@CostEdinburgh
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Campaigning for greater transparency on costs for performing artists @edfringe to secure a fairer Fringe deal for artists, equal access and public awareness.
Edinburgh, Scotland
Joined August 2018
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🔊 UPDATE on the #CostofEdinburgh survey🔊
We're pleased to announce we are partnering with @CreateInf @edfringe to develop an expanded Performers and Creative Teams survey to launch in 2020, to gather detailed insight into finance, wellbeing and value at the festival. #EdFringe
The Cost of Edinburgh retweeted
And with that tightening of the circle, comes a huge impact on diversity.
#edfringe is where many arts programmers go to fill their schedule for the coming years; if only a few can afford the risk, will we see that narrowing reflected in our regional theatre/dance/comedy venues?
The Cost of Edinburgh retweeted
This is contrary to the original spirit of #edfringe, which was a celebration of performance staged by industry outsiders, in defiance of the rigid, vetted "programme" of the Edinburgh Int Festival.
It is becoming ever harder for Fringe artists to make it financially viable.
The Cost of Edinburgh retweeted
This is a brilliant insight from Donagh Horgan @UniStrathclyde:
"Rather than benefit from @edfringe growth, performers have become its main customers"
Have we allowed #edfringe to become a pyramid scheme for artists to pay for the promise of success rarely delivered?
@ohrhealy
‘Someone’s making money but it’s not us’ – the comics spurning the Edinburgh fringe theguardian.com/stage/2022/j…
65% of respondents to our 2018 survey reported the cost of #EdinburghFringe had a negative impact on their wellbeing. Two reported feeling suicidal. “Ultimately, only certain people can afford to take that risk." @clastone @ohrhealy
‘Someone’s making money but it’s not us’ – the comics spurning the Edinburgh fringe theguardian.com/stage/2022/j…
@clastone started the Cost of Edinburgh project in 2017:
“I set it up to ask, ‘What are people paying?’ ... There is no oversight. That is problematic. Nobody really knows where the money is going. It’s not going to the performers"
#EdinburghFringe #CostofEdinburgh
The Cost of Edinburgh retweeted
‘Someone’s making money but it’s not us’ – the comics spurning the Edinburgh fringe theguardian.com/stage/2022/j…
The Cost of Edinburgh retweeted
I spoke to the Guardian about my thoughts on performing at the Fringe. It feels scary saying these things publicly, like I’m betraying an unspoken rule and I’m going to get kicked out of comedy, but this article is important, and Rachael has done a brilliant job of writing it.
“Who is the fringe for? It should be for artists, but it feels like it’s for landlords.”
Do comedians still need to do the Fringe to progress their careers? I spoke to some who are skipping it this year, plus the researchers looking at the true costs theguardian.com/stage/2022/j…
The Cost of Edinburgh retweeted
Also in @guardiang2 today
ALT Photo of spread in The Guardian G2 with headline: ‘Someone’s making money - but it’s not us’
“Who is the fringe for? It should be for artists, but it feels like it’s for landlords.”
Do comedians still need to do the Fringe to progress their careers? I spoke to some who are skipping it this year, plus the researchers looking at the true costs theguardian.com/stage/2022/j…
The Cost of Edinburgh retweeted
Heres my guide to doing the Fringe cheaply, it's so simple!
1. No PR, no billboards/posters
2. Go unexpectedly viral online
3. Be from Edinburgh and sponge off friends and family
4. Eat only discarded chips
“Who is the fringe for? It should be for artists, but it feels like it’s for landlords.”
Do comedians still need to do the Fringe to progress their careers? I spoke to some who are skipping it this year, plus the researchers looking at the true costs theguardian.com/stage/2022/j…
The Cost of Edinburgh retweeted
“Who is the fringe for? It should be for artists, but it feels like it’s for landlords.”
Do comedians still need to do the Fringe to progress their careers? I spoke to some who are skipping it this year, plus the researchers looking at the true costs theguardian.com/stage/2022/j…
The Cost of Edinburgh retweeted
Thank you so much to @ohrhealy for taking on this sensitive and complex issue with great insight, and sharing the real impact on performers of #EdinburghFringe
It was eye opening to research the @CostEdinburgh and I'm glad it's being raised, but now we need to see progress!
“Who is the fringe for? It should be for artists, but it feels like it’s for landlords.”
Do comedians still need to do the Fringe to progress their careers? I spoke to some who are skipping it this year, plus the researchers looking at the true costs theguardian.com/stage/2022/j…
'The good thing is that some artists based in England will not have to self-exploit to such a degree. The bad thing is that it inevitably strengthens #edfringe's position [and] increases the desperation of artists and companies to get here.'
thestage.co.uk/opinion/2019/… via @TheStage
'The showcases must embrace those whose work is not going to be immediately exported to venues or festivals across the country, but who will benefit from being seen and the networks and relationships [at #edfringe]. Because they are the ones most in need of help to get here.'
This 'showcase might not just respond to the demands of #edfringe but [...] could be a force that helps shape its future development, and contribution to the whole ecology' of UK arts.
Great analysis of new @ace_national funding by @lyngardner @TheStage
thestage.co.uk/opinion/2019/…
The Cost of Edinburgh retweeted
Excellent speech from @itc_arts CEO Charlotte Jones: “It’s not just about making art, it’s about treating people well.”