Movie/TV Series thoughts mostly in the form of very long threads. DC Comics fan. #RebelMoon Era.
Joined February 2021
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In this 🧵 you will be able to find an analysis of the different DC lore references that appear in #BatmanvSuperman, all in chronological order. Where they appear in the movie, how they reference DC material, and why they might be important for the storyline in #BvS!
Clark Joe retweeted
A week ago today I attended #TheLastPhotograph premier at #TIFF. It was awesome to catch up with old friends again & meet some new ones. TLP is an incredible piece of #PowerfulArt, taking a brutal & affecting look at the perpetual cycles of eye-for-an-eye violence in our world…
Clark Joe retweeted
I happened to be in the same lobby as Zack Snyder and his daughter as we all headed into the theater for the #TIFF26 premiere of his movie #TheLastPhotograph
I wanted to ask for a photo but hesitated, not wanting to intrude on their happy moment. Instead, I did what Joe Wallace would have done, I captured it candidly, and it turned out beautifully.
Here is that picture and my spoiler-free review picksnpeeks.com/zack-snyders…
Clark Joe retweeted
Zack Snyder says a 'long gone' Warner Bros executive apologized & told him he was right about everything.
"I won’t say who it was, he said to me, “You know...I’ve got to tell you one thing: You were right about everything...“We were fighting you, & in the end you were right.”
Clark Joe retweeted
Zack Snyder rethinks his conception of images in THE LAST PHOTOGRAPH
Review by @MaxFromQuebec
insessionfilm.com/movie-revi…
Man I really want to watch #TheLastPhotograph
Zack Snyder confronts the instant backlash to his new movie "The Last Photograph," including accusations of misogyny and excessive violence towards women:
"The amount of energy and the amount of vitriol I find really incredible. 'I want to kill Zack Snyder.' 'Zack Snyder is a fascist.' 'Zack Snyder is a homophobe'... [The movie] is 'homoerotic' and 'transphobic' and 'fascist' and all these things... I mean, I don’t know. First of all, I would argue that the violence toward women and men is equal and that nobody is spared — men, women, children, everybody. The justice that’s doled out in the movie is in the same way that a hurricane doles out justice. To try and superimpose morality over it and want the violence to mean something — the meaning is that violence doesn’t work and doesn’t get anything done.
We’re all human. I guess in my feed, and this is just what my algorithm shows me, it’s a conversation. Even though I think it started out, 'Zack Snyder sucks!' 'F*ck him!' 'You fascist!' What happens now is, 'You guys are fucking crazy. This is just a movie. Calm down.'"
wp.me/pc8uak-1lHKvW
Clark Joe retweeted
It’s a #StoneQuarry kinda Sunday! ⚒️
Wishing Zack, Debbie and Wes all the best for #TheLastPhotograph 📷 world premier at #TIFF 🇨🇦
#PowerfulArt
Give me all the epicness, but also all the intimate parts of the journey #TheLastPhotograph
Clark Joe retweeted
🇨🇦 🫎🏒🍁
#TheLastPhotograph 👀
Clark Joe retweeted
I LOVE this slight review drop by the writer of TIFF.
The Last Photograph accrues an air of myth as it proceeds. Haunting flashbacks punctuate the present-tense voyage through a rich culture that Ethan barely comprehends. While the film’s imagery is characteristically rapturous, its focus on a single character creates a space for psychological gravitas of a kind only hinted at in Snyder's more maximalist visions. This is a Dante-esque road movie where the journey is just as internal as it is external.
The Last Photograph
Synopsis: Retired DEA agent Ethan Black (Martin) travels to South America in search of his missing nephew and niece, and to avenge the slaying of his brother, a diplomat, and sister-in-law. He is joined by Joe Wallace (Fee), a world-weary, drug-addicted conflict photographer who claims to have witnessed the kidnapping and brutal murder. As the pair journey deeper into a hostile, alpine landscape, unresolved events from Ethan’s troubled past burgeon in his psyche — and muddy his motivations for taking on this precarious mission.
Written by Snyder and regular collaborator Kurt Johnstad, The Last Photograph accrues an air of myth as it proceeds. Haunting flashbacks punctuate the present-tense voyage through a rich culture that Ethan barely comprehends. While the film’s imagery is characteristically rapturous, its focus on a single character creates a space for psychological gravitas of a kind only hinted at in Snyder's more maximalist visions. This is a Dante-esque road movie where the journey is just as internal as it is external.
Clark Joe retweeted
Excited to announce THE LAST PHOTOGRAPH World Premiere at #TIFF26! Sunday, September 13th at 6:30pm at John Bassett Theatre.