
Curator of Communication Technologies @IngeniumCa // Adjunct Professor @Carleton_U // Sound, Museums, History // he/il
Ottawa, Ontario
Joined January 2011
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Calling all electronic music researchers 🎛️🎹: @Carleton_U's School for Studies in Art and Culture and @IngeniumCa just launched a new postdoctoral fellowship in Electronic Music History. Application details in link below:
ingeniumcanada.org/postdocto…
Tom Everrett retweeted
Carla Ayukawa worked with Ingenium’s @CommTechCurator to explore ways of collaborating with blind and low vision communities to create accessible and engaging virtual exhibitions.
Read about it: ow.ly/8zws50P3XwF
#AccessforAll #Accessibility
Latest update on the Electronic Sackbut project can be found below, including photos of work in progress. Happy to answer any questions 👋
ingeniumcanada.org/channel/a…
A look under the hood of the Electronic Sackbut synth reconstruction-in-progress. Keyboard and surface controls wired up. Next steps: making connections to digital sound engine and adapting physical/electronic components to best match functionality of the original 1948 instrument
Tom Everrett retweeted
Carlile Sea worked with Ingenium’s @CommTechCurator to explore strategies for representing accessibility in Ingenium’s artifact collection. You can read Carlile’s thoughts on the topic here: ow.ly/W5eO50OzN3T
Tom Everrett retweeted
This week is Open Ears Festival of Music and Sound!🔊🎵
They have an incredible lineup of performances and workshops for their 25th anniversary of the festival.
⏰June 1-4
📍Throughout #KW
For more details and festival passes, visit openears.ca
On December 17, 1972, Canadian scientists working in the Arctic descended into a plexiglass bubble anchored 40ft underwater and made a phone call to PM Pierre Elliott Trudeau. @IngeniumCa has the artifacts and curator @SEJaworski wrote a story about them:
ingeniumcanada.org/channel/a…
Big day for our Electronic Sackbut reconstruction project: the physical build is done! Just need to wire it up and start experimenting with the sound. Kudos to our fabricator Denis Larouche on such a brilliant job. Virtually indistinguishable from the original (1948) artifact. 🙌
A few years ago my team and I at @IngeniumCa reconstructed Alexander Graham Bell's macabre 1874 ear phonautograph. We're still trying to figure out what the original mouthpiece was made of. I just wrote a blog on it 👇 Any ideas? We'd love to hear them!
ingeniumcanada.org/channel/a…
James Mooney speaking at @nmc_canada on the tape recorder as electronic musical instrument. Note the instrument on centre stage: Hugh Le Caine's Special Purpose Tape Recorder (made in Ottawa, 1959). One of my fav artifacts at @IngeniumCa (on loan/exhibit at NMC). 🙌 – at Calgary, Alberta
Looking forward to presenting progress on the Electronic Sackbut reconstruction project at the 2022 American Musical Instrument Society Conference at @nmc_canada this am. If you're attending, please say hello! 🎹👋
Ever wonder what stethoscope artifacts can teach us about the history of sound culture in medicine? Aliisa Qureshi recently explored the question in her Ingenium Channel article below.
ingeniumcanada.org/channel/a… – at Ottawa, Ontario
This is such a cool project. Using AI to deliver therapeutic soundscapes "on demand," based on how the body is responding to stress. Read more in Corona Wang's blog post below.
ingeniumcanada.org/channel/a… – at Ottawa, Ontario
Milestone on the Electronic Sackbut (1948) reconstruction project today: custom "janky keyboard" is finished and looking 👌👌👌. Kudos to Denis Larouche, our fabricator, for his amazing work 🙌. [Image 1: 2022 reconstruction // Image 2: 1948 original]
If you're interested in electronic instrument heritage/conservation, join @AnnieKJamieson and I and friends for a conversation on just that tomorrow! Friday, 10am EST. Registration and programme here (free): mirn.org.uk/
More Sackbut: this orange mass was originally a sponge that made the lever kick back after you flicked it with your pinky finger (to adjust the attack of a note). Now it's crumbling to dust. We're measuring it to guess the original size and feel. The goal: "optimal flick."
Trying to determine the degree of action (up and down) on the Electronic Sackbut's keys, which have been affected by shifts in the wooden keyboard frame over time.














