Theatre and festival director. Now: Artistic Director, NIDA. Past: Artistic Director of Brisbane Festival & La Boite Theatre & Griffin Theatre.

Sydney, New South Wales
Joined March 2011
Go see @WenhamDavid give one of the great performances in An Iliad at @SydneyTheatreCo - beautifully directed by Damien Ryan. Rush to see it. It’s theatre in the present tense.
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The National Institute of Dramatic Art is seeking a new Head of Acting and Performance. This role leads NIDA's full performance portfolio: the BFA Acting course and the vocational diplomas in Stage and Screen Performance and Musical Theatre. reaartsandculture.com/nida-h…
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NIDA’s $50,000 Jim Sharman Future Award is a brilliant initiative open to creative thinkers aged 16-30 in Australia and the Asia-Pacific. The award is for a bold idea or project with the potential to transform the arts and cultural landscape. nida.edu.au/about-us/initiat…
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One reason people find it so hard to be happy is that they see the past better than it was, the present worse than it is, and the future less resolved than it will be.
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$15,000 grants available to NIDA Alumni. nida.edu.au/about-us/initiat…
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The National Institute of Dramatic Art in Australia's key trainer for the dramatic arts. We're offering grants of up to $15,000 to NIDA Alumni, or groups led by NIDA Alumni, for projects that push the boundaries of storytelling and technology. nida.edu.au/about-us/initiat…
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This is so true. Even as a local, whenever I go to catch a train in Sydney it takes unreasonable effort to work out the system. In other major international cities, the systems are often models of clarity. ⁦@TrainsInfo⁩ escape.com.au/destinations/a…
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https://xitter.cf/t.co/Ikgmy0r3rt “This is theatre. It's not a military base... There is no guns. There is books, pictures, cameras, musical instruments... They arrest us as artists. They destroy everything that shows that we have culture." @freedom_theatre is on the West Bank, not Gaza
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Clear and compelling insights from @louiseadler with @latingle asking exactly the right questions.
The decision of three actors in the Sydney Theatre Company's new production of The Seagull to wear the keffiyeh during curtain call sparked a frenzy of condemnation from members of the Jewish community. @latingle spoke to @louiseadler. #abc730
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David Berthold retweeted
Murder and greed propel Monteverdi's Poppea but really, says director @DavidBerthold, it’s a story of “humans being human". @sydneycon @NIDACommunity limelightmagazine.com.au/fea…
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Surtitles with opinions
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Storytelling and entertainment are being charged by new digital capabilities and challenged by a shift of authority from artist to audience. AI, the long-range possibilities of AR glasses, XR developments of all kinds, the maturation of gaming, the pull of transhumanism…
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… the demand for the individual experience and the complementary demand for the communal… so many forces at work. The NIDA Future Centre is being established to explore all this. Do you want to set it up, chose its focus, and run it? > shorturl.at/ryR15
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Storytelling and entertainment are being charged by new digital capabilities and challenged by a shift of authority from artist to audience. AI, the long-range possibilities of AR glasses, XR developments of all kinds, the maturation of gaming, the pull of transhumanism…
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… the demand for the individual experience and the complementary demand for the communal… so many forces at work. The NIDA Future Centre is being established to explore all this. Do you want to set it up, chose its focus, and run it? > shorturl.at/ryR15
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