SemiStable (@DaSemiStable) header
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22 • I play a ton of fighting games • Film lover

Joined December 2021
Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)Photo by SemiStable (@DaSemiStable)
SemiStable's 2026 media thread🧵
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I Photoshop Paddington into a movie, game, or TV show until I forget: Day 962
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the eternal struggle #GodzillaMinusZero
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SemiStable retweeted
フィーナ「わかっていますよね」
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I need to know what kind of hurricane that plane was flying through. What was that even about?
Replying to @DaSemiStable
Clayface (2026): 6.2/10 A film that does a lot of things just barely and then gives up. There's so many messages that get close to hitting. So many effects that almost adhere to a consistent visual identity, but they never are fully realized. Good, but feels like a letdown.
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Send Help (2026): 7.8/10 This film definitely surprised me. The concept of having the protagonist and antagonist (in a way) swap roles about halfway through the film to highlight corruption is really cool. Sam Raimi maintains his style too, with some crazy shocking violence.
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The Exorcist (1973): 8.2/10 This film is cool simply because of how confident it is. It's slow to a point that may bother some, but I found it effective. Despite how simple the plot is, the natural way it develops is enticing. How does it even start? Where is the true origin?
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Clayface (2026): 6.2/10 A film that does a lot of things just barely and then gives up. There's so many messages that get close to hitting. So many effects that almost adhere to a consistent visual identity, but they never are fully realized. Good, but feels like a letdown.
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72 Years of the King of the Monsters👑
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Happy Godzilla Day!
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SemiStable retweeted
HAPPY BIRTHDAY to the Iconic and King of The Monsters himself, GODZILLA!! Today is international GODZILLA DAY. I love the Big G so much, he’s brought great happiness to my life. HE IS THE REASON. From his debut in ‘Gojira’ all the way back in 1954 to today's theatrical release of the 39th film in the franchise, ‘Godzilla Minus Zero’, the King of Monsters continues to dominate the screen!
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HAPPY GODZILLA DAY TO THOSE WHO CELEBRATE!!!!!
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Xenoluf has won Toho's New Monster General Election. #GodzillaDay
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So this is what being a chiefs fan was like
HOW did Caleb escape this?! 🤯 📺: ESPN
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SemiStable retweeted
Biollante sketch
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SemiStable retweeted
POV: you're Eshmel flying over House Lamine's coffee break #FortunesWeave
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Persona fans will never beat the whiney baby allegations
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Everyone upset or exited about a Persona 1 remake fighting I'm just happy I now have an excuse to play persona 1 original and then the remake and have two new cool experiences
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I find the Aigis romance idea to be a valid way of viewing it. However, I always saw her as a reflection of the robotic traits of the protagonist. Inspired by his freedom of choice, she sees a new possibility for her meaning outside of her program. That feels platonic to me.
i’m sorry i see why you say that and would 100% agree but this is the game with Aigis in it who comes in half way and does a Lebron 3-1 comeback during the third act of the game
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The way Nathan Fielder says "Everyone!?!?!" Is so funny for some reason.
Amanda seyfried calling Charlie Kirk a fucking pussy to Elizabeth Holmes’ psychopath maga husband’s face lives in my head rent free.
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Kids say the darndest things.
Replying to @DaSemiStable
The Exorcist (1973): 8.2/10 This film is cool simply because of how confident it is. It's slow to a point that may bother some, but I found it effective. Despite how simple the plot is, the natural way it develops is enticing. How does it even start? Where is the true origin?
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