering disciplines exist to protect us from ourselves.
Sometimes we forget to unload a firearm. Sometimes we THINK we unloaded a firearm. Sometimes we're absolutely POSITIVE the safety is engaged, when in fact it isn't. Sometimes we install a mechanical device designed to prevent a firearm from discharging, and then behave as though this magically repeals the fundamental principles of firearms safety.
It does not. A mechanical safety device is ANOTHER LAYER OF PROTECTION. It is not a permission slip to disregard all the others.
This is why responsible gun owners follow these rules even when the firearm is unloaded, even when the safety is engaged, and even when we're absolutely certain the thing couldn't possibly fire.
The whole POINT of defense in depth is that when one layer fails, the others are still there to prevent somebody from having a REALLY BAD FRIDAY IN THE EMERGENCY ROOM.
I suspect part of the problem here is a fundamental difference between British and American firearms culture.
In Britain, firearms are sufficiently restricted that, for most people, getting your hands on one involves obtaining the appropriate government permissions, satisfying various legal requirements, and presumably presenting a signed note from the Archbishop of Canterbury confirming that you are a responsible adult.
Meanwhile, over here in the United States, we crazy Americans can, (subject to the applicable laws,) just BUY THE DAMN THINGS.
We own them. We shoot them. We clean them. We take them to the range. Some of us own enough firearms to equip a moderately sized Central American republic.
Contrary to what many of you seem to believe, this does not mean we're all wandering around our living rooms casually pointing loaded shotguns at Uncle Bubba while shouting "YEEHAW!" Quite the opposite, actually. Because we regularly handle firearms, responsible American gun owners develop habits specifically intended to prevent Uncle Bubba from having to explain to an emergency-room physician why he's suddenly acquired an additional hole leaking important biological fluids.
We follow multiple, overlapping safety rules precisely because we understand that mechanical devices can fail, people can make mistakes, and bullets are notoriously reluctant to return to the barrel once they've been fired.
And this brings us to the photograph.
The reason people are criticizing the officer in the hijab is not, contrary to your fascinating theory, that she is a WOMAN. Or that she is a MUSLIM. Or that she is wearing a HIJAB.
It's that she's handling a firearm in a manner that violates basic firearms safety principles.
Here's the really astonishing part:
WE EXPECT TRAINED PROFESSIONALS TO KNOW BETTER.
I know. Shocking. We expect electricians not to lick exposed wires. We expect surgeons to wash their hands. We expect airline pilots to remember that LANDING is generally considered an important part of flying. We expect police officers to demonstrate safe firearms handling.
These expectations do not magically disappear because the professional in question happens to belong to a demographic group you believe requires special protection from criticism. In fact, I'd argue that holding her to a LOWER standard because she's a Muslim woman would be considerably more insulting than holding her to the exact same standard as every other armed professional.
Her religion is irrelevant. Her sex is irrelevant. Her clothing is irrelevant.
HER FIREARMS HANDLING IS THE ISSUE.
And if your first instinct upon seeing someone criticize unsafe firearms handling is to accuse them of religious bigotry rather than examine the actual safety concern, I would respectfully suggest that you have confused firearms safety with a sociology seminar.
This would be merely annoying if we were discussing something harmless, like the proper way to load a dishwasher. Unfortunately, we're discussing a device specifically designed to propel a piece of metal at extremely high velocity. Those devices, unlike internet political arguments, have a nasty habit of producing consequences that cannot be fixed by deleting your post.
Which you should consider doing, anyway.
Weird how all the gun bros going mental about this photo are such firearms experts but they don’t know what a safety inhibitor is.
This weapon was physically incapable of firing.
But again, they know this.
What they’re really angry about is a woman in a hijab holding a gun.
Readers added context they thought people might want to know
A safety device does not negate other firearm safety rules. Each rule and safety device is merely one failsafe in the safe use of a firearm.
gunsafetyrules.nra.org
DavidRoylance retweeted
The same people who spent years telling you everything is fine, borders don’t matter, and resilience is a dirty word are now telling you to stockpile tinned food, because the lights might go out. All they’ve brought is open borders, net-zero dogma, and institutional incompetence.
Let's not forget that these people fire very accurately when they are asked to eliminate innocent Brazilian electricians.
This is not unusual.
My nephew who was a firearms officer at the time popped up to my office one day for his refs (lunch break). his "rifle" (don't laugh) was an MP5.
He put it on my desk with the muzzle point at me. When I "adjusted" the position of the weapon so it wouldn't kill me if it went of (yes it was loaded), he laughed and didn't see what the issue was.
the funny thing is, it was my then DCI who interviewed him (not knowing that he was my nephew at the time) and gave him a job in the job.
Earlier in my career I very nearly had a fight with a very well known AFO who'd lost it during a chase and didn't like to be corrected and had a hissy fit.
A very mixed bunch, some are as good as gold, some I wouldn't trust with a burnt match let alone a firearm.
Episode 2 of The War Machines. William Hartnell is full force here. If you didn't know he was close to leaving, you wouldn't have a clue. The scene he helps Dodo come out of brainwashing is masterful.
This is like a template for so many NuWho stories too.
DavidRoylance retweeted
This photo is a perfect encapsulation of everything wrong with modern policing standards.
A woman who cannot even grasp the single most basic rule of firearm safety, keep your finger off the trigger until you are ready to shoot, is being publicly celebrated and armed by the Metropolitan Police.
Her index finger is squarely on the trigger of a rifle while she smiles for a promotional photo under a banner that reads “Women in Firearms Attachment.”
This is not a minor slip. It is the kind of catastrophic negligence that gets people killed. And the fact that a sergeant is standing right next to her, grinning, while this happens tells you everything about the quality of instruction and supervision in that unit.
@metpoliceuk if this is the standard your firearms officers are held to, you have no business putting anyone in possession of a weapon.
Retrain your instructors, or better yet, stop pretending this is competence.
#firearms #incompetence #safety
DavidRoylance retweeted
Writing a piece on how the Soviet bloc accidentally and ironically allowed Roger Scruton to establish an underground and genuinely egalitarian education structure. Proving again that God has a sense of humour.
DavidRoylance retweeted
I want to tell you about one of the people ITV psychologically damaged, who does not appear in any documentary.
He is a Reform member in Portsmouth.
He served as a Royal Marine in Afghanistan and Iraq, with distinction.
One of ITV's undercover reporters told him they shared the same military background.
That was a lie.
The Marine, believing him, took him for a drink. They spent hours talking about their 'shared' service.
He shared deeply personal stories from the front line.
He thought he was talking to a friend who had been through the same things.
He has since learned that the man across the table was an actor with a hidden camera, sent by a television company to damage the party he volunteers for.
Violated. That's the word he used, and I'm not going to soften it.
A man who put his life on the line for this country had his most private memories extracted by deception for a TV programme.
ITV should be ashamed.
DavidRoylance retweeted
This genuinely made me laugh.
Replying to @Azza_G_ @Lucius_Creed
Casino Royale is NOT the best Bond film.
It's just a dull, restrained, lifeless, uninspired, overly solemn, payoff-free, heretical piece of shit. OK?
DavidRoylance retweeted
Horror movies are typically morality tales of good versus evil. A lot of them are actually steeped in Christianity and overcoming fear.
"Horror films don't create fear. They release it." - Wes Craven
youtu.be/QHsm0S_KoS4?is=7Psh…
This quoted post is unavailable.
DavidRoylance retweeted
I have always thought you were one of the more thoughtful commentators on the left. So I’ll explain. Scruton is explaining his instinctual revulsion of violence. This is an excellent instinct to have. Instincts can sometimes be wrong and on further reflection an opinion can change but he was correct on this. Then Scruton said, “It was a lifetimes work to find out what the opposite is.”
And for Scruton it was a lifetimes work to explain this instinct to conserve. They are:
· Art and Imagination (1974)
· The Aesthetics of Architecture (1979)
· The Meaning of Conservatism (1980)
· The Politics of Culture and Other Essays (1981)
· A Short History of Modern Philosophy (1981)
· A Dictionary of Political Thought (1982)
· The Aesthetic Understanding (1983)
· Kant (1983)
· Untimely Tracts (1985)
· Thinkers of the New Left (1985)
· Sexual Desire: A Moral Philosophy of the Erotic (1986)
· Spinoza (1986) republished as Spinoza: A Very Short Introduction (2002)
· A Land Held Hostage: Lebanon and the West (1987)
· The Philosopher on Dover Beach and Other Essays (1989)
· Conservative Texts (1992)
· Modern Philosophy: An Introduction and Survey (1994)
· The Classical Vernacular: Architectural Principles in an Age of Nihilism(1995)
· Animal Rights and Wrongs (1996)
· An Intelligent Person's Guide to Philosophy (1996); republished in 2005 as Philosophy: Principles and Problems
· The Aesthetics of Music (1997)
· An Intelligent Person's Guide to Modern Culture (1998)
· On Hunting (1998)
· England: An Elegy (2001)
· The West and the Rest: Globalisation and the Terrorist Threat (2002)
· Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan und Isolde (Oxford University Press, 2004)
· News from Somewhere: On Settling (2004)
· The Need for Nations (2004)
· Gentle Regrets: Thoughts from a Life (Continuum, 2005)
· Animal Rights and Wrongs (2006)
· A Political Philosophy: Arguments for Conservatism (2006)
· Immigration, Multiculturalism and the Need to Defend the Nation State(2006)
· Culture Counts: Faith and Feeling in a World Besieged (Encounter Books, 2007)
· Dictionary of Political Thought (2007)
· Beauty (2009)
· I Drink Therefore I Am: A Philosopher's Guide to Wine (2009)
· Understanding Music (2009)
· The Uses of Pessimism: And the Danger of False Hope (2010)
· Beauty: A Very Short Introduction (Oxford University Press, 2011) ISBN 9780199229758
· Green Philosophy (2011)
· The Roger Scruton Reader (2011)
· How to Think Seriously About the Planet: The Case for an Environmental Conservatism (2012)
· The Face of God: The Gifford Lectures (2012)
· Our Church: A Personal History of the Church of England (2012)
· The Soul of the World (2014)
· How to Be a Conservative (2014)
· Fools, Frauds and Firebrands: Thinkers of the New Left (2015)
· The Ring of Truth: The Wisdom of Wagner's Ring of the Nibelung (2016)
· Conversations with Roger Scruton (Notting Hill Editions, 2016) ISBN 9781910749128
· Confessions of a Heretic: Selected Essays (2016)
· On Human Nature (2017)
· Conservatism: Ideas in Profile (2017) ISBN 9781781257524
· The State of Britain Now (2017)
· Conservatism: An Invitation to the Great Tradition (2018)
· Music as an Art (2018)
· Living with Beauty (2020)
· Wagner's Parsifal: The Music of Redemption (Penguin, 2020) ISBN 9780857423498
· Against the Tide: The Best of Roger Scruton's columns, commentaries and criticism (2022)]
Your instinct was to mock this clip. I think you should revise that on further reflection.
xitter.cf/AaronBastani/status/21…
DavidRoylance retweeted
The only tax that is more immoral and evil than the property tax is the estate death tax.
“I’m old. I’ve paid my home off,” said Ray Warner, a 72-year-old Akron resident. “Why would I pay property tax?”
Across the country, homeowners are asking the same question and revolting against property taxes at a scale not seen in a half century.
politico.com/news/magazine/2…
DavidRoylance retweeted
What drives me nuts is when alleged critics and fans rave about how “brilliant” a show is, literally claiming it’s the best thing they’ve ever seen, and I turn it on and within 15 minutes of the first episode it’s checked every single box on the “Egregious, Unmitigated Piece of Shit” list.
Some of this crap even wins Emmys!
I’m thinking, what? Are we being gaslit here? Is this an elaborate plot to shred the tattered remnants remaining of public critical standards?
Hey @KLStudioClassic could you get a hold of this for blu-ray?
James Cagney performing a virtuoso dance routine in “Something to Sing About” (1937). Though it is one of Cagney’s lesser known films, the former vaudevillian devoted an entire chapter of his autobiography to the picture because it was the only musical he was able to make between “Footlight Parade” (1933) and “Yankee Doodle Dandy” (1942). Cagney always said he considered himself a song-and-dance man at heart, and his greatest regret about his career was not making more musicals.
There is a lot to like in the prequel trilogy. Casting incompetent actors in the leads isn't one of those things though.
DavidRoylance retweeted
The hard left call me right wing & the right wing call me a Leftard. I’m actually a moderate Left leaning Centrist. Have that for free.
Replying to @francesbarber13
But you're a Leftard Frances.
This is the reality of your warped idealogy.
It didn't need to come to this but you have ignored us for decades.
Now here we are...
DavidRoylance retweeted
Reminder: just yesterday we learned that:
A) a former ISIS guard for a beheading squad came to yookay illegally on a boat, obviously because of the ECHR/HRA he can't be jailed or deported, living freely;
B) SAS guys sent on missions to deal with ISIS beheaders were then arrested for MURDER for dealing with them; they were lied to by the military police; they have been told they can never be clear of the charges (because the ECHR/HRA means any time some lawyer like Jolyon or Hermer wants to team up with nutters on a ECHR case, the government will be forced to investigate again and remember Hermer's friend *invented* war crimes to bring cases against British soldiers, but obviously wasn't jailed, triples all round in the Inner Temple).
So we're importing the jihadis at scale while prosecuting for murder SAS we rely on to defend us from the jihadis - and if you don't like this you're fascist and it's a reason to ban X in yookay.
No you will not see Kemi-kasi campaign on these issues because the Tories agreed with Labour for 25 years that this combination is 'defending civilisation'. The Tories imported many of the jihadis now in the news, and the Tories approved all the worst officials and lawyers in SW1 bringing the lawfare cases, including against those who were given medals by the Queen for stopping IRA terrorist attacks - they now have to beg for cash for lawyers in their 70s/80s.
And because Reform is a bin fire which can't maintain focus on anything for 2 minutes -- like Kemi-kasi -- you probably won't see anything sustained from them either.
Fab news. John Wayne in 4k. Dean Martin in 4k. I've never seen Sons of Katie Elder all the way through, so super excited about this.
Coming Soon to 4KUHD from Kino Lorber
Brand New HDR/DV Master!
THE SONS OF KATIE ELDER (1965) 4K UHD
Starring John Wayne, Dean Martin, Martha Hyer, Earl Holliman, George Kennedy, Jeremy Slate, James Gregory, Dennis Hopper, Paul Fix, John Litel & Michael Anderson Jr. – Shot by Lucien Ballard (The Killing, The Wild Bunch) – Music by Elmer Bernstein (The Magnificent Seven, Birdman of Alcatraz) – Directed by Henry Hathaway (The Shepherd of the Hills, Kiss of Death, North to Alaska, Nevada Smith, True Grit).
#bluray #western #physicalmedia #movie #cinema #JohnWayne #Horror #Movie #Movies #HorrorCommunity #FilmCommunity #4KBluray #4KUltraHD
#physicalmedia #FilmstaGram #physicalmediaforever #bluraycollector #bluraycollection #Horror #HorrorMovie #HorrorMovies #Film #Cinema #CinemaLovers #FilmTwitter #Cinephile #MovieBuff #NowWatching




































