SemiStable retweeted
the eternal struggle
#GodzillaMinusZero
I need to know what kind of hurricane that plane was flying through. What was that even about?
Replying to @DaSemiStable
Clayface (2026): 6.2/10
A film that does a lot of things just barely and then gives up. There's so many messages that get close to hitting. So many effects that almost adhere to a consistent visual identity, but they never are fully realized. Good, but feels like a letdown.
Send Help (2026): 7.8/10
This film definitely surprised me. The concept of having the protagonist and antagonist (in a way) swap roles about halfway through the film to highlight corruption is really cool. Sam Raimi maintains his style too, with some crazy shocking violence.
The Exorcist (1973): 8.2/10
This film is cool simply because of how confident it is. It's slow to a point that may bother some, but I found it effective. Despite how simple the plot is, the natural way it develops is enticing. How does it even start? Where is the true origin?
SemiStable retweeted
HAPPY BIRTHDAY to the Iconic and King of The Monsters himself, GODZILLA!!
Today is international GODZILLA DAY.
I love the Big G so much, he’s brought great happiness to my life.
HE IS THE REASON.
From his debut in ‘Gojira’ all the way back in 1954 to today's theatrical release of the 39th film in the franchise, ‘Godzilla Minus Zero’, the King of Monsters continues to dominate the screen!
SemiStable retweeted
Xenoluf has won Toho's New Monster General Election. #GodzillaDay
SemiStable retweeted
POV: you're Eshmel flying over House Lamine's coffee break
#FortunesWeave
Everyone upset or exited about a Persona 1 remake fighting
I'm just happy I now have an excuse to play persona 1 original and then the remake and have two new cool experiences
I find the Aigis romance idea to be a valid way of viewing it. However, I always saw her as a reflection of the robotic traits of the protagonist. Inspired by his freedom of choice, she sees a new possibility for her meaning outside of her program. That feels platonic to me.
Kids say the darndest things.
Replying to @DaSemiStable
The Exorcist (1973): 8.2/10
This film is cool simply because of how confident it is. It's slow to a point that may bother some, but I found it effective. Despite how simple the plot is, the natural way it develops is enticing. How does it even start? Where is the true origin?



























